of its travel across the sleeping fragrance of drowsy garden-beds, over which the white moths hovered seeking their night-honey. The house itself, with its two battlemented towers of Elizabethan times, gleamed with many windows, and we passed out of sight of it, and into the shadow of a box-hedge, clipped into shapes and monstrous fantasies, and found chairs by the striped tent at the top of the sheltered bowling-alley.
“And this is all very plausible,” said I. “Theories, if you please, at length, and, if possible, a full length illustration also.”
“By which you mean a ghost-story, or something to that effect?”
“Precisely: and, without presuming to dictate, if possible, firsthand.”
“Oddly enough, I can supply that also,” said she. “So first I will tell you my general theory, and follow it by a story that seems to bear it out. It happened to me, and it happened here.”
“I am sure it will fill the bill,” said I.
She paused a moment while I lit a cigarette, and then began in her very clear, pleasant voice.
She has the most lucid voice I know, and to me sitting there in the deep-dyed dusk, the words seemed the very incarnation of clarity, for they dropped into the still quiet of the darkness, undisturbed by impressions conveyed to other senses.
“We are only just beginning to conjecture,” she said, “how inextricable is the interweaving between mind, soul, life—call it what you will—and the purely material part of the created world. That such interweaving existed has, of course, been known for centuries; doctors, for instance, knew that a cheerful optimistic spirit on the part of their patients conduced towards recovery; that fear, the mere emotion, had a definite effect on the beat of the heart, that anger produced chemical changes in the blood, that anxiety led to indigestion, that under the influence of strong passion a man can do things which in his normal state he is physically incapable of performing. Here we have mind, in a simple and familiar manner, producing changes and effects in tissue, in that which is purely material. By an extension of this—though, indeed, it is scarcely an extension—we may expect to find that mind can have an effect, not only on what we call living tissue, but on dead things, on pieces of wood or stone. At least it is hard to see why that should not be so.”
“Table-turning, for instance?” I asked.
“That is one instance of how some force, out of that innumerable cohort of obscure mysterious forces with which we human beings are garrisoned, can pass, as it is constantly doing, into material things. The laws of its passing we do not know; sometimes we wish it to pass and it does not. Just now, for instance, when you and I tried to turn the table, there was some impediment in the path, though I put down that rap which followed as an effect of our efforts. But nothing seems more natural to my mind than that these forces should be transmissible to inanimate things. Of the manner of its passing we know next to nothing, any more than we know the manner of the actual process by which fear accelerates the beating of the heart, but as surely as a Marconi message leaps along the air by no visible or tangible bridge, so through some subtle gateway of the body these forces can march from the citadel of the spirit into material forms, whether that material is a living part of ourselves or that which we choose to call inanimate nature.” She paused a moment.
“Under certain circumstances,” she went on, “it seems that the force which has passed from us into inanimate things can manifest its presence there. The force that passes into a table can show itself in movements or in noises coming from the table. The table has been charged with physical energy. Often and often I have seen a table or a chair move apparently of its own accord, but only when some outpouring of force, animal magnetism—call it what you will—has been received by it. A parallel phenomenon to my mind is exhibited in what we know as haunted houses, houses in which, as a rule, some crime or act of extreme emotion or passion has been committed, and in which some echo or re-enactment of the deed is periodically made visible or audible. A murder has been committed, let us say, and the room where it took place is haunted. The figure of the murdered, or less commonly of the murderer, is seen there by sensitives, and cries are heard, or steps run to and fro. The atmosphere has somehow been charged with the scene, and the scene in whole or part repeats itself, though under what laws we do not know, just as a phonograph will repeat, when properly handled, what has been said into it.”
“This is all theory,” I remarked.
“But it appears to me to cover a curious set of facts, which is all we ask of a theory.
“Otherwise, we must frankly state our disbelief in haunted houses altogether, or suppose that the spirit of the murdered, poor, wretch, is bound under certain circumstances to re-enact the horror of its body’s tragedy. It was not enough that its body was killed there, its soul has to be dragged back and live through it all again with such vividness that its anguish becomes visible or audible to the eyes or ears of the sensitive. That to me is unthinkable, whereas my theory is not. Do I make it at all clear?”
“It is clear enough,” said I, “but I want support for it, the full-sized illustration.”
“I promised you that, a ghost-story of my own experience.”
Mrs. Aldwych paused again, and then began the story which was to illustrate her theory.
“It is just a year,” she said, “since Jack bought this house from old Mrs. Denison. We had both heard, both he and I, that it was supposed to be haunted, but neither of us knew any particulars of the haunt whatever. A month ago I heard what I believe to have been the ghost, and, when Mrs. Denison was staying with us last week, I asked her exactly what it was, and found it tallied completely with my experience. I will tell you my experience first, and give her account of the haunt afterwards.
“A month ago Jack was away for a few days and I remained here alone. One Sunday evening I, in my usual health and spirits, as far as I am aware, both of which are serenely excellent, went up to bed about eleven. My room is on the first floor, just at the foot of the staircase that leads to the floor above. There are four more rooms on my passage, all of which that night were empty, and at the far end of it a door leads into the landing at the top of the front staircase. On the other side of that, as you know, are more bedrooms, all of which that night were also unoccupied; I, in fact, was the only sleeper on the first floor.
“The head of my bed is close behind my door, and there is an electric light over it. This is controlled by a switch at the bed-head, and another switch there turns on a light in the passage just outside my room. That was Jack’s plan: if by chance you want to leave your room when the house is dark, you can light up the passage before you go out, and not grope blindly for a switch outside.
“Usually I sleep solidly: it is very rarely indeed that I wake, when once I have gone to sleep, before I am called. But that night I woke, which was rare; what was rarer was that I woke in a state of shuddering and unaccountable terror; I tried to localise my panic, to run it to earth and reason it away, but without any success. Terror of something I could not guess at stared me in the face, white, shaking terror. So, as there was no use in lying quaking in the dark, I lit my lamp, and, with the view of composing this strange disorder of my fear, began to read again in the book I had brought up with me. The volume happened to be ‘The Green Carnation,’ a work one would have thought to be full of tonic to twittering nerves. But it failed of success, even as my reasoning had done, and after reading a few pages, and finding that the heart-hammer in my throat grew no quieter, and that the grip of terror was in no way relaxed, I put out my light and lay down again. I looked at my watch, however, before doing this, and remember that the time was ten minutes to two.
“Still matters did not mend: terror, that was slowly becoming a little more definite, terror of some dark and violent
