but feel glad when Uncle decided yesterday that he would stoop to make his living by art. It cost him a great struggle to make this decision, but he talked it over very fully last night with Uncle Henry, after Uncle Henry came home from work, and the resolution is taken.
Of course, Uncle always had a wonderful genius for painting. I remember how much his pictures used to be admired at the court at Berlin. I have seen some of the best painters stand absolutely entranced,—they said so themselves,—in front of Uncle's canvasses. I remember one of the greatest of our artists saying one day to Uncle in the Potsdam Gallery, "Now, which of these two pictures is yours and which is Michel Angelo's: I never can tell you two apart." Uncle gave him the order of the Red Swan. Another painter once said that if Uncle's genius had been developed he would have been the greatest painter of modern times. Uncle William, I remember, was dreadfully angry. He said it WAS developed.
So it seemed only natural that Uncle should turn to Art to make our living. But he hesitated because there is some doubt whether a person of noble birth can sell anything for money. But Uncle says Tintoretto the great Italian artist had two quarterings of nobility, and Velasquez had two and a half.
Luckily we have with us among our things Uncle's easel and his paints that he used in Berlin. He had always to have special things because he doesn't use little brushes and tubes of colour as ordinary artists do, but had a big brush and his paint in a tin can, so that he can work more quickly. Fortunately we have with us three of Uncle's pictures rolled up in the bottom of our boxes. He is going to sell these first and after that he says that he will paint one or two every day. One of the three canvasses that we have is an allegorical picture called "Progress" in which Progress is seen coming out of a cloud in the background with Uncle William standing in the foreground. Another is called "Modern Science" and in this Science is seen crouched in the dark in the background and Uncle William standing in the light in the foreground. The other is called "Midnight in the Black Forest." Uncle William did it in five minutes with a pot of black paint. They say it is impressionistic.
So all the evening Uncle William and Uncle Henry talked about the new plan. It is wonderful how Uncle William enters into a thing. He got me to fetch him his old blue blouse, which was with the painting things, and he put it on over his clothes and walked up and down the room with a long paint-brush in his hand. "We painters, my dear Henry," he said, "must not be proud. America needs Art. Very good. She shall have it."
I could see, of course, that Uncle William did not like the idea of selling pictures for money. But he is going to make that side of it less objectionable by painting a picture, a very large picture, for nothing and giving it to the big Metropolitan Art Gallery which is here. Uncle has already partly thought it out. It is to be called the "Spirit of America" and in it the Spirit of America will be seen doubled up in the background: Uncle has not yet fully thought out the foreground, but he says he has an idea.
In any case he is going to refuse to take anything more than a modest price for his pictures. Beyond that, he says, not one pfennig.
So this morning Uncle rolled up his three canvasses under his arm and has gone away to sell them.
I am very glad, as we have but little money, indeed hardly any except Uncle Henry's wages. And I have been so worried, too, and surprised since we came here about Cousin Willie. He hardly is with the rest of us at all. He is out all night and sleeps in the day time, and often I am sure that he has been drinking. One morning when he came back to the house at about breakfast time he showed me quite a handful of money, but wouldn't say where he got it. He said there was lots more where it came from. I asked him to give me some to pay Mrs. O'Halloran, but he only laughed in his leering way and said that he needed it all. At another time when I went up to Cousin Willie's room one day when he was out, I saw quite a lot of silver things hidden in a corner of the cupboard. They looked like goblets and silver dinner things, and there was a revolver and a sheath-knife hidden with them. I began to think that he must have stolen all these things, though it seemed impossible for a prince. I have spoken to Uncle William several times about Cousin Willie, but he gets impatient and does not seem to care. Uncle never desires very much to talk of people other than himself. I think it fatigues his mind. In any case, he says that he has done for Willie already all that he could. He says he had him confined to a fortress three times and that four times he refused to have him in his sight for a month, and that twice he banished him to a country estate for six weeks. His duty, he says, is done. I said that I was afraid that Cousin Willie had been stealing and told him about the silver things hidden in the cupboard. But Uncle got very serious and read me a very severe lecture. No prince, he said, ever stole. His son, he explained, might very well be collecting souvenirs as memorials of his residence in America: all the Hohenzollerns collected souvenirs: some of our most beautiful art things at Potsdam and Sans Souci were souvenirs collected by our ancestors in France fifty years ago. Uncle said that if the Great War had turned out as it should and if his soldiers had not betrayed him by getting killed, we should have had more souvenirs than ever. After that he dismissed the subject from his mind. Uncle William can dismiss things from his mind more quickly than anybody I ever knew.
The Same Day. Later
I was so surprised this afternoon, when I happened to go down to the door, to see Mr. Peters, the ice gentleman that was on the ship, with his ice cart delivering ice into the basement. I knew that he delivered ice in this part of the city because he said so, and I think he had mentioned this street, and two or three times I thought I had seen him from the window. But it did seem surprising to happen to go down to the door (I forget what I went for) at the moment that he was there. He looked very fine in his big rough suit of overalls. It is not quite like a military uniform, but I think it looks better. Mr. Peters knew me at once. "Good afternoon, Miss Hohen," he said (that is the name, as I think I said, that we have here), "how are all the folks?"
So we talked for quite a little time, and I told him about Uncle trying to get work and how hard it was and how at last he had got work, or at least had gone out to get it, as a painter. Mr. Peters said that that was fine. He said that painters do well here: he has a lot of friends who are painters and they get all the way from sixty to seventy-five cents an hour. It seems so odd to think of them being paid by the hour. I don't think the court artists at home were paid like that. It will be very nice if Uncle William can mingle with Mr. Peters's artist friends. Mr. Peters asked if he might take me out some Sunday, and I said that I would ask Uncle William and Uncle Henry and Cousin Ferdinand and Cousin Willie and if they all consented to come I would go. I hope it was not a forward thing to do.
I forgot when I was talking of work to say that Uncle Henry got work the very second day that we were here. He works down at the docks where the ships are. I think he supervises the incoming and outgoing of the American navy. It is called being a stevedore, and no doubt his being an Admiral helped him to get it. He hopes to get a certificate presently to be a Barge Master, which will put him in charge of the canals. But there is a very difficult examination to go through and Uncle Henry is working for it at night out of a book. He has to take up Vulgar Fractions which, of course, none of our High Seas Command were asked to learn. But Uncle Henry is stooping to them.
So now, I think, everything will go well.
CHAPTER IV
Uncle's art has failed. It was only yesterday that I was writing in my memoirs of how cheerful and glad I felt to think that Uncle William was going to be able to make his living by art, and now everything is changed again. All the time that Uncle was out on his visit to the picture dealers, I was making plans and thinking what we would do with the money when it came in, so it is very disappointing to have it all come to nothing. I don't know just what happened because Uncle William never gives any details of things. His mind moves too rapidly for that. But he came home with his pictures still under his arm in a perfect fury and raged up and down his room, using very dreadful language.
But after a little while when he grew calmer he explained to me that the Americans are merely swineheads and that art, especially art such as his, is wasted
