one could possibly see? And was he not the son of an obscure Westphalian farmer, a person who in his youth had sat barefoot watching pigs? It is true he had learning, and culture, and a big head with plenty of brains in it, and the Countess Disthal had a small head, hardly any brains, no soul to speak of, and no education. This, I say, is true; but it is also neither here nor there. The Countess was the Countess, and Fritzing was a nobody, and the condescension she showed him was far more grand ducal than anything in that way that Priscilla could or ever did produce.
Fritzing, unusually gifted, and enterprising from the first—which explains the gulf between pig-watching and Hofbibliothekar—had spent ten years in Paris and twenty in England in various capacities, but always climbing higher in the world of intellect, and had come during this climbing to speak English quite as well as most Englishmen, if in a statelier, Johnsonian manner. At fifty he began his career in Kunitz, and being a lover of children took over the English education of the three princesses; and now that they had long since learned all they cared to know, and in Priscilla's case all of grammar at least that he had to teach, he invented a talent for drawing in Priscilla, who could not draw a straight line, much less a curved one, so that she should still be able to come to the library as often as she chose on the pretext of taking a drawing-lesson. The Grand Duke's idea about his daughters was that they should know a little of everything and nothing too well; and if Priscilla had said she wanted to study Shakespeare with the librarian he would have angrily forbidden it. Had she not had ten years for studying Shakespeare? To go on longer than that would mean that she was eager, and the Grand Duke loathed an eager woman.
But he had nothing to say against a little drawing; and it was during the drawing-lessons of the summer Priscilla was twenty-one that the Countess Disthal slept so peacefully. The summer was hot, and the vast room cool and quiet. The time was three o'clock—immediately, that is, after luncheon. Through the narrow open windows sweet airs and scents came in from the bright world outside. Sometimes a bee would wander up from the fruit-gardens below, and lazily drone round shady corners. Sometimes a flock of pigeons rose swiftly in front of the windows, with a flash of shining wings. Every quarter of an hour the cathedral clock down in the town sent up its slow chime. Voices of people boating on the river floated up too, softened to melodiousness. Down at the foot of the hill the red roofs of the town glistened in the sun. Beyond them lay the sweltering cornfields. Beyond them forests and villages. Beyond them a blue line of hills. Beyond them, said Priscilla to herself, freedom. She sat in her white dress at a table in one of the deep windows, her head on its long slender neck, where the little rings of red-gold hair curled so prettily, bent over the drawing-board, her voice murmuring ceaselessly, for time was short and she had a great many things to say. At her side sat Fritzing, listening and answering. Far away in the coolest, shadiest corner of the room slumbered the Countess. She was lulled by the murmured talk as sweetly as by the drone of the bee.
"Your Grand Ducal Highness receives many criticisms and much advice on the subject of drawing from the Herr Geheimrath?" she said one day, after a lesson during which she had been drowsily aware of much talk.
"The Herr Geheimrath is most conscientious," said Priscilla in the stately, it-has-nothing-to-do-with-you sort of tone she found most effectual with the Countess; but she added a request under her breath that the lieber Gott might forgive her, for she knew she had told a fib.
Indeed, the last thing that Fritzing was at this convulsed period of his life was what his master would have called conscientious. Was he not encouraging the strangest, wickedest, wildest ideas in the Princess? Strange and wicked and wild that is from the grand ducal point of view, for to Priscilla they seemed all sweetness and light. Fritzing had a perfect horror of the Grand Duke. He was everything that Fritzing, lean man of learning, most detested. The pleasantest fashion of describing the Grand Duke will be simply to say that he was in all things, both of mind and body, the exact opposite of Fritzing. Fritzing was a man who spent his time ignoring his body and digging away at his mind. You know the bony aspect of such men. Hardly ever is there much flesh on them; and though they are often ugly enough, their spirit blazes at you out of wonderful eyes. I call him old Fritzing, for he was sixty. To me he seemed old; to Priscilla at twenty he seemed coeval with pyramids and kindred hoarinesses; while to all those persons who were sixty-one he did not seem old at all. Only two things could have kept this restless soul chained to the service of the Grand Duke, and those two things were the unique library and Priscilla. For the rest, his life at Kunitz revolted him. He loathed the etiquette and the fuss and the intrigues of the castle. He loathed each separate lady-in-waiting, and every one of the male officials. He loathed the vulgar abundance and inordinate length and frequency of the meals, when down in the town he knew there were people a-hungered. He loathed the lacqueys with a quite peculiar loathing, scowling at them from under angry eyebrows as he passed from his apartment to the library; yet such is the power of an independent and scornful spirit that though they had heard all about Westphalia and the pig-days never once had they, who made insolence their study, dared be rude to him.
Priscilla wanted to run away. This, I believe, is considered an awful thing to do even if you are only a housemaid or somebody's wife. If it were not considered awful, placed by the world high up on its list of Utter Unforgivablenesses, there is, I suppose, not a woman who would not at some time or other have run. She might come back, but she would surely have gone. So bad is it held to be that even a housemaid who runs is unfailingly pursued by maledictions more or less definite according to the education of those she has run from; and a wife who runs is pursued by social ruin, it being taken for granted that she did not run alone. I know at least two wives who did run alone. Far from wanting yet another burden added to them by adding to their lives yet another man, they were anxiously endeavouring to get as far as might be from the man they had got already. The world, foul hag with the downcast eyes and lascivious lips, could not believe it possible, and was quick to draw its dark mantle of disgrace over their shrinking heads. One of them, unable to bear this, asked her husband's pardon. She was a weak spirit, and now lives prostrate days, crushed beneath the unchanging horror of a husband's free forgiveness. The other took a cottage and laughed at the world. Was she not happy at last, and happy in the right way? I go to see her sometimes, and we eat the cabbages she has grown herself. Strange how the disillusioned find their peace in cabbages.
Priscilla, then, wanted to run away. What is awful in a housemaid and in anybody's wife became in her case stupendous. The spirit that could resolve it, decide to do it without being dragged to it by such things as love or passion, calmly looking the risks and losses in the face, and daring everything to free itself, was, it must be conceded, at least worthy of respect. Fritzing thought it worthy of adoration; the divinest spirit that had ever burned within a woman. He did not say so. On the contrary, he was frightened, and tried angrily, passionately, to dissuade. Yet he knew that if she wavered he would never forgive her; she would drop at once from her high estate into those depths in his opinion where the dull average of both sexes sprawled for ever in indiscriminate heaps. Priscilla never dreamed of wavering. She, most poetic of princesses, made apparently of ivory and amber, outwardly so cool and serene and gentle, was inwardly on fire. The fire, I should add, burnt with a very white flame. Nothing in the shape of a young man had ever had the stoking of it. It was that whitest of flames that leaps highest at the thought of abstractions—freedom, beauty of life, simplicity, and the rest. This, I would remark, is a most rare light to find burning in a woman's breast. What she was, however, Fritzing had made her. True the material had been extraordinarily good, and for ten years he had done as he liked with it. Beginning with the simpler poems of Wordsworth—he detested them, but they were better than soiling her soul with Longfellow and Mrs. Hemans—those lessons in English literature, meant by the authorities to be as innocuous to her as to her sisters, had opened her eyes in a way nothing else could have done to the width of the world and the littleness of Kunitz. With that good teacher, as eager to lead as she to follow, she wandered down the splendid walks of culture, met there the best people of all ages, communed with mighty souls, heard how they talked, saw how they lived, and none, not one, lived and talked as they lived and talked at Kunitz.
Imagine a girl influenced for ten years, ten of her softest most wax-like years, by a Fritzing, taught to love freedom, to see the beauty of plain things, of quietness,
