ah, yes,” said Porthos, who wished to appear to know the king’s tailor, but now heard his name mentioned for the first time; “to M. Percerin’s, by Jove! I was afraid he would be too busy.”
“Doubtless he will be; but be at ease, Porthos; he will do for me what he wouldn’t do for another. Only you must allow yourself to be measured!”
“Ah!” said Porthos, with a sigh, “‘tis vexatious, but what would you have me do?”
“Do? As others do; as the king does.”
“What! do they measure the king, too? does he put up with it?”
“The king is a beau, my good friend, and so are you, too, whatever you may say about it.”
Porthos smiled triumphantly. “Let us go to the king’s tailor,” he said; “and since he measures the king, I think, by my faith, I may do worse than allow him to measure me!”
Chapter III. Who Messire Jean Percerin Was
The king’s tailor, Messire Jean Percerin, occupied a rather large house in the Rue St. Honore, near the Rue de l’Arbre Sec. He was a man of great taste in elegant stuffs, embroideries, and velvets, being hereditary tailor to the king. The preferment of his house reached as far back as the time of Charles IX.; from whose reign dated, as we know, fancy in bravery difficult enough to gratify. The Percerin of that period was a Huguenot, like Ambrose Pare, and had been spared by the Queen of Navarre, the beautiful Margot, as they used to write and say, too, in those days; because, in sooth, he was the only one who could make for her those wonderful riding-habits which she so loved to wear, seeing that they were marvelously well suited to hide certain anatomical defects, which the Queen of Navarre used very studiously to conceal. Percerin being saved, made, out of gratitude, some beautiful black bodices, very inexpensively indeed, for Queen Catherine, who ended by being pleased at the preservation of a Huguenot people, on whom she had long looked with detestation. But Percerin was a very prudent man; and having heard it said that there was no more dangerous sign for a Protestant than to be smiled up on by Catherine, and having observed that her smiles were more frequent than usual, he speedily turned Catholic with all his family; and having thus become irreproachable, attained the lofty position of master tailor to the Crown of France. Under Henry III., gay king as he was, this position was as grand as the height of one of the loftiest peaks of the Cordilleras. Now Percerin had been a clever man all his life, and by way of keeping up his reputation beyond the grave, took very good care not to make a bad death of it, and so contrived to die very skillfully; and that at the very moment he felt his powers of invention declining. He left a son and a daughter, both worthy of the name they were called upon to bear; the son, a cutter as unerring and exact as the square rule; the daughter, apt at embroidery, and at designing ornaments. The marriage of Henry IV. and Marie de Medici, and the exquisite court-mourning for the afore-mentioned queen, together with a few words let fall by M. de Bassompiere, king of the beaux of the period, made the fortune of the second generation of Percerins. M. Concino Concini, and his wife Galligai, who subsequently shone at the French court, sought to Italianize the fashion, and introduced some Florentine tailors; but Percerin, touched to the quick in his patriotism and his self-esteem, entirely defeated these foreigners, and that so well that Concino was the first to give up his compatriots, and held the French tailor in such esteem that he would never employ any other, and thus wore a doublet of his on the very day that Vitry blew out his brains with a pistol at the Pont du Louvre.
And so it was a doublet issuing from M. Percerin’s workshop, which the Parisians rejoiced in hacking into so many pieces with the living human body it contained. Notwithstanding the favor Concino Concini had shown Percerin, the king, Louis XIII., had the generosity to bear no malice to his tailor, and to retain him in his service. At the time that Louis the Just afforded this great example of equity, Percerin had brought up two sons, one of whom made his debut at the marriage of Anne of Austria, invented that admirable Spanish costume, in which Richelieu danced a saraband, made the costumes for the tragedy of “Mirame,” and stitched on to Buckingham’s mantle those famous pearls which were destined to be scattered about the pavements of the Louvre. A man becomes easily notable who has made the dresses of a Duke of Buckingham, a M. de Cinq-Mars, a Mademoiselle Ninon, a M. de Beaufort, and a Marion de Lorme. And thus Percerin the third had attained the summit of his glory when his father died. This same Percerin III., old, famous and wealthy, yet further dressed Louis XIV.; and having no son, which was a great cause of sorrow to him, seeing that with himself his dynasty would end, he had brought up several hopeful pupils. He possessed a carriage, a country house, men-servants the tallest in Paris; and by special authority from Louis XIV., a pack of hounds. He worked for MM. de Lyonne and Letellier, under a sort of patronage; but politic man as he was, and versed in state secrets, he never succeeded in fitting M. Colbert. This is beyond explanation; it is a matter for guessing or for intuition. Great geniuses of every kind live on unseen, intangible ideas; they act without themselves knowing why. The great Percerin (for, contrary to the rule of dynasties, it was, above all, the last of the Percerins who deserved the name of Great), the great Percerin was inspired when he cut a robe for the queen, or a coat for the king; he could mount a mantle for Monsieur, the clock of a stocking for Madame; but, in spite of his supreme talent, he could never hit off anything approaching a creditable fit for M. Colbert. “That man,” he used often to say, “is beyond my art; my needle can never dot him down.” We need scarcely say that Percerin was M. Fouquet’s tailor, and that the superintendent highly esteemed him. M. Percerin was nearly eighty years old, nevertheless still fresh, and at the same time so dry, the courtiers used to say, that he was positively brittle. His renown and his fortune were great enough for M. le Prince, that king of fops, to take his arm when talking over the fashions; and for those least eager to pay never to dare to leave their accounts in arrear with him; for Master Percerin would for the first time make clothes upon credit, but the second never, unless paid for the former order.
It is easy to see at once that a tailor of such renown, instead of running after customers, made difficulties about obliging any fresh ones. And so Percerin declined to fit bourgeois, or those who had but recently obtained patents of nobility. A story used to circulate that even M. de Mazarin, in exchange for Percerin supplying him with a full suit of ceremonial vestments as cardinal, one fine day slipped letters of nobility into his pocket.
It was to the house of this grand llama of tailors that D’Artagnan took the despairing Porthos; who, as they were going along, said to his friend, “Take care, my good D’Artagnan, not to compromise the dignity of a man such as I am with the arrogance of this Percerin, who will, I expect, be very impertinent; for I give you notice, my friend, that if he is wanting in respect I will infallibly chastise him.”
“Presented by me,” replied D’Artagnan, “you have nothing to fear, even though you were what you are not.”
“Ah! ‘tis because – ”
“What? Have you anything against Percerin, Porthos?”
“I think that I once sent Mouston to a fellow of that name.”
“And then?”
“The fellow refused to supply me.”
“Oh, a misunderstanding, no doubt, which it will be now exceedingly easy to set right. Mouston must have made a mistake.”
“Perhaps.”
“He has confused the names.”
“Possibly. That rascal Mouston never can remember names.”
“I will take it all upon myself.”
“Very good.”
“Stop the carriage, Porthos; here we are.”
“Here!
