thing that was against the show was that the animals were fed after it was out, and you could not see the tigers tearing their prey when the great lumps of beef were thrown them. There was somehow not so much chance of hooking into a show as a circus, because the seats did not go all round, and you could be seen under the cages as soon as you got in under the canvas. I never heard of a boy that hooked into a show; perhaps nobody ever tried.
But the great reason of all was that you could not have an animal show of your own as you could a circus. You could not get the animals; and no boy living could act a camel, or a Royal Bengal tiger, or an elephant so as to look the least like one.
Of course you could have negro shows, and the boys often had them; but they were not much fun, and you were always getting the black on your shirt-sleeves.
The Theatre Comes to Town
A great new experience which now came to the boy was the theatre, which he had sometimes heard his father speak of. There had once been a theatre in the Boy's Town, when a strolling company came up from Cincinnati, and opened for a season in an empty pork-house. But that was a long time ago, and, though he had written a tragedy, all that the boy knew of a theatre was from a picture in a Sunday-school book where a stage scene was given to show what kind of desperate amusements a person might come to in middle life if he began by breaking the Sabbath in his youth. His brother had once been taken to a theatre in Pittsburg by one of their river-going uncles, and he often told about it; but my boy formed no conception of the beautiful reality from his accounts of a burglar who jumped from a roof and was chased by a watchman with a pistol up and down a street with houses painted on a curtain.
The company which came to the Boy's Town in his time was again from Cincinnati, and it was under the management of the father and mother of two actresses, afterward famous, who were then children, just starting upon their career. These pretty little creatures took the leading parts in Bombastes Furioso the first night my boy ever saw a play, and he instantly fell impartially in love with both of them, and tacitly remained their abject slave for a great while after. When the smaller of them came out with a large pair of stage boots in one hand and a drawn sword in the other, and said:
"Whoever dares these boots displace
Shall meet Bombastes face to face,"
if the boy had not already been bereft of his senses by the melodrama preceding the burlesque, he must have been transported by her beauty, her grace, her genius. He, indeed, gave her and her sister his heart, but his mind was already gone, rapt from him by the adorable pirate who fought a losing fight with broadswords, two up and two down—click-click, click-click—and died all over the deck of the pirate ship in the opening piece. This was called the Beacon of Death, and the scene represented the forecastle of the pirate ship with a lantern dangling from the rigging, to lure unsuspecting merchantmen to their doom. Afterward the boy remembered nothing of the story, but a scrap of the dialogue meaninglessly remained with him; and when the pirate captain appeared with his bloody crew and said, hoarsely, "Let us go below and get some brandy!" the boy would have bartered all his hopes of bliss to have been that abandoned ruffian. In fact, he always liked, and longed to be, the villain, rather than any other person in the play, and he so glutted himself with crime of every sort in his tender years at the theatre that he afterward came to be very tired of it, and avoided the plays and novels that had very marked villains in them.
He was in an ecstasy as soon as the curtain rose that night, and he lived somewhere out of his body as long as the playing lasted, which was well on to midnight; for in those days the theatre did not meanly put the public off with one play, but gave it a heartful and its money's worth with three. On his first night my boy saw The Beacon of Death, Bombastes Furioso, and Black-Eyed Susan, and he never afterward saw less than three plays each night, and he never missed a night, as long as the theatre languished in the unfriendly air of that mainly Calvinistic community, where the theatre was regarded by most good people as the eighth of the seven deadly sins. The whole day long he dwelt in a dream of it that blotted out, or rather consumed with more effulgent brightness, all the other day-dreams he had dreamed before, and his heart almost burst with longing to be a villain like those villains on the stage, to have a mustache—a black mustache—such as they wore at a time when every one off the stage was clean shaven, and somehow to end bloodily, murderously, as became a villain.
I dare say this was not quite a wholesome frame of mind for a boy of ten years; but I do not defend it; I only portray it. Being the boy he was, he was destined somehow to dwell half the time in a world of dreamery; and I have tried to express how, when he had once got enough of villany, he reformed his ideals and rather liked virtue.
The World Opened by Books
Every boy is two or three boys, or twenty or thirty different kinds of boys in one; he is all the time living many lives and forming many characters; but it is a good thing if he can keep one life and one character when he gets to be a man. He may turn out to be like an onion when he is grown up, and be nothing but hulls, that you keep peeling off, one after another, till you think you have got down to the heart, at last, and then you have got down to nothing.
All the boys may have been like my boy in the Boy's Town, in having each an inward being that was not the least like their outward being, but that somehow seemed to be their real self, whether it truly was so or not. But I am certain that this was the case with him, and that while he was joyfully sharing the wild sports and conforming to the savage usages of the boy's world about him, he was dwelling in a wholly different world within him, whose wonders no one else knew. I could not tell now these wonders any more than he could have told them then; but it was a world of dreams, of hopes, of purposes, which he would have been more ashamed to avow for himself than I should be to avow for him. It was all vague and vast, and it came out of the books that he read, and that filled his soul with their witchery, and often held him aloof with their charm in the midst of the plays from which they could not lure him wholly away, or at all away. He did not know how or when their enchantment began, and he could hardly recall the names of some of them afterward.
First of them was Goldsmith's History of Greece, which made him an Athenian of Pericles' time, and Goldsmith's History of Rome, which naturalized him in a Roman citizenship chiefly employed in slaying tyrants; from the time of Appius Claudius down to the time of Domitian, there was hardly a tyrant that he did not slay. After he had read these books, not once or twice, but twenty times over, his father thought fit to put into his hands The Travels of Captain Ashe in North America, to encourage, or perhaps to test, his taste for useful reading; but this was a failure. The captain's travels were printed with long esses, and the boy could make nothing of them, for other reasons. The fancy nourished upon
"The glory that was Greece
And the grandeur that was Rome,"
starved amid the robust plenty of the Englishman's criticisms of our early manners and customs. Neither could money hire the boy to read Malte-Brun's Geography, in three large folios, of a thousand pages each, for which there was a standing offer of fifty cents from the father, who had never been able to read it himself.
But shortly after he failed so miserably with Captain Ashe, the boy came into possession of a priceless treasure. It was that little treatise on Greek and Roman Mythology which I have mentioned, and which he must literally have worn out with reading, since no fragment of it seems to have survived his boyhood. Heaven knows who wrote it or published
