the beautiful woman with the dead eyes and the dead heart seemed to be destined to be the scourge of the Idealists, quite against her will, for scarcely had one unfolded his wings and flown away from her, than another fell out of the nest into her net.
A very young student, who was neither handsome, nor of good family, and certainly not rich or even well off, but who was enthusiastic, intellectual and impressionable, saw her as Marie Stuart in The Maid of Orleans, The Lady with the Camelias, and most of the plays of the best French play writers, for the manager was making experiments with her, and she was doing the same with her talents.
The poor student was enraptured with the celebrated actress, and at the same time conceived a passion for the woman, which bordered on madness.
He saved up penny by penny, he nearly starved himself, only in order that he might be able to pay for a seat in the gallery whenever she acted, and be able to devour her with his eyes. He always got a seat in the front row, for he was always outside three hours before the doors opened, so as to be one of the first to gain his Olympus, the seat of the theatrical enthusiasts; he grew pale, and his heart beat violently when she appeared; he laughed when she laughed, shed tears when she wept, applauded her, as if he had been paid to do it by the highest favors that a woman can bestow, and yet she did not know him, and was ignorant of his very existence.
The regular frequenters of the Court theater noticed him at last, and spoke about his infatuation for her, until at last she heard about him, but still did not know him, and although he could not send her any costly jewelry, and not even a bouquet, yet at last he succeeded in attracting her attention.
When she had been acting and the theater had been empty for a long time, and she left it, wrapped in valuable furs and got into the carriage of her banker, which was waiting for her at the stage door, he always stood there, often up to his ankles in snow, or in the pouring rain.
At first she did not notice him, but when her maid said something to her in a whisper on one occasion, she looked round in surprise, and he got a look from those large eyes, which were not dead then, but dark and bright; a look which recompensed him for all his sufferings and filled him with proud hopes, which constantly gained more power over the young Idealist, who was usually so modest.
At last there was a thorough, silent understanding between the theatrical princess and the dumb adorer. When she put her foot on the carriage step, she looked round at him, and every time he stood there, devouring her with his eyes; she saw it and got contentedly into her carriage, but she did not see how he ran after the carriage, and how he reached her house, panting for breath, when she did, nor how he lay down outside after the door had closed behind her.
One stormy summer night, when the wind was howling in the chimneys, and the rain was beating against the windows and on the pavement, the poor student was again lying on the stone steps outside her house, when the front door was opened very cautiously and quietly; for it was not the banker who was leaving the house, but a wealthy young officer whom the girl was letting out; he kissed the pretty little Cerebus as he put a gold coin into her hand, and then accidentally trod on the Idealist, who was lying outside.
They all three simultaneously uttered a cry; the girl blew out the candle, the officer instinctively half drew his sword, and the student ran away.
Ever since that night, the poor, crazy fellow went about with a dagger, which he concealed in his belt, and it was his constant companion to the theater, and the stage door, when the actress's carriage used to wait for her, and to her house, where he nightly kept his painful watch.
His first idea was to kill his fortunate rival, then himself, then the theatrical princess, but at last, he lay down again outside her door, or stood on the pavement and watched the shadows, that flitted hither and thither on her window, turned by the magic spell of the lovely actress.
And then, the most incredible thing happened, something which he could never have hoped for, and which he scarcely believed when it did occur.
One evening, when she had been playing a very important part, she kept the carriage waiting much longer than usual; but at last she appeared, and got into it; she did not shut the door, however, but beckoned to the young Idealist to follow her.
He was almost delirious with joy, just as a moment before he had been almost mad from despair, and obeyed her immediately, and during the drive he lay at her feet and covered her hands with kisses. She allowed it quietly and even merrily, and when the carriage stopped at her door, she let him lift her out of the carriage, and went upstairs leaning on his arm.
There, the lady's maid showed him into a luxuriously furnished drawing-room, while the actress changed her dress.
Presently she appeared in her dressing gown, sat down carelessly in an easy chair, and asked him to sit down beside her.
"You take a great interest in me?" she said.
"You are my ideal!" the student cried enthusiastically.
The theatrical princess smiled, and said:
"Well, I will at any rate be an honest ideal; I will not deceive you, and you shall not be able to say that I have misused your youthful enthusiasm. I will give myself to you…"
"Oh! Heavens!" the poor Idealist exclaimed, throwing himself at her feet.
"Wait a moment! Wait a moment!" she said with a smile. "I have not finished yet. I can only love a man who is in a position to provide me with all those luxuries which an actress, or, if you like, which I cannot do without. As far as I know, you are poor, but I will belong to you, only for to-night, however, and in return you must promise me not to rave about me, or to follow me, from to-night. Will you do this?"
The wretched Idealist was kneeling before her; he was having a terrible mental struggle.
"Will you promise me to do this?" she said again.
"Yes," he said, almost groaning.
The next morning a man, who had buried his Ideal, tottered downstairs. He was pale enough; almost as pale as a corpse; but in spite of this, he is still alive, and if he has any Ideal at all at present, it is certainly not a theatrical princess.
STABLE PERFUME
Three ladies belonging to that class of society which has nothing useful to do, and therefore does not know how to employ its time sensibly, were sitting on a bench in the shade of some pine trees at Ischl, and were talking incidentally of their preference for all sorts of smells.
One of the ladies, Princess F – , a slim, handsome brunette, declared there was nothing like the smell of Russian leather; she wore dull brown Russian leather boots, a Russian leather dress suspender, to keep her petticoats out of the dirt and dust, a Russian leather belt which spanned her wasp-like waist, carried a Russian leather purse, and even wore a brooch and bracelet of gilt Russian leather; people declared that her bedroom was papered with Russian leather, and that her lover was obliged to wear high Russian leather boots and tight breeches, but that on the other hand, her husband was excused from wearing anything at all in Russian leather.
Countess H – , a very stout lady, who had formerly been very beautiful and of a very loving nature, but loving after the fashion of her time à la Parthenia and Griseldis, could not get over the vulgar taste of the young Princess. All she cared for was the smell of hay, and she it was who brought the scent New Mown Hay into fashion. Her ideal was a freshly mown field in the moonlight, and when she rolled slowly along, she looked like a moving haystack, and exhaled an odor of hay all about her.
The third lady's taste was even more peculiar
