Waterloo: The History of Four Days, Three Armies and Three Battles. Bernard Cornwell

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ocean like Saint Helena.

      Talleyrand was right while the British Commissioner, sent to Elba to keep a watchful eye on the Emperor, was wrong. Sir Neil Campbell believed that Napoleon had accepted his fate and wrote as much to Lord Castlereagh, Britain’s Foreign Minister. ‘I begin to think’, he reported, ‘that he is quite resigned to his retreat.’

      The Emperor was anything but resigned. He followed the news from France and noted the dissatisfaction with the restored monarchy. There was widespread unemployment, the price of bread was high, and people who had greeted the Emperor’s abdication with relief now looked back on his regime with regret. And so he began to make plans. He had been allowed a puny navy, nothing large enough to threaten the French and British ships that guarded him, and in mid-February 1815, he ordered the Inconstant, the largest of his brigs, brought into port; ‘have its copper bottom overhauled,’ he commanded, ‘its leaks stopped and … have it painted like the English brigs. I want it in the bay and ready by the 24th or 25th of this month.’ He ordered two other large ships to be chartered. He had been allowed to take 1,000 soldiers to Elba, including 400 veterans of his old Imperial Guard and a battalion of Polish lancers, and with those troops he would attempt to invade France.

      And Sir Neil Campbell suspected nothing. Sir Neil was a decent man, thirty-nine years old in 1815, with a successful military career which almost ended in 1814 when he was appointed Military Attaché to the Russian army invading France. He had survived battles in Spain, but at Fère-Champenoise he was mistaken by an over-enthusiastic Cossack for a French officer and savagely wounded.

      He survived his wounds and was appointed British Commissioner to His Highness the Emperor Napoleon, ruler of Elba. Lord Castlereagh stressed that Sir Neil was not the Emperor’s jailer, but of course part of his job was to keep a close eye on Napoleon. Yet Sir Neil had been lulled, and in February 1815, while the Inconstant was being disguised as a British ship, he told the Emperor that he needed to sail to Italy to consult with his doctor. That may well have been true, but it is also true that Signora Bartoli, Sir Neil’s mistress, lived in Leghorn, and that is where he sailed.

      The Emperor wished Sir Neil well and hoped he would return by the end of the month because the Princess Borghese was giving a ball, and Sir Neil promised he would do his best to attend. The Princess Borghese was Napoleon’s beguiling sister, the lovely Pauline, who had joined her brother in exile. Penury had forced the sale of her lavish house in Paris, which had been purchased by the British government for use as their embassy. That meant that for five months it had been home to the Duke of Wellington, who had been appointed Britain’s ambassador to the court of Louis XVIII. The house, on the rue du Faubourg St-Honoré, is a jewel, and is still Britain’s embassy.

      Sir Neil sailed to Leghorn in the Royal Navy brig Partridge, which usually blockaded Elba’s main harbour. With the Partridge flown the Emperor could put his plans into effect and on 26 February his small fleet sailed for France with just 1,026 troops, 40 horses and 2 cannon. The voyage lasted two days and on 28 February the Emperor landed in France again. He led a puny army, but Napoleon was nothing if not confident. ‘I will arrive in Paris’, he told his troops, ‘without firing a shot!’

      The peace was over, struck by a thunderbolt.

      * * *

      During the winter of 1814 to 1815 many women in Paris wore violet-coloured dresses. It was not just fashion, but rather a code which suggested that the violet would return in the spring. The violet was Napoleon. His beloved Josephine had carried violets at their wedding, and he sent her a bouquet of the flowers on every anniversary. Before his exile to Elba he had said he would be modest, like the violet. Everyone in Paris knew what the colour violet represented, and if at first the French had been relieved that the Emperor was dethroned and that the long destructive wars were over, they soon found much to dislike in the Emperor’s replacement. The restored monarchy, under the grossly obese Louis XVIII, proved rapacious and unpopular.

      Then the violet returned. Most people expected that the Royalist army would swiftly defeat Napoleon’s risible little force, but instead the King’s troops deserted in droves to the returned Emperor and within days French newspapers were printing a witty description of his triumphant journey. There are various versions, but this one is typical:

       The Tiger has left his den.

       The Ogre has been three days at sea.

       The Wretch has landed at Fréjus.

       The Buzzard has reached Antibes.

       The Invader has arrived at Grenoble.

       The Tyrant has entered Lyon.

       The Usurper has been glimpsed fifty miles from Paris.

       Tomorrow Napoleon will be at our gates!

       The Emperor will proceed to the Tuileries today.

       His Imperial Majesty will address his loyal subjects tomorrow.

      His Imperial Majesty, Napoleon Bonaparte, was forty-six years old as he entered the Tuileries Palace in Paris, where an excited crowd awaited his arrival. They had been gathered for hours. The King, fat Louis XVIII, had fled Paris, going to Ghent in the Kingdom of the Netherlands, and the carpet of his abandoned throne room was tufted with embroidered crowns. Someone in the waiting crowd gave one of the crowns a dismissive kick and so loosened it to reveal that the royal tuft hid a woven bee. The honey-bee was another of Napoleon’s symbols, and the excited crowd went to its knees to tear off the crowns, thus restoring the carpet to its old imperial splendour.

      It was evening before Napoleon arrived at the palace. The waiting crowd could hear the cheering getting closer, then came the clatter of hoofs on the forecourt and finally the Emperor was there, being carried shoulder-high up the stairs to the audience chamber. An eyewitness said ‘his eyes were closed, his hands reaching forward like a blind man’s, his happiness betrayed only by his smile’.

      What a journey it had been! Not just from Elba, but from Napoleon’s unpromising birth in 1769 (the same year as the Duke of Wellington’s birth). He was christened Nabulion Buonaparte, a name that betrays his Corsican origin. His family, which claimed noble lineage, was impoverished and the young Nabulion flirted with those Corsicans who plotted for independence from France and even thought of joining Britain’s Royal Navy, France’s most formidable foe. Instead he emigrated to France, frenchified his name and joined the army. In 1792 he was a Lieutenant, a year later, aged twenty-four, a Brigadier-General.

      There is a famous painting of the young Napoleon crossing the St Bernard Pass on his way to the Italian campaign which rocketed him to fame. Louis David’s canvas shows him on a rearing horse, and everything about the painting is motion; the horse rears, its mouth open and eyes wide, its mane is wind-whipped, the sky is stormy and the General’s cloak is a lavish swirl of gale-driven colour. Yet in the centre of that frenzied paint is Napoleon’s calm face. He looks sullen and unsmiling, but above all, calm. That was what he demanded of the painter, and David delivered a picture of a man at home amidst chaos.

      The man who was carried up the Tuileries staircase was much changed from the young hero who had possessed rock-star good looks. By 1814 the handsome, slim young man was gone, replaced by a pot-bellied, short-haired figure with sallow skin and very small hands and feet. He was not tall, a little over five foot seven inches, but he was still hypnotic. This was the man who had risen to dominate all Europe, a man who had conquered and lost an empire, who had redrawn the maps, remade

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