sitting-rooms looking out, the one on to the gravel in front of the house, the other on to the garden. From the first of these you could see, through the gap in the pines by which the road approached the house, the brick-kiln of which I have already spoken. An oak staircase went up from the hall, and ’round it ran a gallery on to which the three principal bedrooms opened. These were commensurate with the dining-room and the two sitting-rooms below. From this gallery there led a long narrow passage shut off from the rest of the house by a red-baize door, which led to a couple more guest-rooms and the servants’ quarters.
Jack Singleton and I share the same flat in town, and we had sent down in the morning Franklyn and his wife, two old and valued servants, to get things ready at Trevor Major, and procure help from the village to look after the house, and Mrs. Franklyn, with her stout comfortable face all wreathed in smiles, opened the door to us. She had had some previous experience of the “comfortable quarters” which go with fishing, and had come down prepared for the worst, but found it all of the best. The kitchen-boiler was not furred; hot and cold water was laid on in the most convenient fashion, and could be obtained from taps that neither stuck nor leaked. Her husband, it appeared, had gone into the village to buy a few necessaries, and she brought up tea for us, and then went upstairs to the two rooms over the dining-room and bigger sitting-room, which we had chosen for our bedrooms, to unpack. The doors of these were exactly opposite one another to right and left of the gallery, and Jack, who chose the bedroom above the sitting-room, had thus a smaller room, above the second sitting-room, unoccupied, next his and opening out from it.
We had a couple of hours’ fishing before dinner, each of us catching three or four brace of trout, and came back in the dusk to the house. Franklyn had returned from the village from his errand, reported that he had got a woman to come in to do housework in the mornings, and mentioned that our arrival had seemed to arouse a good deal of interest. The reason for this was obscure; he could only tell us that he was questioned a dozen times as to whether we really intended to live in the house, and his assurance that we did produced silence and a shaking of heads. But the country-folk of Sussex are notable for their silence and chronic attitude of disapproval, and we put this down to local idiosyncrasy.
The evening was exquisitely warm, and after dinner we pulled out a couple of basket-chairs on to the gravel by the front door, and sat for an hour or so, while the night deepened in throbs of gathering darkness. The moon was not risen and the ring of pines cut off much of the pale starlight, so that when we went in, allured by the shining of the lamp in the sitting-room, it was curiously dark for a clear night in May. And at that moment of stepping from the darkness into the cheerfulness of the lighted house, I had a sudden sensation, to which, during the next fortnight, I became almost accustomed, of there being something unseen and unheard and dreadful near me. In spite of the warmth, I felt myself shiver, and concluded instantly that I had sat out-of-doors long enough, and without mentioning it to Jack, followed him into the smaller sitting-room in which we had scarcely yet set foot. It, like the hall, was oak-panelled, and in the panels hung some half-dozen of water-colour sketches, which we examined, idly at first, and then with growing interest, for they were executed with extraordinary finish and delicacy, and each represented some aspect of the house or garden. Here you looked up the gap in the fir-trees into a crimson sunset; here the garden, trim and carefully tended, dozed beneath some languid summer noon; here an angry wreath of storm-cloud brooded over the meadow where the trout-stream ran grey and leaden below a threatening sky, while another, the most careful and arresting of all, was a study of the brick-kiln. In this, alone of them all, was there a human figure; a man, dressed in grey, peered into the open door from which issued a fierce red glow. The figure was painted with miniature-like elaboration; the face was in profile, and represented a youngish man, clean-shaven, with a long aquiline nose and singularly square chin. The sketch was long and narrow in shape, and the chimney of the kiln appeared against a dark sky. From it there issued a thin stream of grey smoke.
Jack looked at this with attention.
“What a horrible picture!” he said, “and how beautifully painted! I feel as if it meant something, as if it was a representation of something that happened, not a mere sketch. By Jove!—”
He broke off suddenly and went in turn to each of the other pictures.
“That’s a queer thing,” he said. “See if you notice what I mean.”
With the brick-kiln rather vividly impressed on my mind, it was not difficult to see what he had noticed. In each of the pictures appeared the brick-kiln, chimney and all, now seen faintly between trees, now in full view, and in each the chimney was smoking.
“And the odd part is that from the garden side, you can’t really see the kiln at all,” observed Jack, “it’s hidden by the house, and yet the artist F. A., as I see by his signature, puts it in just the same.”
“What do you make of that?” I asked.
“Nothing. I suppose he had a fancy for brick-kilns. Let’s have a game of picquet.”
A fortnight of our three weeks passed without incident, except that again and again the curious feeling of something dreadful being close at hand was present in my mind. In a way, as I said, I got used to it, but on the other hand the feeling itself seemed to gain in poignancy. Once just at the end of the fortnight I mentioned it to Jack.
“Odd you should speak of it,” he said, “because I’ve felt the same. When do you feel it? Do you feel it now, for instance?”
We were again sitting out after dinner, and as he spoke I felt it with far greater intensity than ever before. And at the same moment the house-door which had been closed, though probably not latched, swung gently open, letting out a shaft of light from the hall, and as gently swung to again, as if something had stealthily entered.
“Yes,” I said. “I felt it then. I only feel it in the evening. It was rather bad that time.”
Jack was silent a moment.
“Funny thing the door opening and shutting like that,” he said. “Let’s go indoors.”
We got up and I remember seeing at that moment that the windows of my bedroom were lit; Mrs. Franklyn probably was making things ready for the night. Simultaneously, as we crossed the gravel, there came from just inside the house the sound of a hurried footstep on the stairs, and entering we found Mrs. Franklyn in the hall, looking rather white and startled.
“Anything wrong?” I asked.
She took two or three quick breaths before she answered:
“No, sir,” she said, “at least nothing that I can give an account of. I was tidying up in your room, and I thought you came in. But there was nobody, and it gave me a turn. I left my candle there; I must go up for it.”
I waited in the hall a moment, while she again ascended the stairs, and passed along the gallery to my room. At the door, which I could see was open, she paused, not entering.
“What is the matter?” I asked from below.
“I left the candle alight,” she said, “and it’s gone out.” Jack laughed.
“And you left the door and window open,” said he.
“Yes, sir, but not a breath of wind is stirring,” said Mrs. Franklyn, rather faintly.
This was true, and yet a few moments ago the heavy hall-door had swung open and back again. Jack ran upstairs.
“We’ll brave the dark together, Mrs. Franklyn,” he said.
He
