The Greatest Murder Mysteries of Mary Elizabeth Braddon. Mary Elizabeth Braddon

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The Greatest Murder Mysteries of Mary Elizabeth Braddon - Mary Elizabeth  Braddon

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this letter.

      “From your affectionate cousin, ALICIA.”

      A sick and deadly terror chilled Robert Audley’s heart, as he read this letter — a vague yet hideous fear, which he dared not shape into any definite form.

      “Have I done right?” he thought, in the first agony of this new horror —“have I done right to tamper with justice; and to keep the secret of my doubts in the hope that I was shielding those I love from sorrow and disgrace? What shall I do if I find him ill, very ill, dying perhaps, dying upon her breast! What shall I do?”

      One course lay clear before him; and the first step of that course was a rapid journey to Audley Court. He packed his portmanteau, jumped into a cab, and reached the railway station within an hour of his receipt of Alicia’s letter, which had come by the afternoon post.

      The dim village lights flickered faintly through the growing dusk when Robert reached Audley. He left his portmanteau with the station-master, and walked at a leisurely pace through the quiet lanes that led away to the still loneliness of the Court. The over-arching trees stretched their leafless branches above his head, bare and weird in the dusky light. A low moaning wind swept across the flat meadow land, and tossed those rugged branches hither and thither against the dark gray sky. They looked like the ghostly arms of shrunken and withered giants, beckoning Robert to his uncle’s house. They looked like threatening phantoms in the chill winter twilight, gesticulating to him to hasten upon his journey. The long avenue so bright and pleasant when the perfumed limes scattered their light bloom upon the pathway, and the dog-rose leaves floated on the summer air, was terribly bleak and desolate in the cheerless interregnum that divides the homely joys of Christmas from the pale blush of coming spring — a dead pause in the year, in which Nature seems to lie in a tranced sleep, awaiting the wondrous signal for the budding of the flower.

      A mournful presentiment crept into Robert Audley’s heart as he drew nearer to his uncle’s house. Every changing outline in the landscape was familiar to him; every bend of the trees; every caprice of the untrammeled branches; every undulation in the bare hawthorn hedge, broken by dwarf horse-chestnuts, stunted willows, blackberry and hazel bushes.

      Sir Michael had been a second father to the young man, a generous and noble friend, a grave and earnest adviser; and perhaps the strongest sentiment of Robert’s heart was his love for the gray-bearded baronet. But the grateful affection was so much a part of himself, that it seldom found an outlet in words, and a stranger would never have fathomed the depth of feeling which lay, a deep and powerful current, beneath the stagnant surface of the barrister’s character.

      “What would become of this place if my uncle were to die?” he thought, and he drew nearer to the ivied archway, and the still water-pools, coldly gray in the twilight. “Would other people live in the old house, and sit under the low oak ceilings in the homely familiar rooms?”

      That wonderful faculty of association, so interwoven with the inmost fibers of even the hardest nature, filled the young man’s breast with a prophetic pain as he remembered that, however long or late, the day must come on which the oaken shutters would be closed for awhile, and the sunshine shut out of the house he loved. It was painful to him even to remember this; as it must always be painful to think of the narrow lease the greatest upon this earth can ever hold of its grandeurs. Is it so wonderful that some wayfarers drop asleep under the hedges, scarcely caring to toil onward on a journey that leads to no abiding habitation? Is it wonderful that there have been quietists in the world ever since Christ’s religion was first preached upon earth. Is it strange that there is a patient endurance and tranquil resignation, calm expectation of that which is to come on the further shore of the dark flowing river? Is it not rather to be wondered that anybody should ever care to be great for greatness’ sake; for any other reason than pure conscientiousness; the simple fidelity of the servant who fears to lay his talents by in a napkin, knowing that indifference is near akin to dishonesty? If Robert Audley had lived in the time of Thomas a’Kempis, he would very likely have built himself a narrow hermitage amid some forest loneliness, and spent his life in tranquil imitation of the reputed author of The Imitation. As it was, Figtree Court was a pleasant hermitage in its way, and for breviaries and Books of Hours, I am ashamed to say the young barrister substituted Paul de Kock and Dumas, fils. But his sins were of so simply negative an order, that it would have been very easy for him to have abandoned them for negative virtues.

      Only one solitary light was visible in the long irregular range of windows facing the archway, as Robert passed under the gloomy shade of the rustling ivy, restless in the chill moaning of the wind. He recognized that lighted window as the large oriel in his uncle’s room. When last he had looked at the old house it had been gay with visitors, every window glittering like a low star in the dusk; now, dark and silent, it faced the winter’s night like some dismal baronial habitation, deep in a woodland solitude.

      The man who opened the door to the unlooked-for visitor, brightened as he recognized his master’s nephew.

      “Sir Michael will be cheered up a bit, sir, by the sight of you,” he said, as he ushered Robert Audley into the fire-lit library, which seemed desolate by reason of the baronet’s easy-chair standing empty on the broad hearth-rug. “Shall I bring you some dinner here, sir, before you go up-stairs?” the servant asked. “My lady and Miss Audley have dined early during my master’s illness, but I can bring you anything you would please to take, sir.”

      “I’ll take nothing until I have seen my uncle,” Robert answered, hurriedly; “that is to say, if I can see him at once. He is not too ill to receive me, I suppose?” he added, anxiously.

      “Oh, no, sir — not too ill; only a little low, sir. This way, if you please.”

      He conducted Robert up the short flight of shallow oaken stairs to the octagon chamber in which George Talboys had sat long five months before, staring absently at my lady’s portrait. The picture was finished now, and hung in the post of honor opposite the window, amidst Claudes, Poussins and Wouvermans, whose less brilliant hues were killed by the vivid coloring of the modern artist. The bright face looked out of that tangled glitter of golden hair, in which the Pre–Raphaelites delight, with a mocking smile, as Robert paused for a moment to glance at the well-remembered picture. Two or three moments afterward he had passed through my lady’s boudoir and dressing-room and stood upon the threshold of Sir Michael’s room. The baronet lay in a quiet sleep, his arm laying outside the bed, and his strong hand clasped in his young wife’s delicate fingers. Alicia sat in a low chair beside the broad open hearth, on which the huge logs burned fiercely in the frosty atmosphere. The interior of this luxurious bedchamber might have made a striking picture for an artist’s pencil. The massive furniture, dark and somber, yet broken up and relieved here and there by scraps of gilding, and masses of glowing color; the elegance of every detail, in which wealth was subservient to purity of taste; and last, but greatest in importance, the graceful figures of the two women, and the noble form of the old man would have formed a worthy study for any painter.

      Lucy Audley, with her disordered hair in a pale haze of yellow gold about her thoughtful face, the flowing lines of her soft muslin dressing-gown falling in straight folds to her feet, and clasped at the waist by a narrow circlet of agate links might have served as a model for a mediaeval saint, in one of the tiny chapels hidden away in the nooks and corners of a gray old cathedral, unchanged by Reformation or Cromwell; and what saintly martyr of the Middle Ages could have borne a holier aspect than the man whose gray beard lay upon the dark silken coverlet of the stately bed?

      Robert paused upon the threshold, fearful of awaking his uncle. The two ladies had heard his step, cautious though he had been, and lifted their heads to look at him. My lady’s face, quietly watching the sick man, had worn an anxious earnestness which made it only more beautiful; but the same face recognizing Robert Audley, faded from its delicate brightness, and looked scared and wan in the lamplight.

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