The Works of Guy de Maupassant, Volume 2. Guy de Maupassant
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She hurried through the church, towards the open door, expecting to hear behind her the quick steps of her husband whom she had defied, and to be knocked to the ground by a blow of his fist, but she heard nothing, and reached her carriage. She jumped into it at a bound, overwhelmed with anguish, and breathless with fear; so she called out to the coachman: "Home!" and the horses set off at a quick trot.
II
Countess de Mascaret was waiting in her room for dinner time, like a criminal sentenced to death, awaits the hour of his execution. What was he going to do? Had he come home? Despotic, passionate, ready for any violence as he was, what was he meditating, what had he made up his mind to do? There was no sound in the house, and every moment she looked at the clock. Her lady's maid had come and dressed her for the evening, and had then left the room again. Eight o'clock struck and almost at the same moment there were two knocks at the door, and the butler came in and told her that dinner was ready.
"Has the Count come in?" "Yes, Madame la Comtesse; he is in the dining-room."
For a little moment she felt inclined to arm herself with a small revolver which she had bought some time previously, foreseeing the tragedy which was being rehearsed in her heart. But she remembered that all the children would be there, and she took nothing except a smelling bottle. He rose somewhat ceremoniously from his chair. They exchanged a slight bow, and sat down. The three boys, with their tutor, Abbé Martin, were on her right, and the three girls, with Miss Smith, their English governess, were on her left. The youngest child, who was only three months old, remained upstairs with his nurse.
The Abbé said grace as usual, when there was no company, for the children did not come down to dinner when there were guests present; then they began dinner. The Countess, suffering from emotion, which she had not at all calculated upon, remained with her eyes cast down, while the Count scrutinized, now the three boys, and now the three girls, with uncertain, unhappy looks, which traveled from one to the other. Suddenly, pushing his wine-glass from him, it broke, and the wine was spilt on the tablecloth, and at the slight noise caused by this little accident, the Countess started up from her chair, and for the first time they looked at each other. Then, almost every moment, in spite of themselves, in spite of the irritation of their nerves caused by every glance, they did not cease to exchange looks, rapid as pistol shots.
The Abbé, who felt that there was some cause for embarrassment which he could not divine, tried to get up the conversation, and he started various subjects, but his useless efforts gave rise to no ideas and did not bring out a word. The Countess, with feminine tact and obeying her instincts of a woman of the world, tried to answer him two or three times, but in vain. She could not find words, in the perplexity of her mind, and her own voice almost frightened her in the silence of the large room, where nothing else was heard except the slight sound of plates and knives and forks.
Suddenly, her husband said to her, bending forward: "Here, amidst your children, will you swear to me that what you told me just now, is true?"
The hatred which was fermenting in her veins, suddenly roused her, and replying to that question with the same firmness with which she had replied to his looks, she raised both her hands, the right pointing towards the boys and the left towards the girls, and said in a firm, resolute voice, and without any hesitation: "On the head of my children, I swear that I have told you the truth."
He got up, and throwing his table napkin onto the table with an exasperated movement, he turned round and flung his chair against the wall, and then went out without another word, while she, uttering a deep sigh, as if after a first victory, went on in a calm voice: "You must not pay any attention to what your father has just said, my darlings; he was very much upset a short time ago, but he will be all right again, in a few days."
Then she talked with the Abbé and with Miss Smith, and had tender, pretty words for all her children; those sweet spoiling mother's ways which unfold little hearts.
When dinner was over, she went into the drawing-room with all her little following. She made the elder ones chatter, and when their bedtime came she kissed them for a long time, and then went alone into her room.
She waited, for she had no doubt that he would come, and she made up her mind then, as her children were not with her, to defend her human skin, as she defended her life as a woman of the world; and in the pocket of her dress she put the little loaded revolver, which she had bought a few days previously. The hours went by, the hours struck, and every sound was hushed in the house. Only the cabs continued to rumble through the streets, but their noise was only heard vaguely through the shuttered and curtained windows.
She waited, energetic and nervous, without any fear of him now, ready for anything, and almost triumphant, for she had found means of torturing him continually, during every moment of his life.
But the first gleams of dawn came in through the fringe at the bottom of her curtains, without his having come into her room, and then she awoke to the fact, much to her stupefaction, that he was not coming. Having locked and bolted her door, for greater security, she went to bed at last, and remained there, with her eyes open, thinking, and barely understanding it all, without being able to guess what he was going to do.
When her maid brought her tea, she at the same time gave her a letter from her husband. He told her that he was going to undertake a long journey, and in a postscript he added that his lawyer would provide her with any sums of money she might require for all her expenses.
III
It was at the Opéra, between two of the acts in Robert the Devil. In the stalls, the men were standing up, with their hats on, their waistcoats cut very low so as to show a large amount of white shirt front, in which the gold and precious stones of their studs glistened, and were looking at the boxes full of ladies in low dresses, covered with diamonds and pearls, and who were expanding like flowers in that illuminated hothouse, where the beauty of the faces and the whiteness of their shoulders seemed to bloom in order to be looked at, in the midst of the music and of human voices.
Two friends, with their backs to the orchestra were scanning those rows of elegance, that exhibition of real or false charms, of jewels, of luxury and of pretensions which showed itself off all round the Grand-Théâtre, and one of them Roger de Salnis, said to his companion, Bernard Grandin: "Just look how beautiful Countess de Mascaret still is."
Then the older, in turn, looked through his opera glasses at a tall lady in a box opposite, who appeared to be still very young, and whose striking beauty seemed to appeal to the eyes in every corner of the house. Her pale complexion, of an ivory tint, gave her the appearance of a statue, while a small, diamond coronet glistened on her black hair like a milky way.
When he had looked at her for some time, Bernard Grandin replied with a jocular accent of sincere conviction: "You may well call her beautiful." "How old do you think she is?" "Wait a moment. I can tell you exactly, for I have known her since she was a child, and I saw her make her debut into society when she was quite a girl. She is … she is … thirty … thirty-six." "Impossible!" "I am sure of it." "She looks twenty-five." "She has had seven children." "It is incredible." "And what is more, they are all seven alive, as she is a very good mother. I go to the house, which is a very quiet and pleasant one, occasionally, and she realizes the phenomenon of the family in the midst