as dogs all the time they're at sea. Your own mother telled me (for she came from foreign parts, being a Manx woman) that she'd ha thanked any one for throwing her into the water.' Nay, I sent him a' the way to Runcorn by th' Duke's canal, that he might know what th' sea were; and I looked to see him come back as white as a sheet wi' vomiting. But the lad went on to Liverpool and saw real ships, and came back more set than ever on being a sailor, and he said as how he had never been sick at all, and thought he could stand the sea pretty well. So I telled him he mun do as he liked; and he thanked me and kissed me, for all I was very frabbit4 with him; and now he's gone to South America, at t'other side of the sun, they tell me."
Mary stole a glance at Margaret to see what she thought of Alice's geography; but Margaret looked so quiet and demure, that Mary was in doubt if she were not really ignorant. Not that Mary's knowledge was very profound, but she had seen a terrestrial globe, and knew where to find France and the continents on a map.
After this long talking Alice seemed lost for a time in reverie; and the girls, respecting her thoughts, which they suspected had wandered to the home and scenes of her childhood, were silent. All at once she recalled her duties as hostess, and by an effort brought back her mind to the present time.
"Margaret, thou must let Mary hear thee sing. I don't know about fine music myself, but folks say Margaret is a rare singer, and I know she can make me cry at any time by singing 'Th' Owdham Weaver.' Do sing that, Margaret, there's a good lass."
With a faint smile, as if amused at Alice's choice of a song, Margaret began.
Do you know "The Oldham Weaver?" Not unless you are Lancashire born and bred, for it is a complete Lancashire ditty. I will copy it for you.
THE OLDHAM WEAVER.
I.
Oi'm a poor cotton-weyver, as mony a one knoowas,
Oi've nowt for t' yeat, an' oi've woorn eawt my clooas,
Yo'ad hardly gi' tuppence for aw as oi've on,
My clogs are boath brosten, an' stuckins oi've none,
Yo'd think it wur hard,
To be browt into th' warld,
To be—clemmed,5 an' do th' best as yo con.
II.
Owd Dicky o' Billy's kept telling me lung,
Wee s'd ha' better toimes if I'd but howd my tung,
Oi've howden my tung, till oi've near stopped my breath,
Oi think i' my heeart oi'se soon clem to deeath,
Owd Dicky's weel crammed,
He never wur clemmed,
An' he ne'er picked ower i' his loife.6
III.
We tow'rt on six week—thinking aitch day wur th' last,
We shifted, an' shifted, till neaw we're quoite fast;
We lived upo' nettles, whoile nettles wur good,
An' Waterloo porridge the best o' eawr food,
Oi'm tellin' yo' true,
Oi can find folk enow,
As wur livin' na better nor me.
IV.
Owd Billy o' Dans sent th' baileys one day,
Fur a shop deebt oi eawd him, as oi could na pay,
But he wur too lat, fur owd Billy o' th' Bent,
Had sowd th' tit an' cart, an' ta'en goods fur th' rent,
We'd neawt left bo' th' owd stoo',
That wur seeats fur two,
An' on it ceawred Marget an' me.
V.
Then t' baileys leuked reawnd as sloy as a meawse,
When they seed as aw t' goods were ta'en eawt o' t' heawse,
Says one chap to th' tother, "Aws gone, theaw may see;"
Says oi, "Ne'er freet, mon, yeaur welcome ta' me."
They made no moor ado
But whopped up th' eawd stoo',
An' we booath leet, whack—upo' t' flags!
VI.
Then oi said to eawr Marget, as we lay upo' t' floor,
"We's never be lower i' this warld, oi'm sure,
If ever things awtern, oi'm sure they mun mend,
For oi think i' my heart we're booath at t' far eend;
For meeat we ha' none;
Nor looms t' weyve on,—
Edad! they're as good lost as fund."
VII.
Eawr Marget declares had hoo cloo'as to put on,
Hoo'd goo up to Lunnon an' talk to th' greet mon;
An' if things were na awtered when there hoo had been,
Hoo's fully resolved t' sew up meawth an' eend;
Hoo's neawt to say again t' king,
But hoo loikes a fair thing,
An' hoo says hoo can tell when hoo's hurt.
The air to which this is sung is a kind of droning recitative, depending much on expression and feeling. To read it, it may, perhaps, seem humorous; but it is that humour which is near akin to pathos, and to those who have seen the distress it describes, it is a powerfully pathetic song. Margaret had both witnessed the destitution, and had the heart to feel it; and withal, her voice was of that rich and rare order, which does not require any great compass of notes to make itself appreciated. Alice had her quiet enjoyment of tears. But Margaret, with fixed eye, and earnest, dreamy look, seemed to become more and more absorbed in realising to herself the woe she had been describing, and which she felt might at that very moment be suffering and hopeless within a short distance of their comparative comfort.
Suddenly she burst forth with all the power of her magnificent voice, as if a prayer from her very heart for all who were in distress, in the grand supplication, "Lord, remember David." Mary held her breath, unwilling to lose a note, it was so clear, so perfect, so imploring. A far more correct musician than Mary might have paused with equal admiration of the really scientific knowledge, with which the poor depressed-looking young needle-woman used her superb and flexile voice. Deborah Travers herself (once an Oldham factory girl, and afterwards the darling of fashionable
