he had been considering, in that comfortable spirit of relaxed attention that comes with the after-dinner tobacco, two subjects: first, the beauty of the evening; second, the temperament, character, and appearance of Felice Zavalla.
As for the evening, there could be no two opinions about that. It was charming. The Hand-over-fist Gravel Mine, though not in the higher Sierras, was sufficiently above the level of the mere foot-hills to be in the sphere of influence of the greater mountains. Also, it was remote, difficult of access. Iowa Hill, the nearest post-office, was a good eight miles distant, by trail, across the Indian River. It was sixteen miles by stage from Iowa Hill to Colfax, on the line of the Overland Railroad, and all of a hundred miles from Colfax to San Francisco.
To Lockwood's mind this isolation was in itself an attraction. Tucked away in this fold of the Sierras, forgotten, remote, the little community of a hundred souls that comprised the personnel of the Hand-over-fist lived out its life with the completeness of an independent State, having its own government, its own institutions and customs. Besides all this, it had its own dramas as well—little complications that developed with the swiftness of whirlpools, and that trended toward culmination with true Western directness. Lockwood, college-bred—he was a graduate of the Columbia School of Mines—found the life interesting.
On this particular evening he sat over his pipe rather longer than usual, seduced by the beauty of the scene and the moment. It was very quiet. The prolonged rumble of the mine's stamp-mill came to his ears in a ceaseless diapason, but the sound was so much a matter of course that Lockwood no longer heard it. The millions of pines and redwoods that covered the flanks of the mountains were absolutely still. No wind was stirring in their needles. But the chorus of tree-toads, dry, staccato, was as incessant as the pounding of the mill. Far-off—thousands of miles, it seemed—an owl was hooting, three velvet-soft notes at exact intervals. A cow in the stable near at hand lay down with a long breath, while from the back veranda of Chino Zavalla's cabin came the clear voice of Felice singing "The Spanish Cavalier" while she washed the dishes.
The twilight was fading; the glory that had blazed in cloudless vermilion and gold over the divide was dying down like receding music. The mountains were purple-black. From the cañon rose the night mist, pale blue, while above it stood the smoke from the mill, a motionless plume of sable, shot through by the last ruddiness of the afterglow.
The air was full of pleasant odours—the smell of wood fires from the cabins of the married men and from the ovens of the cookhouse, the ammoniacal whiffs from the stables, the smell of ripening apples from "Boston's" orchard—while over all and through all came the perfume of the witch-hazel and tar-weed from the forests and mountain sides, as pungent as myrrh, as aromatic as aloes.
"And if I should fall,
In vain I would call,"
sang Felice.
Lockwood took his pipe from his teeth and put back his head to listen. Felice had as good a voice as so pretty a young woman should have had. She was twenty-two or twenty-three years of age, and was incontestably the beauty of the camp. She was Mexican-Spanish, tall and very slender, black-haired, as lithe as a cat, with a cat's green eyes and with all of a cat's purring, ingratiating insinuation.
Lockwood could not have told exactly just how the first familiarity between him and Felice had arisen. It had grown by almost imperceptible degrees up to a certain point; now it was a chance meeting on the trail between the office and the mill, now a fragment of conversation apropos of a letter to be mailed, now a question as to some regulation of the camp, now a detail of repairs done to the cabin wherein Felice lived. As said above, up to a certain point the process of "getting acquainted" had been gradual, and on Lockwood's part unconscious; but beyond that point affairs had progressed rapidly.
At first Felice had been, for Lockwood, a pretty woman, neither more nor less; but by degrees she emerged from this vague classification: she became a very pretty woman. Then she became a personality; she occupied a place within the circle which Lockwood called his world, his life. For the past months this place had, perforce, to be enlarged. Lockwood allowed it to expand. To make room for Felice, he thrust aside, or allowed the idea of Felice to thrust aside, other objects which long had sat secure. The invasion of the woman into the sphere of his existence developed at the end into a thing veritably headlong. Deep-seated convictions, old-established beliefs and ideals, even the two landmarks right and wrong, were hustled and shouldered about as the invasion widened and penetrated. This state of affairs was further complicated by the fact that Felice was the wife of Chino Zavalla, shift-boss of No. 4 gang in the new workings.
II. MADNESS
It was quite possible that, though Lockwood could not have told when and how the acquaintance between him and Felice began and progressed, the young woman herself could. But this is guesswork. Felice being a woman, and part Spanish at that, was vastly more self-conscious, more disingenuous, than the man, the Anglo-Saxon. Also she had that fearlessness that very pretty women have. In her more refined and city-bred sisters this fearlessness would be called poise, or, at the most, "cheek."
And she was quite capable of making young Lockwood, the superintendent, her employer, and nominally the ruler of her little world, fall in love with her. It is only fair to Felice to say that she would not do this deliberately. She would be more conscious of the business than the man, than Lockwood; but in affairs such as this, involving women like Felice, there is a distinction between deliberately doing a thing and consciously doing it.
Admittedly this is complicated, but it must be understood that Felice herself was complex, and she could no more help attracting men to her than the magnet the steel filings. It made no difference whether the man was the "breed" boy who split logging down by the engine-house or the young superintendent with his college education, his white hands and dominating position; over each and all who came within range of her influence Felice, with her black hair and green eyes, her slim figure and her certain indefinite "cheek"—which must not by any manner of means be considered as "boldness"—cast the weird of her kind.
If one understood her kind, knew how to make allowances, knew just how seriously to take her eyes and her "cheek," no great harm was done. Otherwise, consequences were very apt to follow.
Hicks was one of those who from the very first had understood. Hicks was the manager of the mine, and Lockwood's chief—in a word, the boss. He was younger even than Lockwood, a boy virtually, but a wonderful boy—a boy such as only America, western America at that, could produce, masterful, self-controlled, incredibly capable, as taciturn as a sphinx, strong of mind and of muscle, and possessed of a cold gray eye that was as penetrating as chilled steel.
To this person, impersonal as force itself, Felice had once, by some mysterious feminine art, addressed, in all innocence, her little maneuver of fascination. One lift of the steady eyelid, one quiet glint of that terrible cold gray eye, that poniarded her every tissue of complexity, inconsistency, and coquetry, had been enough. Felice had fled the field from this young fellow, so much her junior, and then afterward, in a tremor of discomfiture and distress, had kept her distance.
Hicks understood Felice. Also the great majority of the miners—shift-bosses, chuck-tenders, bed-rock cleaners, and the like—understood. Lockwood did not.
It may appear difficult of belief that the men, the crude, simple workmen, knew how to take Felice Zavalla, while Lockwood, with all his education and superior intelligence, failed in his estimate of her. The explanation lies no doubt in the fact that in these man-and-woman affairs instinct is a surer guide than education and intelligence, unless, indeed, the intelligence is preternaturally keen. Lockwood's student life had benumbed the elemental instinct, which in the miners, the "men," yet remained vigorous and unblunted, and by means of which they assessed Felice and her harmless blandishments at their true worth. For all Lockwood's culture, his own chuck-tenders, unlettered fellows, cumbersome, slow-witted,
