The Descent of Man and Other Stories. Edith Wharton

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The Descent of Man and Other Stories - Edith Wharton

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      To cease from work was not to cease from thought of it; and in the unwonted pause from effort the Professor found himself taking a general survey of the field he had travelled. At last it was possible to lift his nose from the loom, to step a moment in front of the tapestry he had been weaving. From this first inspection of the pattern so long wrought over from behind, it was natural to glance a little farther and seek its reflection in the public eye. It was not indeed of his special task that he thought in this connection. He was but one of the great army of weavers at work among the threads of that cosmic woof; and what he sought was the general impression their labour had produced.

      When Professor Linyard first plied his microscope, the audience of the man of science had been composed of a few fellow-students, sympathetic or hostile as their habits of mind predetermined, but versed in the jargon of the profession and familiar with the point of departure. In the intervening quarter of a century, however, this little group had been swallowed up in a larger public. Every one now read scientific books and expressed an opinion on them. The ladies and the clergy had taken them up first; now they had passed to the school-room and the kindergarten. Daily life was regulated on scientific principles; the daily papers had their "Scientific Jottings"; nurses passed examinations in hygienic science, and babies were fed and dandled according to the new psychology.

      The very fact that scientific investigation still had, to some minds, a flavour of heterodoxy, gave it a perennial interest. The mob had broken down the walls of tradition to batten in the orchard of forbidden knowledge. The inaccessible goddess whom the Professor had served in his youth now offered her charms in the market-place. And yet it was not the same goddess after all, but a pseudo-science masquerading in the garb of the real divinity. This false goddess had her ritual and her literature. She had her sacred books, written by false priests and sold by millions to the faithful. In the most successful of these works, ancient dogma and modern discovery were depicted in a close embrace under the lime-lights of a hazy transcendentalism; and the tableau never failed of its effect. Some of the books designed on this popular model had lately fallen into the Professor's hands, and they filled him with mingled rage and hilarity. The rage soon died: he came to regard this mass of pseudo-literature as protecting the truth from desecration. But the hilarity remained, and flowed into the form of his idea. And the idea—the divine, incomparable idea—was simply that he should avenge his goddess by satirizing her false interpreters. He would write a skit on the "popular" scientific book; he would so heap platitude on platitude, fallacy on fallacy, false analogy on false analogy, so use his superior knowledge to abound in the sense of the ignorant, that even the gross crowd would join in the laugh against its augurs. And the laugh should be something more than the distension of mental muscles; it should be the trumpet-blast bringing down the walls of ignorance, or at least the little stone striking the giant between the eyes.

      II

      The Professor, on presenting his card, had imagined that it would command prompt access to the publisher's sanctuary; but the young man who read his name was not moved to immediate action. It was clear that Professor Linyard of Hillbridge University was not a specific figure to the purveyors of popular literature. But the publisher was an old friend; and when the card had finally drifted to his office on the languid tide of routine he came forth at once to greet his visitor.

      The warmth of his welcome convinced the Professor that he had been right in bringing his manuscript to Ned Harviss. He and Harviss had been at Hillbridge together, and the future publisher had been one of the wildest spirits in that band of college outlaws which yearly turns out so many inoffensive citizens and kind husbands and fathers. The Professor knew the taming qualities of life. He was aware that many of his most reckless comrades had been transformed into prudent capitalists or cowed wage-earners; but he was almost sure that he could count on Harviss. So rare a sense of irony, so keen a perception of relative values, could hardly have been blunted even by twenty years' intercourse with the obvious.

      The publisher's appearance was a little disconcerting. He looked as if he had been fattened on popular fiction; and his fat was full of optimistic creases. The Professor seemed to see him bowing into his office a long train of spotless heroines laden with the maiden tribute of the hundredth thousand volume.

      Nevertheless, his welcome was reassuring. He did not disown his early enormities, and capped his visitor's tentative allusions by such flagrant references to the past that the Professor produced his manuscript without a scruple.

      "What—you don't mean to say you've been doing something in our line?"

      The Professor smiled. "You publish scientific books sometimes, don't you?"

      The publisher's optimistic creases relaxed a little. "H'm—it all depends—I'm afraid you're a little too scientific for us. We have a big sale for scientific breakfast foods, but not for the concentrated essences. In your case, of course, I should be delighted to stretch a point; but in your own interest I ought to tell you that perhaps one of the educational houses would do you better."

      The Professor leaned back, still smiling luxuriously.

      "Well, look it over—I rather think you'll take it."

      "Oh, we'll take it, as I say; but the terms might not—"

      "No matter about the terms—"

      The publisher threw his head back with a laugh. "I had no idea that science was so profitable; we find our popular novelists are the hardest hands at a bargain."

      "Science is disinterested," the Professor corrected him. "And I have a fancy to have you publish this thing."

      "That's immensely good of you, my dear fellow. Of course your name goes with a certain public—and I rather like the originality of our bringing out a work so out of our line. I daresay it may boom us both." His creases deepened at the thought, and he shone encouragingly on the Professor's leave-taking.

      Within a fortnight, a line from Harviss recalled the Professor to town. He had been looking forward with immense zest to this second meeting; Harviss's college roar was in his tympanum, and he pictured himself following up the protracted chuckle which would follow his friend's progress through the manuscript. He was proud of the adroitness with which he had kept his secret from Harviss, had maintained to the last the pretense of a serious work, in order to give the keener edge to his reader's enjoyment. Not since under-graduate days had the Professor tasted such a draught of pure fun as his anticipations now poured for him.

      This time his card brought instant admission. He was bowed into the office like a successful novelist, and Harviss grasped him with both hands.

      "Well—do you mean to take it?" he asked, with a lingering coquetry.

      "Take it? Take it, my dear fellow? It's in press already—you'll excuse my not waiting to consult you? There will be no difficulty about terms, I assure you, and we had barely time to catch the autumn market. My dear Linyard, why didn't you tell me?" His voice sank to a reproachful solemnity, and he pushed forward his own arm-chair.

      The Professor dropped into it with a chuckle. "And miss the joy of letting you find out?"

      "Well—it was a joy." Harviss held out a box of his best cigars. "I don't know when I've had a bigger sensation. It was so deucedly unexpected—and, my dear fellow, you've brought it so exactly to the right shop."

      "I'm glad to hear you say so," said the Professor modestly.

      Harviss laughed in rich appreciation. "I don't suppose you had a doubt of it; but of course I was quite unprepared. And it's so extraordinarily out of your line—"

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