SENTIMENTAL TOMMY & Its Sequel, Tommy and Grizel (Illustrated Edition). J. M. Barrie
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And he was very considerate, too: not a word of reproach in him, though he knew very well what that bundle in the back of the bed was.
She guessed that he had heard the news and stayed away through jealousy of his sister, and by and by she said, with a faint smile, "I have a present for you, laddie." In the great world without, she used few Thrums words now; you would have known she was Scotch by her accent only, but when she and Tommy were together in that room, with the door shut, she always spoke as if her window still looked out on the bonny Marywellbrae. It is not really bonny, it is gey an' mean an' bleak, and you must not come to see it. It is just a steep wind-swept street, old and wrinkled, like your mother's face.
She had a present for him, she said, and Tommy replied, "I knows," with averted face.
"Such a bonny thing."
"Bonny enough," he said bitterly.
"Look at her, laddie."
But he shrank from the ordeal, crying, "No, no, keep her covered up!"
The little traitor seemed to be asleep, and so he ventured to say, eagerly, "It wouldn't not take long to carry all our things to another house, would it? Me and Shovel could near do it ourselves."
"And that's God's truth," the woman said, with a look round the room.
"But what for should we do that?"
"Do you no see, mother?" he whispered excitedly. "Then you and me could slip away, and—and leave her—in the press."
The feeble smile with which his mother received this he interpreted thus, "Wherever we go'd to she would be there before us."
"The little besom!" he cried helplessly.
His mother saw that mischievous boys had been mounting him on his horse, which needed only one slap to make it go a mile; but she was a spiritless woman, and replied indifferently, "You're a funny litlin."
Presently a dry sob broke from her, and thinking the child was the cause, soft-hearted Tommy said, "It can't not be helped, mother; don't cry, mother, I'm fond on yer yet, mother; I—I took her away. I found another woman—but she would come."
"She's God's gift, man," his mother said, but she added, in a different tone, "Ay, but he hasna sent her keep."
"God's gift!" Tommy shuddered, but he said sourly, "I wish he would take her back. Do you wish that, too, mother?"
The weary woman almost said she did, but her arms—they gripped the baby as if frightened that he had sent for it. Jealous Tommy, suddenly deprived of his mother's hand, cried, "It's true what Shovel says, you don't not love me never again; you jest loves that little limmer!"
"Na, na," the mother answered, passionate at last, "she can never be to me what you hae been, my laddie, for you came to me when my hame was in hell, and we tholed it thegither, you and me."'
This bewildered though it comforted him. He thought his mother might be speaking about the room in which they had lived until six months ago, when his father was put into the black box, but when he asked her if this were so, she told him to sleep, for she was dog-tired. She always evaded him in this way when he questioned her about his past, but at times his mind would wander backwards unbidden to those distant days, and then he saw flitting dimly through them the elusive form of a child. He knew it was himself, and for moments he could see it clearly, but when he moved a step nearer it was not there. So does the child we once were play hide and seek with us among the mists of infancy, until one day he trips and falls into the daylight. Then we seize him, and with that touch we two are one. It is the birth of self-consciousness.
Hitherto he had slept at the back of his mother's bed, but to-night she could not have him there, the place being occupied, and rather sulkily he consented to lie crosswise at her feet, undressing by the feeble fire and taking care, as he got into bed, not to look at the usurper. His mother watched him furtively, and was relieved to read in his face that he had no recollection of ever having slept at the foot of a bed before. But soon after he fell asleep he awoke, and was afraid to move lest his father should kick him. He opened his eyes stealthily, and this was neither the room nor the bed he had expected to see.
The floor was bare save for a sheepskin beside the bed. Tommy always stood on the sheepskin while he was dressing because it was warm to the feet, though risky, as your toes sometimes caught in knots in it. There was a deal table in the middle of the floor with some dirty crockery on it and a kettle that would leave a mark, but they had been left there by Shovel's old girl, for Mrs. Sandys usually kept her house clean. The chairs were of the commonest, and the press door would not remain shut unless you stuck a knife between its halves; but there, was a gay blue wardrobe, spotted white where Tommy's mother had scraped off the mud that had once bespattered it during a lengthy sojourn at the door of a shop; and on the mantelpiece was a clock in a little brown and yellow house, and on the clock a Bible that had been in Thrums. But what Tommy was proudest of was his mother's kist, to which the chests of Londoners are not to be compared, though like it in appearance. On the inside of the lid of this kist was pasted, after a Thrums custom, something that his mother called her marriage lines, which she forced Shovel's mother to come up and look at one day, when that lady had made an innuendo Tommy did not understand, and Shovel's mother had looked, and though she could not read, was convinced, knowing them by the shape.
Tommy lay at the foot of the bed looking at this room, which was his home now, and trying to think of the other one, and by and by the fire helped him by falling to ashes, when darkness came in, and packing the furniture in grotesque cloths, removed it piece by piece, all but the clock. Then the room took a new shape. The fireplace was over there instead of here, the torn yellow blind gave way to one made of spars of green wood, that were bunched up at one side, like a lady out for a walk. On a round table there was a beautiful blue cloth, with very few gravy marks, and here a man ate beef when a woman and a boy ate bread, and near the fire was the man's big soft chair, out of which you could pull hairs, just as if it were Shovel's sister.
Of this man who was his father he could get no hold. He could feel his presence, but never see him. Yet he had a face. It sometimes pressed Tommy's face against it in order to hurt him, which it could do, being all short needles at the chin.
Once in those days Tommy and his mother ran away and hid from some one. He did not know from whom nor for how long, though it was but for a week, and it left only two impressions on his mind, the one that he often asked, "Is this starving now, mother?" the other that before turning a corner she always peered round it fearfully. Then they went back again to the man and he laughed when he saw them, but did not take his feet off the mantelpiece. There came a time when the man was always in bed, but still Tommy could not see his face. What he did see was the man's clothes lying on the large chair just as he had placed them there when he undressed for the last time. The black coat and worsted waistcoat which he could take off together were on the seat, and the light trousers hung over the side, the legs on the hearthrug, with the red socks still sticking in them: a man without a body.
But the boy had one vivid recollection of how his mother received the news of his father's death. An old man with a white beard and gentle ways, who often came to give the invalid physic, was standing at the bedside, and Tommy and his mother were sitting on the fender. The old man came to her and said, "It is all over," and put her softly into the big chair. She covered her face with her hands, and he must have thought she was crying, for he tried to comfort her. But as soon as he was gone she rose, with such a queer face, and went on tiptoe to the