Japanese Literature. Epiphanius Wilson

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Japanese Literature - Epiphanius Wilson

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humming, as he did so:—

      'Even this spot, so fair to view

              With moon, and Koto's gentle strain,

      Could make no other lover true,

              As me, thy fond, thy only swain.'

      "'Wretched!' he exclaimed, alluding to his poetry; and then added, 'One tune more! Stay not your hand when one is near, who so ardently longs to hear you.' Thus he began to flatter the lady, who, having heard his whispers, replied thus, in a tender, hesitating voice:—

      'Sorry I am my voice too low

              To match thy flute's far sweeter sound;

      Which mingles with the winds that blow

              The Autumn leaves upon the ground.'

      "Ah! she little thought I was a silent and vexed spectator of all this flirtation. She then took up a soh (another kind of koto with thirteen strings) and tuned it to a Banjiki key (a winter tune), and played on it still more excellently. Though an admirer of music, I cannot say that these bewitching melodies gave me any pleasure under the peculiar circumstances I stood in.

      "Now, romantic interludes, such as this, might be pleasant enough in the case of maidens who are kept strictly in Court service, and whom we have very little opportunity of meeting with, but even there we should hesitate to make such a one our life companion. How much less could one ever entertain such an idea in a case like my own? Making, therefore, that evening's experience a ground of dissatisfaction I never saw her more.

      "Now, gentlemen, let us take into consideration these two instances which have occurred to myself and see how equally unsatisfactory they are. The one too jealous, the other too forward. Thus, early in life, I found out how little reliance was to be placed on such characters. And now I think so still more; and this opinion applies more especially to the latter of the two. Dewdrops on the 'Hagi flower' of beauty so delicate that they disappear as soon as we touch them—hailstones on the bamboo grass that melt in our hand as soon as we prick them—appear at a distance extremely tempting and attractive. Take my humble advice, however, and go not near them. If you do not appreciate this advice now, the lapse of another seven years will render you well able to understand that such adventures will only bring a tarnished fame."

      Thus Sama-no-Kami admonished them, and Tô-no-Chiûjiô nodded as usual. Genji slightly smiled; perhaps he thought it was all very true, and he said, "Your twofold experience was indeed disastrous and irritating!"

      "Now," said Tô-no-Chiûjiô, "I will tell you a story concerning myself. It was the evil fortune of Sama-no-Kami to meet with too much jealousy in one of the ladies to whom he might otherwise have given his heart; while he could feel no confidence in another owing to flirtations. It was my hard lot to encounter an instance of excessive diffidence. I once knew a girl whose person was altogether pleasing, and although I, too, had no intention, as Sama-no-Kami said, of forming an everlasting connection with her, I nevertheless took a great fancy to her. As our acquaintance was prolonged, our mutual affection grew warmer. My thoughts were always of her, and she placed entire confidence in me. Now, when complete confidence is placed by one person in another, does not Nature teach us to expect resentment when that confidence is abused? No such resentment, however, seemed under any circumstances to trouble her. When I very seldom visited her, she showed no excitement or indignation, but behaved and looked as if we had never been separated from each other. This patient silence was more trying to me than reproaches. She was parentless and friendless. For this reason responsibility weighed more heavily on me. Abusing her gentle nature, however, I frequently neglected her. About this time, moreover, a certain person who lived near her, discovered our friendship, and frightened her by sending, through some channel, mischief-making messages to her. This I did not become aware of till afterwards, and, it seems, she was quite cast down and helpless. She had a little one for whose sake, it appears, she was additionally sad. One day I unexpectedly received a bunch of Nadeshiko38 flowers. They were from her."

      At this point Tô-no-Chiûjiô became gloomy.

      "And what," inquired Genji, "were the words of her message?"

      "Sir! nothing but the verse,

      Forgot may be the lowly bed

              From which these darling flowerets spring,

      Still let a kindly dew be shed,

              Upon their early nurturing.

      "No sooner had I read this than I went to her at once. She was gentle and sedate as usual, but evidently absent and preoccupied. Her eyes rested on the dew lying on the grass in the garden, and her ears were intent upon the melancholy singing of the autumn insects. It was as if we were in a real romance. I said to her:—

      When with confused gaze we view

              The mingled flowers on gay parterre,

      Amid their blooms of radiant hue

              The Tokonatz,39 my love, is there.

      And avoiding all allusion to the Nadeshiko flowers, I repeatedly endeavored to comfort the mother's heart. She murmured in reply:—

      'Ah! Flower already bent with dew,

              The winds of autumn cold and chill

      Will wither all thy beauteous hue,

              And soon, alas, unpitying kill.'

      Thus she spoke sadly. But she reproached me no further. The tears came involuntarily into her eyes. She was, however, apparently sorry for this, and tried to conceal them. On the whole she behaved as if she meant to show that she was quite accustomed to such sorrows. I certainly deeply sympathized with her, yet still further abusing her patience. I did not visit her again for some time; but I was punished. When I did so she had flown, leaving no traces behind her. If she is still living she must needs be passing a miserable existence.

      "Now, if she had been free from this excessive diffidence, this apathy of calmness, if she had complained when it was necessary, with becoming warmth and spirit, she need never have been a wanderer, and I would never have abused her confidence. But, as I said before, a woman who has no strength of emotion, no passionate bursts of sorrow or of joy, can never retain a dominion over us.

      "I loved this woman without understanding her nature; and I am constantly, but in vain, trying to find her and her little darling, who was also very lovely; and often I think with grief and pain that, though I may succeed in forgetting her, she may possibly not be able to forget me, and, surely, there must be many an evening when she is disquieted by sad memories of the past.

      "Let us now sum up our experiences, and reflect on the lessons which they teach us. One who bites your finger will easily estrange your affection by her violence. Falseness and forwardness will be the reproach of some other, in spite of her melodious music and the sweetness of her songs. A third, too self-contained and too gentle, is open to the charge of a cold silence, which oppresses one, and cannot be understood.

      "Whom, then, are we to choose? All this variety, and this perplexing difficulty of choice, seems to be the common lot of humanity. Where, again, I say, are we to go to find the one who will realize our desires? Shall we fix our aspirations on the beautiful goddess, the heavenly Kichijiô?40 Ah! this would be but superstitious and impracticable."

      So mournfully finished Tô-no-Chiûjiô; and all his companions, who had been attentively listening, burst simultaneously into laughter at his last allusion.

      "And

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<p>38</p>

Little darlings—a kind of pink.

<p>39</p>

The Tokonatz (everlasting summer) is another name for the pink, and it is poetically applied to the lady whom we love.

<p>40</p>

A female divinity in Indian mythology.