The Greatest Murder Mysteries of Mary Elizabeth Braddon. Mary Elizabeth Braddon

      Chapter I

       The Good Schoolmaster

       Table of Contents

      I don’t suppose it rained harder in the good town of Slopperton-on-the-Sloshy than it rained anywhere else. But it did rain. There was scarcely an umbrella in Slopperton that could hold its own against the rain that came pouring down that November afternoon, between the hours of four and five. Every gutter in High Street, Slopperton; every gutter in Broad Street (which was of course the narrowest street); in New Street (which by the same rule was the oldest street); in East Street, West Street, Blue Dragon Street, and Windmill Street; every gutter in every one of these thoroughfares was a little Niagara, with a maelstrom at the corner, down which such small craft as bits of orange-peel, old boots and shoes, scraps of paper, and fragments of rag were absorbed—as better ships have been in the great northern whirlpool. That dingy stream, the Sloshy, was swollen into a kind of dirty Mississippi, and the graceful coal-barges which adorned its bosom were stripped of the clothes-lines and fluttering linen which usually were to be seen on their decks. A bad, determined, black-minded November day. A day on which the fog shaped itself into a demon, and lurked behind men’s shoulders, whispering into their ears, “Cut your throat!—you know you’ve got a razor, and can’t shave with it, because you’ve been drinking and your hand shakes; one little gash under the left ear, and the business is done. It’s the best thing you can do. It is, really.” A day on which the rain, the monotonous ceaseless persevering rain, has a voice as it comes down, and says, “Don’t you think you could go melancholy mad? Look at me; be good enough to watch me for a couple of hours or so, and think, while you watch me, of the girl who jilted you ten years ago; and of what a much better man you would be to-day if she had only loved you truly. Oh, I think, if you’ll only be so good as watch me, you might really contrive to go mad.” Then again the wind. What does the wind say, as it comes cutting through the dark passage, and stabbing you, like a coward as it is, in the back, just between the shoulders—what does it say? Why, it whistles in your ear a reminder of the little bottle of laudanum you’ve got upstairs, which you had for your toothache last week, and never used. A foggy wet windy November day. A bad day—a dangerous day. Keep us from bad thoughts to-day, and keep us out of the Police Reports next week. Give us a glass of something hot and strong, and a bit of something nice for supper, and bear with us a little this day; for if the strings of yonder piano—an instrument fashioned on mechanical principles by mortal hands—if they are depressed and slackened by the influence of damp and fog, how do we know that there may not be some string in this more critical instrument, the human mind, not made on mechanical principles or by mortal hands, a little out of order on this bad November day?

      But of course bad influences can only come to bad men; and of course he must be a very bad man whose spirits go up and down with every fluctuation of the weather-glass. Virtuous people no doubt are virtuous always; and by no chance, or change, or trial, or temptation, can they ever become other than virtuous. Therefore why should a wet day or a dark day depress them? No; they look out of the windows at houseless men and women and fatherless and motherless children wet through to the skin, and thank Heaven that they

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