McIntyre. “Paul McCartney and the Creation of ‘Yesterday’: The Systems Model in Operation”. Popular Music. 25 (2). 2006;
David Thomas. “The Darkness Behind the Smile”. The Telegraph. August 19, 2004. www.telegraph.co.uk;
Alice Vincent. “Yesterday: The Song That Started as Scrambled Eggs”. The Telegraph. June 18, 2015.
2
В 1963 году Beatles считались рок-группой. Здесь и далее, если не указано иное, прим. науч. ред.
3
Подробности жизни Пола Маккартни на Уимпол-стрит и создания Yesterday взяты из:
“People: Jane Asher”. The Beatles Bible. www.beatlesbible.com;
Ray Coleman. Op. cit.; Phillip McIntyre. Op. cit.;
David Thomas. Op. cit.
4
Sean Magee. Desert Island Discs: 70 Years of Castaways. London: Transworld Publishers, 2012.
5
“The Richest Songs in the World”. BBC Four. 2012.
6
Gary Wolf. “Steve Jobs: The Next Insanely Great Thing”. Wired. February 1, 1996. www.wired.com.
7
Вольный перевод: Scrambled eggs / Oh, my baby, how I love your legs / Diddle diddle / I believe in scrambled eggs.
8
Ian Hammond. “Old Sweet Songs: In Search of the Source of I Saw Her Standing There and Yesterday”. Soundscapes: Journal on Media Culture. no 5 (July 2002). www.icce.rug.nl; Phillip McIntyre. Op. cit.
9
Подробнее о TrackMaven на сайте https://trackmaven.com.
10
“Annuitas B2B Enterprise Demand Generation Survey 2014”. Annuitas. 2014. go.brighttalk.com.
11
“Adobe State of Create”. Adobe. 2012. www.adobe.com.
12
Колоколообразная кривая – график функции Гаусса, которая используется для расчета плотности нормального распределения, а также в математическом анализе, математической физике и теории обработки сигналов.
13
Morse Peckham. Man’s Rage for Chaos. New York: Schocken Books, 1967.
14
Бергер Й. Скрытое влияние: Какие невидимые силы управляют нашими поступками. Минск: Попурри, 2017.
15
Томпсон Д. Хитмейкеры. Наука популярности в эпоху развлечений. СПб: Азбука-Бизнес, 2018.
16
Jonah Berger. Invisible Influence. New York: Simon & Schuster, 2016; Derek Thompson. Hit Makers. New York: Penguin, 2017.
17
Miloš Forman. Amadeus. The Saul Zaentz Company, 1984.
18
Roger Ebert. “Great Movie: Amadeus”. RogerEbert.com. April 14, 2002. www.rogerebert.com.
19
Подробности о письме взяты из: Kevin Ashton. “Divine Genius Does Not Exist: Hard Work, Not Magical Inspiration, Is Essence of Creativity”. Salon. February 1, 2015. www.salon.com.
20
William Stafford. The Mozart Myths: A Critical Reassessment. Redwood City: Stanford University Press, 1993.
21
Подробности жизни и работы Моцарта взяты из: “Wolfgang Mozart”. https://www.biography.com; David P. Schroeder. “Mozart’s Compositional Processes and Creative Complexity”. Dalhousie Review. 73 (2). 1993. www.dalspace.library.dal.ca.
22
Ulrich Konrad. Mozart’s Sketches. Oxford: Oxford University Press, 1992.
23
Phillip McIntyre. Creativity and Cultural Production: Issues for Media Practice. New York: Palgrave Macmillan, 2012; Robert Spaethling. Mozart’s Letters, Mozart’s Life: Selected Letters. New York: W. W. Norton & Company, 2000.
24
“Mozart and Salieri ‘Lost’ Composition Played in Prague”. BBC News. February 16, 2016. www.bbc.com; Sarah Pruitt. “Mozart’s ‘Lost’ Collaboration with Salieri Performed in Prague”. History Channel. February 17, 2016. www.history.com.
