was out all day—as she would be when she found herself a new job—perhaps as a legacy of when Aunt Hannah had forgotten where she lived that day, the old lady would be frightened and nervous of being on her own. Aunt Hannah, Emmie all at once knew, needed to feel safe.
But, in adjusting to the fact that the dear soul was determined to move out, Emmie was not prepared to let her go and live just anywhere. The trouble was, though, that while one or two of the places they looked at were adequate, there were others that Emmie would not dream of allowing her step-grandmother to move to.
Emmie couldn’t bear the thought that Aunt Hannah might feel frightened and unsafe in their apartment. She blamed herself that, when clearly Aunt Hannah needed company, she had left her on her own for so many hours during the day. But—Emmie had to work.
It wasn’t until the following day, when Aunt Hannah had another spell of confusion—and came out of it looking very bewildered—that Emmie knew for sure what had to be done. How, for goodness’ sake, would Aunt Hannah have coped if she’d been out at work? Aunt Hannah had to feel safe! Emmie rang Lisa Browne, the owner of Keswick House.
A week later, on the day before Emmie started her new job, Mrs Whitford moved into Keswick House. Fortunately, what with packing her personal treasures and looking forward to the move, she had entirely forgotten the stated fee required, and was happy to sign anything Emmie gave her and to leave all the paperwork to her step-granddaughter. Two weeks after that Emmie moved out of the well-maintained three-bedroomed apartment that had been the family home, to a two-bedroomed flat in a much less salubrious area.
Emmie ignored the peeling paint and the rotting woodwork of the front door, and strove to think positively. The house was old; what did she expect? Anyhow, because of its age, it would set off her few remaining pieces of antique furniture a treat. Well, it would when she’d stripped the walls and redecorated. And also, don’t forget, it was a ground-floor flat—ideal for when Aunt Hannah, who wasn’t so good with stairs, came to stay. As an extra bonus, it was only half the rent of the former apartment, so, providing she hung on to her new job at Smythe and Wood International, she could just about scrape up the shortfall required to keep Aunt Hannah at Keswick House.
A month later, however, and Emmie was having a hard time in staying optimistic. Her new flat was looking super. Newly decorated, with carpets and curtains as well as her mother’s good quality furniture, which had transformed it. Emmie had become friends with Adrian Payne, the man who had the upstairs flat. Non-licentious Adrian, who was true to his ex-live-in-girlfriend Tina, had in part restored her faith in men.
Not completely, however. For her new boss, Clive Norris, turned out to be the womanising type she had just about had enough of. Her job at Smythe and Wood, it had to be said, was just not working out. While the tasks were no problem—she had a quick brain and absorbed instruction easily—she couldn’t help wondering what was wrong with some of these men that they had to touch her, to hint—more than hint in some cases—that they’d quite care to be more than boss-PA-friendly.
Or, was it her? She didn’t think so. She was sure she didn’t go around giving off come hither signals. She knew she hadn’t been at the back of the queue when looks had been handed out. Alec had once declared she was utterly beautiful, but he had been in one of his happy moods. Though she had taken herself off to the mirror to check. Slender, five feet eight in bare feet, she had studied her flawless complexion, her straight, shoulder-length black hair, and looked into her liquid brown eyes. And then grinned, revealing perfect white teeth, and concluded that her stepfather had been just a little bit biased in her favour.
All this came back to her now, as she pulled into the car park of Progress Engineering for her interview. She was early. Emmie sat in her car, reflecting how disastrous everything had been just lately.
Needing the money she had doggedly stuck it out at Smythe and Wood, but she hadn’t liked working for Clive Norris. Nor, to start with, had Aunt Hannah settled at Keswick House very easily. She disliked rules, and either by accident or design forgot to note in the ‘Out’ book where she was going when she went for a morning’s short walk.
She invariably returned before anyone started to get anxious, but Emmie had received several phone calls to say Mrs Whitford had disappeared without saying where she was going, and had been absent some hours now, and they were starting to be concerned that she hadn’t returned. Emmie had given Aunt Hannah a key to the new flat, and on that first occasion Emmie had to leave her office and hare back to the flat—Aunt Hannah hadn’t been there. Thinking that perhaps Aunt Hannah might have returned to their old apartment, Emmie had rushed there, and with overwhelming relief had found her there, chatting, as nice as you please, to one of their former neighbours.
Emmie had Aunt Hannah to stay with her at the weekends, yet, despite her becoming familiar with the new area, whenever her step-grandmother did her disappearing act from Keswick House it was never to Emmie’s new flat in the run-down area that she made for, but always their previous apartment.
But now, two and a half months after moving into Keswick House, Aunt Hannah seemed to have settled down. In fact, Emmie hadn’t had to have any unexpected time off in the last two weeks. Until yesterday. She’d had Aunt Hannah with her for an extended weekend, and the plan had been to return her to Keswick House, five miles away, on Monday morning. But Emmie had overlooked the fact that her step-grandmother was never in any hurry to start her day, the result being that Emmie had been an hour late in getting to work yesterday.
She always worked late to make up for any time she had off. But yesterday, unfortunately, so too had Clive Norris.
‘We could be doing better things than this,’ he hinted, coming over and causing her to have to move away from the filing cabinet by which she was standing. ‘Come and have a drink with me,’ he went on, managing to make it sound more suggestive than a suggestion as he backed her into a corner.
‘No, thanks,’ Emmie replied, coolly but politely—and she saw Clive’s expression change.
He didn’t like it. ‘You’re too stuck-up by half,’ he said nastily. ‘You want taking down a peg!’ he went on resentfully. And while she stood there feeling uncomfortable, wishing he’d go home and leave her in peace, to her absolute amazement the next thing she knew was that he made a grab for her and tried to kiss her.
His wet, lascivious lips made her heave. She wasn’t thinking by then, but reacting—and her reaction was swift and immediate. She hit him with full force, and compounded that by giving him a furious push away from her. He ended up on the floor—looking ridiculous. He didn’t like that either.
She stepped over him, grabbing up her coat and her bag. ‘Goodnight!’ she exploded, already on her way.
‘Don’t come back!’ he screamed after her. He should be so lucky!
An hour later she calmed down, knowing that while she couldn’t regret what she had done at the same time she simply couldn’t afford to have done it. Not that she was going to ask for her job back. The thought of working for Clive Norris again made her shudder.
There had been just one letter in the post on Tuesday morning. She’d opened it and very nearly weakened in her resolve not to ask for her job back. Her letter was from Keswick House. One of the larger rooms had become available and Mrs Whitford had asked to transfer—would that be in order? Emmie had read on down, taking in the increased charge of the room. Oh, heavens, she couldn’t afford it; she really couldn’t. Well, not unless she managed to find a much better-paid job than the one she’d just walked out of. Clearly Aunt Hannah just hadn’t taken into consideration when deciding that she’d like to move to a larger room that it would be more expensive.
Emmie
