it. The tree was aground, and, by the position of the light and the noise of the surf, aground upon the Dedlow Marsh.
Had it not been for her baby, who was ailing and croupy, had it not been for the sudden drying up of that sensitive fountain, she would have felt safe and relieved. Perhaps it was this which tended to make all her impressions mournful and gloomy. As the tide rapidly fell, a great flock of black brent fluttered by her, screaming and crying. Then the plover flew up and piped mournfully as they wheeled around the trunk, and at last fearlessly lit upon it like a gray cloud. Then the heron flew over and around her, shrieking and protesting, and at last dropped its gaunt legs only a few yards from her. But, strangest of all, a pretty white bird, larger than a dove—like a pelican, but not a pelican—circled around and around her. At last it lit upon a rootlet of the tree, quite over her shoulder. She put out her hand and stroked its beautiful white neck, and it never appeared to move. It stayed there so long that she thought she would lift up the baby to see it, and try to attract her attention. But when she did so, the child was so chilled and cold, and had such a blue look under the little lashes which it didn’t raise at all, that she screamed aloud, and the bird flew away, and she fainted.
Well, that was the worst of it, and perhaps it was not so much, after all, to any but herself. For when she recovered her senses it was bright sunlight, and dead low water. There was a confused noise of guttural voices about her, and an old squaw, singing an Indian “hushaby,” and rocking herself from side to side before a fire built on the marsh, before which she, the recovered wife and mother, lay weak and weary. Her first thought was for her baby, and she was about to speak, when a young squaw, who must have been a mother herself, fathomed her thought and brought her the “mowitch,” pale but living, in such a queer little willow cradle all bound up, just like the squaw’s own young one, that she laughed and cried together, and the young squaw and the old squaw showed their big white teeth and glinted their black eyes and said, “Plenty get well, skeena mowitch,” “wagee man come plenty soon,” and she could have kissed their brown faces in her joy. And then she found that they had been gathering berries on the marsh in their queer, comical baskets, and saw the skirt of her gown fluttering on the tree from afar, and the old squaw couldn’t resist the temptation of procuring a new garment, and came down and discovered the “wagee” woman and child. And of course she gave the garment to the old squaw, as you may imagine, and when HE came at last and rushed up to her, looking about ten years older in his anxiety, she felt so faint again that they had to carry her to the canoe. For, you see, he knew nothing about the flood until he met the Indians at Utopia, and knew by the signs that the poor woman was his wife. And at the next high tide he towed the tree away back home, although it wasn’t worth the trouble, and built another house, using the old tree for the foundation and props, and called it after her, “Mary’s Ark!” But you may guess the next house was built above high-water mark. And that’s all.
Not much, perhaps, considering the malevolent capacity of the Dedlow Marsh. But you must tramp over it at low water, or paddle over it at high tide, or get lost upon it once or twice in the fog, as I have, to understand properly Mary’s adventure, or to appreciate duly the blessings of living beyond High-Water Mark.
A LONELY RIDE
As I stepped into the Slumgullion stage I saw that it was a dark night, a lonely road, and that I was the only passenger. Let me assure the reader that I have no ulterior design in making this assertion. A long course of light reading has forewarned me what every experienced intelligence must confidently look for from such a statement. The storyteller who willfully tempts Fate by such obvious beginnings; who is to the expectant reader in danger of being robbed or half-murdered, or frightened by an escaped lunatic, or introduced to his ladylove for the first time, deserves to be detected. I am relieved to say that none of these things occurred to me. The road from Wingdam to Slumgullion knew no other banditti than the regularly licensed hotelkeepers; lunatics had not yet reached such depth of imbecility as to ride of their own free will in California stages; and my Laura, amiable and long-suffering as she always is, could not, I fear, have borne up against these depressing circumstances long enough to have made the slightest impression on me.
I stood with my shawl and carpetbag in hand, gazing doubtingly on the vehicle. Even in the darkness the red dust of Wingdam was visible on its roof and sides, and the red slime of Slumgullion clung tenaciously to its wheels. I opened the door; the stage creaked easily, and in the gloomy abyss the swaying straps beckoned me, like ghostly hands, to come in now and have my sufferings out at once.
I must not omit to mention the occurrence of a circumstance which struck me as appalling and mysterious. A lounger on the steps of the hotel, who I had reason to suppose was not in any way connected with the stage company, gravely descended, and walking toward the conveyance, tried the handle of the door, opened it, expectorated in the carriage, and returned to the hotel with a serious demeanor. Hardly had he resumed his position when another individual, equally disinterested, impassively walked down the steps, proceeded to the back of the stage, lifted it, expectorated carefully on the axle, and returned slowly and pensively to the hotel. A third spectator wearily disengaged himself from one of the Ionic columns of the portico and walked to the box, remained for a moment in serious and expectorative contemplation of the boot, and then returned to his column. There was something so weird in this baptism that I grew quite nervous.
Perhaps I was out of spirits. A number of infinitesimal annoyances, winding up with the resolute persistency of the clerk at the stage office to enter my name misspelt on the waybill, had not predisposed me to cheerfulness. The inmates of the Eureka House, from a social viewpoint, were not attractive. There was the prevailing opinion—so common to many honest people—that a serious style of deportment and conduct toward a stranger indicates high gentility and elevated station. Obeying this principle, all hilarity ceased on my entrance to supper, and general remark merged into the safer and uncompromising chronicle of several bad cases of diphtheria, then epidemic at Wingdam. When I left the dining-room, with an odd feeling that I had been supping exclusively on mustard and tea leaves, I stopped a moment at the parlor door. A piano, harmoniously related to the dinner bell, tinkled responsive to a diffident and uncertain touch. On the white wall the shadow of an old and sharp profile was bending over several symmetrical and shadowy curls. “I sez to Mariar, Mariar, sez I, ‘Praise to the face is open disgrace.’” I heard no more. Dreading some susceptibility to sincere expression on the subject of female loveliness, I walked away, checking the compliment that otherwise might have risen unbidden to my lips, and have brought shame and sorrow to the household.
It was with the memory of these experiences resting heavily upon me that I stood hesitatingly before the stage door. The driver, about to mount, was for a moment illuminated by the open door of the hotel. He had the wearied look which was the distinguishing expression of Wingdam. Satisfied that I was properly waybilled and receipted for, he took no further notice of me. I looked longingly at the box seat, but he did not respond to the appeal. I flung my carpetbag into the chasm, dived recklessly after it, and—before I was fairly seated—with a great sigh, a creaking of unwilling springs, complaining bolts, and harshly expostulating axle, we moved away. Rather the hotel door slipped behind, the sound of the piano sank to rest, and the night and its shadows moved solemnly upon us.
To say it was dark expressed but faintly the pitchy obscurity that encompassed the vehicle. The roadside trees were scarcely distinguishable as deeper masses of shadow; I knew them only by the peculiar sodden odor that from time to time sluggishly flowed in at the open window as we rolled by. We proceeded slowly; so leisurely that, leaning from the carriage, I more than once detected the fragrant sigh of some astonished cow, whose ruminating repose upon the highway we had ruthlessly disturbed. But in the darkness our progress, more the guidance of some mysterious instinct than any apparent volition of our own, gave an indefinable charm of security to our journey that a moment’s hesitation or indecision on the part of the driver would have destroyed.
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