to hang on the projection of yonder crag, there will be a woful outpouring of the holy things of the sanctuary.”
By the assistance of some rudely constructed machinery, the heavily laden basket was now carefully lowered down among the multitude; and, from the giddy pinnacle, the Romans were seen gathering confusedly round it; but owing to the vast height and the prevalence of a fog, no distinct view of their operations could be obtained.
Half an hour had already elapsed.
“We shall be too late,” sighed the Pharisee, as at the expiration of this period, he looked over into the abyss — “we shall be too late! we shall be turned out of office by the Katholim.”
“No more,” responded Abel-Phittim, — “no more shall we feast upon the fat of the land — no longer shall our beards be odorous with frankincense — our loins girded up with fine linen from the Temple.”
“Raca!” swore Ben-Levi, “Raca! do they mean to defraud us of the purchase money? or, Holy Moses! are they weighing the shekels of the tabernacle?”
“They have given the signal at last,” cried the Pharisee, “they have given the signal at last! — pull away, Abel-Phittim! — and thou, Buzi-Ben-Levi, pull away! — for verily the Philistines have either still hold upon the basket, or the Lord hath softened their hearts to place therein a beast of good weight!” And the Gizbarim pulled away, while their burthen swung heavily upwards through the still increasing mist.
“Booshoh he!” — as, at the conclusion of an hour, some object at the extremity of the rope became indistinctly visible — “Booshoh he!” was the exclamation which burst from the lips of Ben-Levi.
“Booshoh he! — for shame! — it is a ram from the thickets of Engedi, and as rugged as the valley of Jehosaphat!”
“It is a firstling of the flock,” said Abel-Phittim, “I know him by the bleating of his lips, and the innocent folding of his limbs. His eyes are more beautiful than the jewels of the Pectoral, and his flesh is like the honey of Hebron.”
“It is a fatted calf from the pastures of Bashan,” said the Pharisee, “the heathen have dealt wonderfully with us! — let us raise up our voices in a psalm! — let us give thanks on the shawm and on the psaltery — on the harp and on the huggab — on the cythern and on the sackbut!”
It was not until the basket had arrived within a few feet of the Gizbarium, that a low grunt betrayed to their perception a hog of no common size.
“Now El Emanu!” slowly, and with upturned eyes ejaculated the trio, as, letting go their hold, the emancipated porker tumbled headlong among the Philistines, “El Emanu! — God be with us — it is the unutterable flesh! “
The End
The Assignation (1833)
Stay for me there! I will not fail
To meet thee in that hollow vale.
Ill-fated and mysterious man! — bewildered in the brilliancy of thine own imagination, and fallen in the flames of thine own youth! Again in fancy I behold thee! Once more thy form hath risen before me! — not — oh not as thou art — in the cold valley and shadow — but as thou shouldst be — squandering away a life of magnificent meditation in that city of dim visions, thine own Venice — which is a star-beloved Elysium of the sea, and the wide windows of whose Palladian palaces look down with a deep and bitter meaning upon the secrets of her silent waters. Yes! I repeat it — as thou shouldst be. There are surely other worlds than this — other thoughts than the thoughts of the multitude — other speculations than the speculations of the sophist. Who then shall call thy conduct into question? who blame thee for thy visionary hours, or denounce those occupations as a wasting away of life, which were but the overflowings of thine everlasting energies?
It was at Venice, beneath the covered archway there called the Ponte di Sospiri, that I met for the third or fourth time the person of whom I speak. It is with a confused recollection that I bring to mind the circumstances of that meeting. Yet I remember — ah! how should I forget? — the deep midnight, the Bridge of Sighs, the beauty of woman, and the Genius of Romance that stalked up and down the narrow canal.
It was a night of unusual gloom. The great clock of the Piazza had sounded the fifth hour of the Italian evening. The square of the Campanile lay silent and deserted, and the lights in the old Ducal Palace were dying fast away. I was returning home from the Piazetta, by way of the Grand Canal. But as my gondola arrived opposite the mouth of the canal San Marco, a female voice from its recesses broke suddenly upon the night, in one wild, hysterical, and long continued shriek. Startled at the sound, I sprang upon my feet: while the gondolier, letting slip his single oar, lost it in the pitchy darkness beyond a chance of recovery, and we were consequently left to the guidance of the current which here sets from the greater into the smaller channel. Like some huge and sable-feathered condor, we were slowly drifting down towards the Bridge of Sighs, when a thousand flambeaux flashing from the windows, and down the staircases of the Ducal Palace, turned all at once that deep gloom into a livid and preternatural day.
A child, slipping from the arms of its own mother, had fallen from an upper window of the lofty structure into the deep and dim canal. The quiet waters had closed placidly over their victim; and, although my own gondola was the only one in sight, many a stout swimmer, already in the stream, was seeking in vain upon the surface, the treasure which was to be found, alas! only within the abyss. Upon the broad black marble flagstones at the entrance of the palace, and a few steps above the water, stood a figure which none who then saw can have ever since forgotten. It was the Marchesa Aphrodite — the adoration of all Venice — the gayest of the gay — the most lovely where all were beautiful — but still the young wife of the old and intriguing Mentoni, and the mother of that fair child, her first and only one, who now deep beneath the murky water, was thinking in bitterness of heart upon her sweet caresses, and exhausting its little life in struggles to call upon her name.
She stood alone. Her small, bare, and silvery feet gleamed in the black mirror of marble beneath her. Her hair, not as yet more than half loosened for the night from its ball-room array, clustered, amid a shower of diamonds, round and round her classical head, in curls like those of the young hyacinth. A snowy-white and gauze-like drapery seemed to be nearly the sole covering to her delicate form; but the midsummer and midnight air was hot, sullen, and still, and no motion in the statue-like form itself, stirred even the folds of that raiment of very vapor which hung around it as the heavy marble hangs around the Niobe. Yet — strange to say! — her large lustrous eyes were not turned downwards upon that grave wherein her brightest hope lay buried — but riveted in a widely different direction! The prison of the Old Republic is, I think, the stateliest building in all Venice — but how could that lady gaze so fixedly upon it, when beneath her lay stifling her own child? Yon dark, gloomy niche, too, yawns right opposite her chamber window — what, then, could there be in its shadows — in its architecture — in its ivy-wreathed and solemn cornices — that the Marchesa di Mentoni had not wondered at a thousand times before? Nonsense! — Who does not remember that, at such a time as this, the eye, like a shattered mirror, multiplies the images of its sorrow, and sees in innumerable far off places, the wo which is close at hand?
Many steps above the Marchesa, and within the arch of the water-gate, stood, in full dress, the Satyr-like figure of Mentoni himself. He was occasionally occupied in thrumming a guitar, and seemed ennuyé to the very death, as at intervals he gave directions for the recovery
