came from, and rightly surmised that there was more in the same treasury, ready to be bestowed for similar service to that which the unready Baumstein had so emphatically rejected; so Rego, watching his opportunity, stole away secretly to Von Richenbach and offered his aid in the capture of the castle, should suitable compensation be tendered him. Heinrich questioned him closely regarding the interior arrangements of the castle, and asked him if he could find any means of letting down the drawbridge and raising the portcullis in the night. This, Rego said quite truly, was impossible, as the guard at the gate, vigilant enough before, had become much more so since the attempted bribery of the Captain. There was, however, one way by which the castle might be entered, and that entailed a most perilous adventure. There was a platform between two of the lofty, steep roofs, so elevated that it gave a view over all the valley. On this platform a sentinel was stationed night and day, whose duty was that of outlook, like a man on the cross-trees of a ship. From this platform a stair, narrow at the top, but widening as it descended to the lower stories, gave access to the whole castle. If, then, a besieger constructed a ladder of enormous length, it might be placed at night on the narrow ledge of rock far below this platform, standing almost perpendicular, and by this means man after man would be enabled to reach the roof of the castle, and, under the guidance of Rego, gain admittance to the lower rooms unsuspected.
"But the sentinel?" objected Von Richenbach.
"The sentinel I will myself slay. I will steal up behind him in the night when you make your assault, and running my knife into his neck, fling him over the castle wall; then I shall be ready to guide you down into the courtyard."
Von Richenbach, remembering the sheer precipice of rock at the foot of the castle walls and the dizzy height of the castle roof above the rock, could scarcely forbear a shudder at the thought of climbing so high on a shaky ladder, even if such a ladder could be made, of which he had some doubts. The scheme did not seem so feasible as the Spaniard appeared to imagine.
"Could you not let down a rope ladder from the platform when you had slain the sentinel, and thus allow us to climb by that?"
"It would be impossible for me to construct and conceal a contrivance strong enough to carry more than one man at a time, even if I had the materials," said the wily Spaniard, whose thoughtfulness and ingenuity Heinrich could not but admire, while despising him as an oily foreigner. "If you made the rope ladder there would be no method of getting it into Schloss Eltz; besides, it would need to be double the length of a wooden ladder, for you can place your ladder at the foot of the ledge, then climb to the top of the rock, and, standing there, pull the ladder up, letting the higher end scrape against the castle wall until the lower end stands firm on the ledge of rock. Your whole troop could then climb, one following another, so that there would be no delay."
Thus it was arranged, and then began and was completed the construction of the longest and most wonderful ladder ever made in Germany or anywhere else, so far as history records. It was composed of numerous small ladders, spliced and hooped with iron bands by the castle armourer. At a second visit, which Rego paid to Baldwineltz when the ladder was completed, all arrangements were made and the necessary signals agreed upon.
It was the pious custom of those in the fortress of Baldwineltz to ring the great bell on Saints' days and other festivals that called for special observance, because Von Richenbach conducted war on the strictest principles, as a man knowing his duty both spiritual and temporal. It was agreed that on the night of the assault, when it was necessary that Rego should assassinate the sentinel, the great bell of the fortress should be rung, whereupon the Spaniard was to hie himself up the stair and send the watchman into another sphere of duty by means of his dagger. The bell-ringing seems a perfectly justifiable device, and one that will be approved by all conspirators, for the sounding of the bell, plainly heard in Schloss Eltz, would cause no alarm, as it was wont to sound at uncertain intervals, night and day, and was known to give tongue only during moments allotted by the Church to devout thoughts. But the good monk Ambrose, in setting down on parchment the chronicles of this time, gives it as his opinion that no prosperity could have been expected in thus suddenly changing the functions of the bell from sacred duty to the furtherance of a secular object. Still, Ambrose was known to be a sympathiser with the house of Eltz, and, aside from this, a monk in his cell cannot be expected to take the same view of military necessity that would commend itself to a warrior on a bastion; therefore, much as we may admire Ambrose as an historian, we are not compelled to accept his opinions on military ethics.
On the important night, which was of great darkness, made the more intense by the black environment of densely-wooded hills which surrounded Schloss Eltz, the swarthy Spaniard became almost pale with anxiety as he listened for the solemn peal that was to be his signal. At last it tolled forth, and he, with knife to hand in his girdle, crept softly along the narrow halls to his fatal task. The interior of Schloss Eltz is full of intricate passages, unexpected turnings, here a few steps up, there a few steps down, for all the world like a maze, in which even one knowing the castle might well go astray. At one of the turnings Rego came suddenly upon the Countess, who screamed at sight of him, and then recognising him said, half laughing, half crying, being a nervous woman:
"Ah, Rego, thank heaven it is you! I am so distraught with the doleful ringing of that bell that I am frightened at the sound of my own footsteps. Why rings it so, Rego?"
"'Tis some Church festival, my Lady, which they, fighting for the Archbishop, are more familiar with than I," answered the trembling Spaniard, as frightened as the lady herself at the unexpected meeting. But the Countess was a most religious woman, well skilled in the observances of her Church, and she replied:
"No, Rego. There is no cause for its dolorous music, and to-night there seems to me something ominous and menacing in its tone, as if disaster impended."
"It may be the birthday of the Archbishop, my Lady, or of the Pope himself."
"Our Holy Father was born in May, and the Archbishop in November. Ah, I would that this horrid strife were done with! But our safety lies in Heaven, and if our duty be accomplished here on earth, we should have naught to fear; yet I tremble as if great danger lay before me. Come, Rego, to the chapel, and light the candles at the altar."
The Countess passed him, and for one fateful moment Rego's hand hovered over his dagger, thinking to strike the lady dead at his feet; but the risk was too great, for there might at any time pass along the corridor one of the servants, who would instantly raise the alarm and bring disaster upon him. He dare not disobey. So grinding his teeth in impotent rage and fear, he followed his mistress to the chapel, and, as quickly as he could, lit one candle after another, until the usual number burned before the sacred image. The Countess was upon her knees as he tried to steal softly from the room. "Nay, Rego," she said, raising her bended head, "light them all to-night. Hearken! That raven bell has ceased even as you lighted the last candle."
The Countess, as has been said was a devout lady, and there stood an unusual number of candles before the altar, several of which burned constantly, but only on notable occasions were all the candles lighted. As Rego hesitated, not knowing what to do in this crisis, the lady repeated: "Light all the candles to-night, Rego."
"You said yourself, my Lady," murmured the agonised man, cold sweat breaking out on his forehead, "that this was not a Saint's day."
"Nevertheless, Rego," persisted the Countess, surprised that even a favourite servant should thus attempt to thwart her will, "I ask you to light each candle. Do so at once."
She bowed her head as one who had spoken the final word, and again her fate trembled in the balance; but Rego heard the footsteps of the Count entering the gallery above him, that ran across the end of the chapel, and he at once resumed the lighting of the candles, making less speed in his eagerness than if he had gone about his task with more care.
The monk Ambrose draws a moral from this episode,
