was no coaching at my primary school, but we did play cricket. I can still relive one incident that has the power, over half a century on, to bring a hot flush of embarrassment to my face. It was a game in which for the first time I wore full whites, pads and gloves, and had my own bat. I was expected to score runs, and that made me even more nervous – caring too much rarely produces the best outcome, as I was to learn later in life. I strode to the wicket, took guard, carefully looked at the field placings, and prepared for the first ball. I played forward and felt the ball hit the middle of the bat. But the boy at first slip appealed, and the umpire/teacher squinted down the wicket, raised his forefinger theatrically and gave me out, leg before wicket. I was mortified, and without thought, stuttered, ‘But, but, I hit it!’
Uproar ensued. ‘Out,’ snarled the umpire/teacher. ‘Out. Off’ – he was now waving his arm like a windmill – ‘Off you go.’ He was right, of course, that I should not have questioned his decision. He was not right to mutter ‘Bloody boy,’ as, head down, I walked off, shamed and burning with injustice. That teacher’s angry face is imprinted forever on my mind; it is not a happy memory. But not even he could turn me away from cricket.
We are led to believe that our character is formed in our earliest years. I believe that. Joy and pain are at their sharpest when they are new. I remember trying to hide my deep disappointment that my parents were never able to see me play cricket. They had many reasons not to do so – chronic ill health, worry, the struggle to make modest ends meet when the week outran the money. They were old, too. When I was six my father was seventy, and my mother closer to fifty than forty. Both smoked, and their poor health was made worse by the foul habit. It would kill my mother in the end, but for many years before that, hacking coughs and shortage of breath were a daily occurrence. And they were exotics: our neighbourhood did not house many ex-trapeze artists, gauchos, jugglers, card-sharps or speciality dancers, and even as a boy I knew my parents were not to be judged by the usual criteria.
Once, I was certain they would come. Our school team was due to play close to our home, and I wrote out instructions for my parents on how to get there – out of our gate, turn right, then right alongside the brook, a further turn right where I went bird-nesting, and there we would be, in a field to the left. I was captain, and set a field with myself at cover-point and midwicket so that I had a clear view of the entrance gate, but neither of my parents came. My father had been doubtful anyway. He was losing his eyesight, although as a nine-year-old I was not aware of that. And my mother, who had gamely promised to come, was too ill with her interminable bronchitis. As I carried old Dr Robinson’s prescription to the chemist the following morning, I vowed I would never smoke.
Years later, Alec Bedser told me that his mother never saw him, or his twin Eric, play cricket. Not that Mrs Bedser was without opinions. When Alec took eleven wickets in his first Test match at Lord’s, the press asked for her views of her son. ‘Which one?’ ‘Alec,’ they said. ‘Why Alec?’ ‘He’s just taken eleven wickets in a Test on his debut,’ they explained. Mrs Bedser was forthright: ‘That’s what he’s paid for, isn’t it?’
As a child, cricket entered my bloodstream, and it has given me a lifetime of enjoyment and solace. Yet there are pessimists about the game. As long ago as 1932, C.P. Snow was moaning: ‘These days, a man of taste can only go to an empty ground and regret the past.’ The same dreary view can often be heard on county grounds today, as hindsight flourishes with the aid of rose-tinted spectacles.
I have never understood why we see the past as a Golden Age. It’s a false image. There was little golden about Victorian England, when children were sent scurrying up chimneys to clean them. Or Restoration England, when every portrait shows a closed mouth because a smile would have revealed rotten or blackened teeth. A cool analysis of the past will temper the rosing of the spectacles. The same is true of cricket: there have been many golden days, but the aspic of old photographs can hide the worst of times as well as the best.
As a game, cricket is complex. People who have never played are apt to say, ‘I don’t understand it.’ Much the same was said about the Impressionists, although there was nothing complicated about their art: as Claude Monet put it, ‘I simply looked at what the universe had to show us and used my brush to give an account of it.’ So too with cricket: it delights the eye and touches the soul. Part of this is physical: the smell of linseed oil on willow, the feel of ball on bat, the pleasure of holding a shiny new red ball, the clatter of disturbed stumps, the snick and catch that turns heads, and, on the best of days, the scent of newly-mown grass under the warmth of the rising sun. There is no cricketer alive who has not enjoyed these sensations, and cherished the memory of them. Lucy Baldwin, a fine cricketer and wife of Prime Minister Stanley Baldwin, put it well: ‘The crack of bat against ball amid that humming and buzzing of summer sound is still to me a note of pure joy that raised haunting memories of friends and happy days.’ Romantic tomfoolery? Perhaps. But cricket is that sort of game, and it would lose much of its charm if it were not.
One does not have to be talented to be besotted by cricket, as a thousand village games prove each summer. I first saw this at school. One boy, whose anonymity I shall protect, practised in the nets for hours – and often, I suspected, in front of a mirror – for every batting movement ended in a pose of classical perfection. No cricket whites were ever more neatly pressed, or pads or boots whiter, or bat more beautifully oiled, and when, head high, he strode out to the wicket, he oozed class and confidence. Alas, the image was false: he put so much into the elegance of every stroke that he overlooked the need to hit the ball, and all too soon would turn in surprise to look at his shattered stumps. He left the crease swiftly yet gracefully, nodding in congratulation to the bowler, head still high, bat tucked under arm, pulling off his batting gloves as if, for all the world, he was returning to the pavilion in triumph.
He was never downhearted. As he took his pads off, he would tell us all that he had been beaten ‘in the flight’ or ‘off the pitch’; and, theorists all, no one suggested he had, again, just missed a straight one. He knew the theory of cricket. He knew the statistics. He knew the spirit in which the game should be played, and he revelled in it. Runs or not, it was joy enough for him to be on a cricket pitch. I don’t know if he ever read A.A. Milne, but his poem had him exactly right:
But what care I? It’s the game that calls me –
Simply to be on the field of play;
How can it matter what fate befalls me,
With ten good fellows and on egood day!
I was so lucky that cricket was played at my grammar school; it was, with rugby, the only activity that made the experience bearable. During one game the pitch was positioned within striking distance of some enticing windows, and the temptation to put the ball through one of them was irresistible. The prize was to be a pint of illicit beer – I was only fourteen at the time, and such devilment appealed. A cross-batted heave missed the main target but did crash through an adjacent church window. The tinkle of glass brought a great cheer. It was enough: a triumph was celebrated.
Not long afterwards a heavier drink, scrumpy, caused more trouble. I drank a little too much, and as I travelled home it began to extort its revenge. I arrived safely, but when my father opened the door I was on my knees barking at him. I thought it was funny. He did not. Only my mother’s intervention saved me from being banned from cricket.
I was no cricketing prodigy, but nor was I a complete mug. I had my days, and they remain precious memories: 50 runs in a house match, with the winning hit a straight four that whistled past the bowler’s nose; 33 runs scored in three overs to win a game on a day when every hit seemed to find the boundary; 7 wickets for 9 runs, including a hat-trick, in a Colts game, when four of the runs scored off me were an edge that, half a century on, I still know that an even half-alert fielder should have caught in the slips. A meagre return for my love of the game, you might think, but only if you don’t know cricket. Runs, wickets and catches
