The Greatest Works of Arthur Cheney Train (Illustrated Edition). Arthur Cheney Train
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"Well, my little man," said Mr. Tutt, "do you work here?"
"Oh, yes," answered the embryonic citizen. "My father, he owns half the store. I go to school every day, but I work here afterward. I got a prize last week."
"What sort of a prize?"
"I got the English prize."
The lawyer took the child's hand and pulled him over between his knees. He was an attractive lad, clean, responsive, frank, and his eyes looked straight into Mr. Tutt's.
"Sonny," he inquired his new friend, "are you an American?"
"Me? Sure! You bet I'm an American! The old folks—no! You couldn't change 'em in fifty years. They're just what they always were. They don't want anything different. They think they're in Syria yet. But me—say, what do you think? Of course I'm an American!"
"That's right!" answered Mr. Tutt, offering him a piece of pastry. "And what is your name?"
"George Nasheen Assad," answered the boy, showing a set of white teeth.
"Well, George," continued the attorney, "what has become of Kasheed Hassoun?"
"Oh, he's down at Coney Island. He runs a caravan. He has six camels. I go there sometimes and he lets me ride for nothing. I know who you are," said the little Syrian confidently, as he took the cake. "You're the great lawyer who defended Kasheed Hassoun."
"That's right. How did you know that, now?"
"I was to the trial."
"Do you think he ought to have been let off?" asked Mr. Tutt whimsically.
"I don't know," returned the child. "I guess you did right not to call me as a witness."
Mr. Tutt wrinkled his brows.
"Eh? What? You weren't a witness, were you?"
"Of course I was!" laughed George. "I was here behind the screen. I saw the whole thing. I saw Kasheed Hassoun come in and speak to Sardi Babu, and I saw Sardi draw his revolver, and I saw Kasheed tear it out of his hand and strangle him."
Mr. Tutt turned cold.
"You saw that?" he challenged.
"Sure."
"How many other people were there in the restaurant?" inquired Mr. Tutt.
"Nobody at all," answered George in a matter-of-fact tone. "Only Kasheed and Sardi. Nobody else was in the restaurant."
Contempt of Court
The court can't determine what is honor.—Chief Baron Bowes, 1743.
I know what my code of honor is, my lord, and I intend to adhere to it.—John O'Conner, M.P., in Parnell Commission's Proceedings, 103d Day; Times Rep. pt. 28, pp. 19 ff.
Well, honor is the subject of my story.—Julius Caesar, Act I, Sc 2.
"What has become of Katie—the second waitress?" asked Miss Althea Beekman of Dawkins, her housekeeper, as she sat at her satinwood desk after breakfast. "I didn't see her either last night or this morning."
Dawkins, who was a mid-Victorian, flushed awkwardly.
"I really had to let the girl go, ma'am!" she explained with an outraged air. "I hardly know how to tell you—such a thing in this house! I couldn't possibly have her round. I was afraid she might corrupt the other girls, ma'am—and they are such a self-respecting lot—almost quite ladylike, ma'am. So I simply paid her and told her to take herself off."
Miss Beekman looked pained.
"You shouldn't have turned her out into the street like that, Dawkins!" she expostulated. "Where has she gone?"
Dawkins gazed at her large feet in embarrassment.
"I don't know, ma'am," she admitted. "I didn't suppose you'd want her here so I sent her away. It was quite inconvenient, too—with the servant problem what it is. But I'm hoping to get another this afternoon from Miss Healey's."
Miss Beekman was genuinely annoyed.
"I am seriously displeased with you, Dawkins!" she returned severely. "Of course, I am shocked at any girl in my household misbehaving herself, but—I—wouldn't want her to be sent away—under such circumstances. It would be quite heartless. Yes, I am very much disturbed!"
"I'm sorry, ma'am," answered the housekeeper penitently. "But I was only thinking of the other girls."
"Well, it's too late to do anything about it now," repeated her mistress. "But I'm sorry, Dawkins; very sorry, indeed. We have responsibilities toward these people! However—this is Thursday, isn't it?—we'll have veal for lunch as usual—and she was so pretty!" she added inconsequently.
"H'm. That was the trouble!" sniffed the housekeeper. "We're well rid of her. You'd think a girl would have some consideration for her employer—if nothing else. In a sense she is a guest in the house and should behave herself as such!"
"Yes, that is quite true!" agreed her employer. "Still—yes, Brown Betty is very well for dessert. That will do, Dawkins."
Behind the curtain of this casual conversation had been enacted a melodrama as intensely vital and elemental as any of Shakespeare's tragedies, for the day Dawkins had fired Katie O'Connell—"for reasons," as she said—and told her to go back where she came from or anywhere she liked for that matter, so long as she got out of her sight, Katie's brother Shane in the back room of McManus' gin palace gave Red McGurk—for the same "reasons"—a certain option and, the latter having scornfully declined to avail himself of it, had then and there put a bullet through his neck. But this, naturally, Miss Beekman did not know.
As may have been already surmised Miss Althea was a gracious, gentle and tender-hearted lady who never knowingly would have done a wrong to anybody and who did not believe that simply because God had been pleased to call her into a state of life at least three stories higher than her kitchen she was thereby relieved from her duty toward those who occupied it. Nevertheless, from the altitude of those three stories she viewed them as essentially different from herself, for she came of what is known as "a long line of ancestors." As, however, Katie O'Connell and Althea Beekman were practically contemporaries, it is somewhat difficult to understand how one of them could have had a succession of ancestors that was