is only thanks to you, sir.’
From Bromham – we are now in early September – towards Winchester. Then Bishop's Waltham, Alton, Alton to Farnham. He plots it out, across country. The object is to get the king back to Windsor for early October. He has his sketch map across the page, England in a drizzle of ink; his calendar, quickly jotted, running down it. ‘I seem to have four, five days in hand. Ah well. Who says I never get a holiday?’
Before ‘Bromham’, he makes a dot in the margin, and draws a long arrow across the page. ‘Now here, before we go to Winchester, we have time to spare, and what I think is, Rafe, we shall visit the Seymours.’
He writes it down.
Early September. Five days. Wolf Hall.
In parts of medieval Europe, the official new year began on 25 March, Lady Day, which was believed to be the date when an angel announced to Mary that she was carrying the child Jesus. As early as 1522, Venice adopted 1 January as the start of the new year, and other European countries followed at intervals, though England did not catch up till 1752. In this book, as in most histories, the years are dated from 1 January, which was celebrated as one of the twelve days of Christmas and was the day on which gifts were exchanged.
The gentleman usher George Cavendish, after the death of Wolsey, retired to the country, and in 1554, when Mary came to the throne, began a book, ‘Thomas Wolsey, late Cardinal, his Life and Death.’ It has been published in many editions, and can be found online in an edition with original spelling. It is not always accurate, but it is a very touching, immediate and readable account of Wolsey's career and Thomas Cromwell's part in it. Its influence on Shakespeare is clear. Cavendish took four years to complete his book, and died just as Elizabeth came to the throne.
I should like to thank Delyth Neil for the Welsh, Leslie Wilson for the German, and a Norfolk lady for the Flemish. Guada Abale for lending me a song. Judith Flanders for helping me when I couldn't get to the British Library. Dr Christopher Haigh for inviting me to a splendid dinner in Wolsey's hall at Christ Church. Jan Rogers for sharing a pilgrimage to Canterbury and a drink at the Cranmer Arms at Aslockton. Gerald McEwen for driving me around and putting up with my preoccupations. My agent Bill Hamilton and my publishers for their support and encouragement. Above all, Dr Mary Robertson; her business as a scholar has been with the facts of Cromwell's life, but she has encouraged me and lent me her expertise through the production of this fiction, put up with my fumbling speculations and been kind enough to recognise the portrait I have produced. This book is dedicated to her, with my thanks and love.
First published in Great Britain in 2009 by Fourth Estate
An imprint of HarperCollinsPublishers 77–85 Fulham Palace Road London W6 8JB www.4thestate.co.uk
Copyright © Hilary Mantel 2009
Cover illustration by Andy Bridge
A catalogue record for this book is available from the British Library
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Source ISBN: 9780007230181
Ebook Edition © 2009 ISBN: 9780007322749
Version: 2013-09-17
HILARY MANTEL
BRING UP
THE BODIES
Once again to Mary Robertson: after my right harty commendacions, and with spede.
‘Am I not a man like other men? Am I not? Am I not?’
HENRY VIII to Eustache Chapuys, Imperial ambassador
Contents
Dedication
Epigraph
Cast of Characters
Family Trees
PART ONE
Chapter I - Falcons. September 1535
Chapter II - Crows. Autumn 1535
Chapter III - Angels. Christmas 1535–New Year 1536
PART TWO
Chapter I - The Black Book. January–April 1536
Chapter II - Master of Phantoms. April–May 1536
Chapter III - Spoils. Summer 1536
Author’s Note
Acknowledgements
Copyright
The Cromwell household
Thomas Cromwell, a blacksmith’s son: now Secretary to the king, Master of the Rolls, Chancellor of Cambridge University, and deputy to the king as head of the church in England.
Gregory Cromwell, his son.
Richard Cromwell, his nephew.
