too, you were writing a novel, and, in a desire to give your reader a fair idea of the personal appearance of a homely but good creature, you should say, 'It cannot be denied that Rosamond Follansbee was pretty plain?' It wouldn't take a very grave error of the types to change your entire meaning. To save a line on a page, for instance, it might become necessary to eliminate a single word; and if that word should chance to be the word 'plain' in the sentence I have given, your homely but good person would be set down as being undeniably pretty. Which shows, it seems to me, that too great care cannot be exercised in the making of selections from our vocabu—"
"You are the worst I ever knew!" snapped Mr. Pedagog.
"Which only proves," observed the Idiot, "that you have not heeded the Scriptural injunction that you should know thyself. Are those buckwheat cakes or doilies?"
Whether the question was heard or not is not known. It certainly was not answered, and silence reigned for a few minutes. Finally Mrs. Pedagog spoke, and in the manner of one who was somewhat embarrassed. "I am in an embarrassing position," said she.
"Good!" said the Idiot, sotto-voce, to the genial gentleman who occasionally imbibed. "There is hope for the landlady yet. If she can be embarrassed she is still human—a condition I was beginning to think she wotted not of."
"She whatted what?" queried the genial gentleman, not quite catching the Idiot's words.
"Never mind," returned the Idiot. "Let's hear how she ever came to be embarrassed."
"I have had an application for my first-floor suite, and I don't know whether I ought to accept it or not," said the landlady.
"She has a conscience, too," whispered the Idiot; and then he added, aloud, "And wherein lies the difficulty, Mrs. Pedagog?"
"The applicant is an actor; Junius Brutus Davenport is his name."
"A tragedian or a comedian?" asked the Bibliomaniac.
"Or first walking gentleman, who knows every railroad tie in the country?" put in the Idiot.
"That I do not know," returned the landlady. "His name sounds familiar enough, though. I thought perhaps some of you gentlemen might know of him."
"I have heard of Junius Brutus," observed the Doctor, chuckling slightly at his own humor, "and I've heard of Davenport, but Junius Brutus Davenport is a combination with which I am not familiar."
"Well, I can't see why it should make any difference whether the man is a tragedian, or a comedian, or a familiar figure to railroad men," said Mr. Whitechoker, firmly. "In any event, he would be an extremely objec—"
"It makes a great deal of difference," said the Idiot. "I've met tragedians, and I've met comedians, and I've met New York Central stars, and I can assure you they each represent a distinct type. The tragedians, as a rule, are quiet meek individuals, with soft low voices, in private life. They are more timid than otherwise, though essentially amiable. I knew a tragedian once who, after killing seventeen Indians, a road-agent, and a gross of cowboys between eight and ten P.M. every night for sixteen weeks, working six nights a week, was afraid of a mild little soft-shell crab that lay defenceless on a plate before him on the evening of the seventh night of the last week. Tragedians make agreeable companions, I can tell you; and if J. Brutus Davenport is a tragedian, I think Mrs. Pedagog would do well to let him have the suite, provided, of course, that he pays for it in advance."
"I was about to observe, when our friend interrupted me," said Mr. Whitechoker, with dignity, "that in any event an actor at this board would be to me an extremely objec—"
"Now the comedians," resumed the Idiot, ignoring Mr. Whitechoker's remark—"the comedians are very different. They are twice as bloodthirsty as the murderers of the drama, and, worse than that, they are given to rehearsing at all hours of the day and night. A tragedian is a hard character only on the stage, but the comedian is the comedian always. If we had one of those fellows in our midst, it would not be very long before we became part of the drama ourselves. Mrs. Pedagog would find herself embarrassed once an hour, instead of, as at present, once a century. Mr. Whitechoker would hear of himself as having appeared by proxy in a roaring farce before our comedian had been with us two months. The wise sayings of our friend the School-Master would be spoken nightly from the stage, to the immense delight of the gallery gods, and to the edification of the orchestra circle, who would wonder how so much information could have got into the world and they not know it before. The out-of-town papers would literally teem with witty extracts from our comedian's plays, which we should immediately recognize as the dicta of my poor self."
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