correspondent has led you into a mistake with regard to the tale of The Vampyre—which is not Lord Byron's, but was written entirely by me at the request of a lady, who (upon my mentioning that his Lordship had said that it was his intention of writing a ghost story, depending for interest upon the circumstances of two friends leaving England, and one dying in Greece, the other finding him alive, upon his return, and making love to his sister) saying that she thought it impossible to work up such materials, desired I would write it for her, which I did in two idle mornings by her side. These circumstances above mentioned, and the one of the dying man having obtained an oath that the survivor should not in any way disclose his decease, are the only parts of the tale belonging to his Lordship. I desire, therefore, that you will positively contradict your statement in the next number, by the insertion of this note.
With regard to my own tale, it is imperfect and unfinished. I had rather therefore it should not appear in the magazine; and, if the Editor had sent his communication, as he mentions, he would have been spared this mistake.
But, sir, there is one circumstance of which I must request a further explanation. I observe upon the back of your publication the announcement of a separate edition. Now, upon buying this, I find that it states in the title-page that it was entered into Stationers' Hall upon March 27, consequently before your magazine was published. I wish therefore to ask for information how this tale passed from the hands of your Editor into those of a publisher.
As it is a mere trifle, I should have had no objection to its appearing in your magazine, as I could, in common with any other, have extracted it thence, and republished it. But I shall not sit patiently by and see it taken without my consent, and appropriated by any person. As therefore it must have passed through your hands (as stated in the magazine) from a correspondent, I shall expect that you will account to me for the publishers, Messrs. Sherwood and Neely, having possession of it and appropriating it to themselves; and demand either that a compensation be made me, or that its separate publication be instantly suppressed.
Hoping for an immediate answer, which will save me the trouble of obtaining an injunction, I remain,
Sir,
As you were the first person to whom I wrote to state that the tale of The Vampyre was not Lord Byron's, I beg you to insert the following statement in your paper.... The tale, as I stated to you in my letter, was written upon the foundation of a purposed and begun story of Lord Byron's.... Lord Byron, in a letter dated Venice, stated that he knew nothing of the Vampyre story, and hated vampyres; but, while this letter was busily circulating in all the London and provincial papers, the fragment at the end of Mazeppa was in the hands of his publishers in Albemarle Street, with the date of June 17, 1816, attached to it, being the beginning of his tale upon this very foundation. My development was written on the Continent, and left with a lady at whose request it was undertaken; in the course of three mornings by her side it was produced, and left with her. From her hands, by means of a correspondent, without my knowledge, it came into those of the Editor of The New Monthly, with a letter stating it to be an ébauche of Lord Byron's. Mr. Watts, as Editor of that magazine, stated in his notice that the tale which accompanies the letters "we also present to our readers without pledging ourselves for its authenticity as the production of Lord Byron"; and he continues, "We should suppose it to have been committed to paper rather from the recital of a third person." This, however, after the publication of 700 copies, was cancelled by the publisher, and another notice inserted stating it to be decidedly his Lordship's, in direct opposition (as I am informed) to the Editor's will—who has since retired from the conduct of the magazine.
Immediately it was published I procured a copy; and, upon finding that it was an almost forgotten trifle of my own, instantly wrote to you as Editor of The Morning Chronicle, stating the little share Lord Byron had in the work. This was upon the Friday evening after its publication. I at the same time wrote to the publishers of the tale in its separate form, and to those of the magazine, to stop its sale under his Lordship's name. On Monday the publishers of the magazine called upon me, and promised it should be instantly announced as mine.... When I came to claim my share in the profits, I was offered £30, instead of nearly £300....
The prefatory note to The Vampyre, in The New Monthly Magazine, runs thus: "We received several private letters in the course of last autumn from a friend travelling on the Continent, and among others the following, which we give to the public on account of its containing anecdotes of an individual concerning whom the most trifling circumstances, if they tend to mark even the minor features of his mind, cannot fail of being considered important and valuable by those who know how to appreciate his erratic but transcendent genius. The tale which accompanied the letter we have also much pleasure in presenting to our readers.—Ed." There is also a final note thus: "We have in our possession the tale of Dr. –, as well as the outline of that of Miss Godwin. The latter has already appeared under the title of Frankenstein, or The Modern Prometheus. The former, however, upon consulting with its author, we may probably hereafter give to our readers.—Ed."
Two questions arise as to that prefatory note: (1) Did the Editor really write it, or did the Publisher Colburn write it? (2) Is the averment true or false that the Editor (or the Publisher) had received in the course of the preceding autumn "several private letters" from the same person who had now forwarded a letter enclosing The Vampyre?
Murray wrote to Lord Byron on April 27, 1819. He speaks of the publication of The Vampyre in The New Monthly Magazine, and afterwards in book-form, and proceeds: "The Editor of that journal has quarrelled with the Publisher, and has called this morning to exculpate himself from the baseness of the transaction. He says that he received it from Dr. Polidori for a small sum; Polidori averring that the whole plan of it was yours, and that it was merely written out by him. The Editor inserted it with a short statement to this effect; but, to his astonishment, Colburn cancelled the leaf.... He informs me that Polidori, finding that the sale exceeded his expectation and that he had sold it too cheap, went to the Editor and declared that he would deny it."
This statement by Murray makes it probable that the paragraph purporting to come from the Editor, or some substantial part of it, really emanated from the Publisher, and the same is definitely asserted in Polidori's letter to The Morning Chronicle; but Murray's letter does not settle the question whether the allegation about a traveller at Geneva was true or false. The Editor's assertion that "he received it from Dr. Polidori for a small sum" does not by any means clear up all the facts. It seems quite possible that there really was a correspondent at Geneva who sent to the Editor the MS. of The Vampyre, along with that of Polidori's other tale, and an outline of Mary Shelley's Frankenstein, as expressly affirmed in the final note signed "Ed."; and that the Editor, having no right to publish The Vampyre unless by authority of its writer, spoke to Polidori about it. How could Polidori dispose of it "for a small sum" if he alleged that it was written by Byron, or by any one other than himself? He averred "that the whole plan of it was" Byron's—and this is apparently true; adding "that it was merely written out by" himself—in the sense not of having written from Byron's dictation, but of having composed a story founded upon Byron's intended incidents. Murray's final phrase—that Polidori "went to the Editor, and declared that he would deny it"—is loosely expressed, but seems to mean that he would deny Byron's authorship of The Vampyre—and so in fact he did.
If we suppose (as did Murray apparently) that Polidori had in the first instance planned a deliberate imposture, and had palmed off upon the Editor The Vampyre as being virtually the writing of Byron, we are encountered by three difficulties left unexplained: (1) What plea could Polidori advance for having the MS. and the right of publishing it? (2) Why did he sell for "a small sum" a work which, if written by the world-famous Lord Byron, would be worth a very considerable sum? (3) Why did
