the tale of Tuor and the Fall of Gondolin it goes back to the very beginnings, and is extant in an early prose narrative (one of the ‘Lost Tales’) and in a long, unfinished poem in alliterative verse. But whereas the later ‘long version’ of Tuor never proceeded very far, my father carried the later ‘long version’ of Túrin much nearer completion. This is called Narn i Hîn Húrin; and this is the narrative that is given in the present book.
There are however great differences in the course of the long Narn in the degree to which the narrative approaches a perfected or final form. The concluding section (from The Return of Túrin to Dor-lómin to The Death of Túrin) has undergone only marginal editorial alteration; while the first section (to the end of Túrin in Doriath) required a good deal of revision and selection, and in some places some slight compression, the original texts being scrappy and disconnected. But the central section of the narrative (Túrin among the outlaws, Mîm the Petty-dwarf, the land of Dor-Cúarthol, the death of Beleg at Túrin’s hand, and Túrin’s life in Nargothrond) constituted a much more difficult editorial problem. The Narn is here at its least finished, and in places diminishes to outlines of possible turns in the story. My father was still evolving this part when he ceased to work on it; and the shorter version for The Silmarillion was to wait on the final development of the Narn. In preparing the text of The Silmarillion for publication I derived, by necessity, much of this section of the tale of Túrin from these very materials, which are of quite extraordinary complexity in their variety and interrelations.
For the first part of this central section, as far as the beginning of Túrin’s sojourn in Mîm’s dwelling on Amon Rûdh, I have contrived a narrative, in scale commensurate with other parts of the Narn, out of the existing materials (with one gap, see p. 124 and note 12); but from that point onwards (see p. 135) until Túrin’s coming to Ivrin after the fall of Nargothrond I have found it unprofitable to attempt it. The gaps in the Narn are here too large, and could only be filled from the published text of The Silmarillion; but in an Appendix (pp. 193 ff.) I have cited isolated fragments from this part of the projected larger narrative.
In the third section of the Narn (beginning with The Return of Túrin to Dor-lómin) a comparison with The Silmarillion (pp. 215 – 26) will show many close correspondences, and even identities of wording; while in the first section there are two extended passages that I have excluded from the present text (see p. 76 and note 1, and p. 86 and note 2), since they are close variants of passages that appear elsewhere and are included in the published Silmarillion. This overlapping and interrelation between one work and another may be explained in different ways, from different points of view. My father delighted in re-telling on different scales; but some parts did not call for more extended treatment in a larger version, and there was no need to rephrase for the sake of it. Again, when all was still fluid and the final organisation of the distinct narratives still a long way off, the same passage might be experimentally placed in either. But an explanation can be found at a different level. Legends like that of Túrin Turambar had been given a particular poetic form long ago – in this case, the Narn i Hîn Húrin of the poet Dírhavel – and phrases, or even whole passages, from it (especially at moments of great rhetorical intensity, such as Túrin’s address to his sword before his death) would be preserved intact by those who afterwards made condensations of the history of the Elder Days (as The Silmarillion is conceived to be).
PART TWO
I
A Description of the Island of Númenor
Although descriptive rather than narrative, I have included selections from my father’s account of Númenor, more especially as it concerns the physical nature of the Island, since it clarifies and naturally accompanies the tale of Aldarion and Erendis. This account was certainly in existence by 1965, and was probably written not long before that.
I have redrawn the map from a little rapid sketch, the only one, as it appears, that my father ever made of Númenor. Only names or features found on the original have been entered on the redrawing. In addition, the original shows another haven on the Bay of Andúnië, not far to the westward of Andúnië itself; the name is hard to read, but is almost certainly Almaida. This does not, so far as I am aware, occur elsewhere.
II
Aldarion and Erendis
This story was left in the least developed state of all the pieces in this collection, and has in places required a degree of editorial rehandling that made me doubt the propriety of including it. However, its very great interest as the single story (as opposed to records and annals) that survived at all from the long ages of Númenor before the narrative of its end (the Akallabêth), and as a story unique in its content among my father’s writings, persuaded me that it would be wrong to omit it from this collection of ‘Unfinished Tales’.
To appreciate the necessity for such editorial treatment it must be explained that my father made much use, in the composition of narrative, of ‘plot-outlines’, paying meticulous attention to the dating of events, so that these outlines have something of the appearance of annal-entries in a chronicle. In the present case there are no less than five of these schemes, varying constantly in their relative fullness at different points and not infrequently disagreeing with each other at large and in detail. But these schemes always had a tendency to move into pure narrative, especially by the introduction of short passages of direct speech; and in the fifth and latest of the outlines for the story of Aldarion and Erendis the narrative element is so pronounced that the text runs to some sixty manuscript pages.
This movement away from a staccato annalistic style in the present tense into fullblown narrative was however very gradual, as the writing of the outline progressed; and in the earlier part of the story I have rewritten much of the material in the attempt to give some degree of stylistic homogeneity throughout its course. This rewriting is entirely a matter of wording, and never alters meaning or introduces unauthentic elements.
The latest ‘scheme’, the text primarily followed, is entitled The Shadow of the Shadow: the Tale of the Mariner’s Wife; and the Tale of the Queen Shepherdess. The manuscript ends abruptly, and I can offer no certain explanation of why my father abandoned it. A typescript made to this point was completed in January 1965. There exists also a typescript of two pages that I judge to be the latest of all these materials; it is evidently the beginning of what was to be a finished version of the whole story, and provides the text on pp. 223 – 5 in this book (where the plot-outlines are at their most scanty). It is entitled Indis i·Kiryamo ‘The Mariner’s Wife’: a tale of ancient Númenórë, which tells of the first rumour of the Shadow.
At the end of this narrative (p. 264) I have set out such scanty indications as can be given of the further course of the story.
III
The Line of Elros: Kings of Númenor
Though in form purely a dynastic record, I have included this because it is an important document for the history of the Second
