ancient bridge-house pleased him, and he closed with his opportunity. The Hit or Miss was as attractive to an artistic as most public-houses are to a thirsty soul When the Embankment was made, the bridge-house had been one of a street of similar quaint and many-gabled old buildings that leaned up against each other for mutual support near the rivers edge. But the Embankment slowly brought civilization that way: the dirty rickety old houses were both condemned and demolished, till at last only the tavern remained, with hoardings and empty spaces, and a dust-yard round it.
The house stood at what had been a corner. The red-tiled roof was so high-pitched as to be almost perpendicular. The dormer windows of the attics were as picturesque as anything in Nuremberg. The side-walls were broken in their surface by little odd red-tiled roofs covering projecting casements, and the house was shored up and supported by huge wooden beams. You entered (supposing you to enter a public-house) by a low-browed door in front, if you passed in as ordinary customers did. At one corner was an odd little board, with the old-fashioned sign:
“Jack’s Bridge House.
“Hit or Miss– Luck’s All.”
But there was a side-door, reached by walking down a covered way, over which the strong oaken rafters (revealed by the unflaking of the plaster) lay bent and warped by years and the weight of the building. From this door you saw the side, or rather the back, which the house kept for its intimates; a side even more picturesque with red-tiled roofs and dormer windows than that which faced the street. The passage led down to a slum, and on the left hand, as you entered, lay the empty space and the dust-yard where the carts were sheltered in sheds, or left beneath the sky, behind the ruinous hoarding.
Within, the Hit or Miss looked cosey enough to persons entering out of the cold and dark. There was heat, light, and a bar-parlor with a wide old-fashioned chimney-place, provided with seats within the ingle. On these little benches did Tommy and his friends make haste to place themselves, comfortably disposed, and thawing rapidly, in a room within a room, as it were; for the big chimney-place was like a little chamber by itself. Not on an ordinary night could such a party have gained admittance to the bar-parlor, where Maitland himself was wont to appear, now and then, when he visited the tavern, and to produce by his mere presence, and without in the least intending it, an Early Closing Movement.
But to-night was no common night, and Mrs. Gullick, the widowed landlady, or rather manager, was as eager to hear all the story of the finding of poor Dicky Shields as any of the crowd outside had been. Again and again the narrative was repeated, till conjecture once more began to take the place of assertion.
“I wonder,” asked one of the men, “how old Dicky got the money for a boose?”
“The money, ay, and the chance,” said another. “That daughter of his – a nice-looking girl she is – kept poor Dicky pretty tight.”
“Didn’t let him get – ” the epigrammatist of the company was just beginning to put in, when the brilliant witticism he was about to utter burst at once on the intellect of all his friends.
“Didn’t let him get tight, you was a-goin’ to say, Tommy,” howled three or four at once, and there ensued a great noise of the slapping of thighs, followed by chuckles which exploded, at intervals, like crackers.
“Dicky ‘ad been ‘avin’ bad times for long,” the first speaker went on. “I guess he ‘ad about tattooed all the parish as would stand a pint for tattooing. There was hardly a square inch of skin not made beautiful forever about here.”
“Ah! and there was no sale for his beastesses and bird-ses nuther; or else he was clean sold out, and hadn’t no capital to renew his stock of hairy cats and young parrots.”
“The very stuffed beasts, perched above old Dicky’s shop, had got to look real mangey and mouldy. I think I see them now: the fox in the middle, the long-legged moulting foreign bird at one end, and that ‘ere shiny old rhinoceros in the porch under them picters of the dying deer and t’other deer swimming. Poor old Dicky! Where he raised the price o’ a drain, let alone a booze, beats me, it does.”
“Why,” said Mrs. Gullick, who had been in the outer room during the conversation, “why, it was a sailor gentleman that stood Dicky treat A most pleasant-spoken man for a sailor, with a big black beard He used to meet Dicky here, in the private room up-stairs, and there Dicky used to do him a turn of his trade – tattooing him, like. ‘I’m doing him to pattern, mum,’ Dicky sez, sez he: ‘a facsimile o’ myself, mum.’ It wasn’t much they drank neither – just a couple of pints; for sez the sailor gentleman, he sez, ‘I’m afeared, mum, our friend here can’t carry much even of your capital stuff. We must excuse’ sez he, ‘the failings of an artis’; but I doesn’t want his hand to shake or slip when he’s a doin’ me,’ sez he. ‘Might > spile the pattern,’ he sez, ‘also hurt’ And I wouldn’t have served old Dicky with more than was good for him, myself, not if it was ever so, I wouldn’t I promised that poor daughter of his, before Mr. Maitland sent her to school – years ago now – I promised as I would keep an eye on her father, and speak of – A hangel, if here isn’t Mr. Maitland his very self!”
And Mrs. Gullick arose, with bustling courtesy, to welcome her landlord, the Fellow of St. Gatien’s.
Immediately there was a stir among the men seated in the ingle. One by one – some with a muttered pretence at excuse, others with shame-faced awkwardness – they shouldered and shuffled out of the room. Maitland’s appearance had produced its usual effect, and he was left alone with his tenant.
“Well, Mrs. Gullick,” said poor Maitland, ruefully, “I came here for a chat with our friends – a little social relaxation – on economic questions, and I seem to have frightened them all away.”
“Oh, sir, they’re a rough lot, and don’t think themselves company for the likes of you. But,” said Mrs. Gullick, eagerly – with the delight of the oldest aunt in telling the saddest tale – “you ‘ve heard this hawful story? Poor Miss Margaret, sir! It makes my blood – ”
What physiological effect on the circulation Mrs. Gullick was about to ascribe to alarming intelligence will never be known; for Maitland, growing a little more pallid than usual, interrupted her:
“What has happened to Miss Margaret? Tell me, quick!”
“Nothing to herself, poor lamb, but her poor father, sir.”
Maitland seemed sensibly relieved.
“Well, what about her father?”
“Gone, sir – gone! In a cartload o’ snow, this very evening, he was found, just outside o* this very door.”
“In a cartload of snow!” cried Maitland. “Do you mean that he went away in it, or that he was found in it dead?”
“Yes, indeed, sir; dead for many hours, the doctor said; and in this very house he had been no later than last night, and quite steady, sir, I do assure you. He had been steady – oh, steady for weeks.”
Maitland assumed an expression of regret, which no doubt he felt to a certain extent But in his sorrow there could not but have been some relief. For Maitland, in the course of his philanthropic labors, had known old Dicky Shields, the naturalist and professional tattooer, as a hopeless mauvais sujet. But Dicky’s daughter, Margaret, had been a daisy flourishing by the grimy waterside, till the young social reformer transplanted her to a school in the purer air of Devonshire. He was having her educated there, and after she was educated – why, then, Maitland had at one time entertained his own projects or dreams. In the way of their accomplishment
