The Greatest Murder Mysteries of Mary Elizabeth Braddon. Mary Elizabeth Braddon

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cove as didn’t know his business any more than a fly. I went anywhere and everywhere, but I never see that man; and it was gettin’ uncommon near the trial of this young gent, and nothin’ done. How was he to be saved? I thought of it by night and thought of it by day; but work it out I couldn’t nohow. One day I hears of an old friend of the pris’ner’s being sup-boned-aed as witness for the crown. This friend I determined to see; for two ’eds”—Mr. Peters looked round, as though he defied contradiction—“shall be better than one.”

      “And this friend,” said Gus, “was your humble servant; who was only too glad to find that poor Dick had one sincere friend in the world who believed in his innocence, besides myself.”

      “Well, Mr. Darley and me,” resumed Mr. Peters, “put our ’eds together, and we came to this conclusion, that if this young gent was mad when he committed the murder, they couldn’t hang him, but would shut him in a asylum for the rest of his nat’ral life—which mayn’t be pleasant in the habstract, but which is better than hangin’, any day.”

      “So you determined on proving me mad,” said Richard.

      “We hadn’t such very bad grounds to go upon, perhaps, old fellow,” replied Mr. Darley; “that brain-fever, which we thought such a misfortune when it laid you up for three dreary weeks, stood us in good stead; we had something to go upon, for we knew we could get you off by no other means. But to get you off this way we wanted your assistance, and we didn’t hit upon the plan till it was too late to get at you and tell you our scheme; we didn’t hit upon it till twelve o’clock on the night before your trial. We tried to see your counsel; but he had that morning left the town, and wasn’t to return till the trial came on. Peters hung about the court all the morning, but couldn’t see him; and nothing was done when the judge and jury took their seats. You know the rest; how Peters caught your eye—”

      “Yes,” said Dick, “and how seven letters upon his fingers told me the whole scheme, and gave me my cue; those letters formed these two words, ‘Sham mad.’ ”

      “And very well you did it at the short notice, Dick,” said Gus; “upon my word, for the moment I was almost staggered, and thought, suppose in getting up this dodge we are only hitting upon the truth, and the poor fellow really has been driven out of his wits by this frightful accusation?”

      “A scrap of paper,” said Mr. Peters, on his active fingers, “gave the hint to your counsel—a sharp chap enough, though a young un.”

      “I can afford to reward him now for his exertions,” said Richard, “and I must find him for that purpose. But Peters, for heaven’s sake tell us about this young man whom you suspect to be the murderer. If I go to the end of the world in search of him, I’ll find him, and drag him and his villany to light, that my name may be cleared from the foul stain it wears.”

      Mr. Peters looked very grave. “You must go a little further than the end of this world to find him, I’m afraid, sir,” said the fingers. “What do you say to looking for him in the next? for that’s the station he’d started for when I last saw him; and I believe that on that line, with the exception of now and then a cock-and-a-bull-lane ghost, they don’t give no return tickets.”

      “Dead?” said Richard. “Dead, and escaped from justice?”

      “That’s about the size of it, sir,” replied Mr. Peters. “Whether he thought as how something was up, and he was blown, or whether he was riled past bearin’ at findin’ no money in that ’ere cabinet, I can’t take upon myself to say; but I found him six months after the murder out upon a heath, dead, with a laudanum-bottle a-lying by his side.”

      “And did you ever find out who he was?” asked Gus.

      “He was a usher, sir, at a ’cademy for young gents, and a very pious young man he was too, I’ve heard; but for all that he murdered this young gent’s uncle, or my name isn’t Peters.”

      “Beyond the reach of justice,” said Richard; “then the truth can never be brought to light, and to the end of my days I must bear the stigma of a crime of which I am innocent.”

      Book the Fifth

       The Dumb Detective

       Table of Contents

      Chapter I

       The Count De Marolles at Home

       Table of Contents

      The denizens of Friar Street and such localities, being in the habit of waking in the morning to the odour of melted tallow and boiling soap, and of going to sleep at night with the smell of burning bones under their noses, can of course have nothing of an external nature in common with the inhabitants of Park Lane and its vicinity; for the gratification of whose olfactory nerves exotics live short and unnatural lives, on staircases, in boudoirs, and in conservatories of rich plate-glass and fairy architecture, where perfumed waters play in gilded fountains through the long summer days.

      It might be imagined, then, that the common griefs and vulgar sorrows—such as hopeless love and torturing jealousy, sickness, or death, or madness, or despair—would be also banished from the regions of Park Lane, and entirely confined to the purlieus of Friar Street. Any person with a proper sense of the fitness of things would of course conclude this to be the case, and would as soon picture my lady the Duchess of Mayfair dining on red herrings and potatoes at the absurd hour of one o’clock p.m., or blackleading her own grate with her own alabaster fingers, as weeping over the death of her child, or breaking her heart for her faithless husband, just like Mrs. Stiggins, potato and coal merchant on a small scale, or Mrs. Higgins, whose sole revenues come from “Mangling done here.”

      And it does seem hard, oh my brethren, that there should be any limit to the magic power of gold! It may exclude bad airs, foul scents, ugly sights, and jarring sounds; it may surround its possessors with beauty, grace, art, luxury, and so-called pleasure; but it cannot shut out death or care; for to these stern visitors Mayfair and St. Giles’s must alike open their reluctant doors whenever the dreaded guests may be pleased to call.

      You do not send cards for your morning concerts, or fêtes champêtres, or thés dansantes, to Sorrow or Sadness, oh noble duchesses and countesses; but have you never seen their faces in the crowd when you least looked to meet them?

      Through the foliage and rich blossoms in the conservatory, and through the white damask curtains of the long French window, the autumn sunshine comes with subdued light into a boudoir on the second floor of a large house in Park Lane. The velvet-pile carpets in this room and the bedchamber and dressing-room adjoining, are made in imitation of a mossy ground on which autumn leaves have fallen; so exquisite, indeed, is the design, that it is difficult to think that the light breeze which enters at the open window cannot sweep away the fragile leaf, which seems to flutter in the sun. The walls are of the palest cream-colour, embellished with enamelled portraits of Louis the Sixteenth, Marie Antoinette, Madame Elizabeth, and the unfortunate boy prisoner of the Temple, let into the oval panels on the four sides of the room. Everything in this apartment, though perfect in form and colour, is subdued and simple; there are none of the buhl and marqueterie cabinets, the artificial flowers, ormolu clocks, French prints, and musical boxes which might adorn the boudoir of an opera-dancer or the wife of a parvenu. The easy-chairs and luxurious sofas are made of a polished white wood, and are covered

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