Cousin Judd being able to reply to it as if it were something he had expected up till the last moment, and been keenly disappointed:
"Well, no, Liddy ain't feeling quite up to it," which my mother received without skepticism. After this they were free to talk of other things.
What there was between Cousin Judd and me, with due allowance for the years, was the spark, the touch-and-go of vitality that rose in me to a hundred beckonings of running flood and waving boughs—music and movement; and only the moral enthusiasms of war and religion raised through his heavy farmer stuff. We should have loved one another had we known how; as it was, all our intercourse was marked on his part by the gracelessness of rusticity, and by the impertinence of adolescence on mine. I used regularly to receive his pious admonitions with what, for a Taylorville child, was flippancy; nevertheless there were occasions when we had set off of summer Sunday mornings together to early class, when the church was cool and dim and the smell of the honey locusts came in through the window, that I caught the thrill that ran from the pounding of his fist where he prayed at the other end of the long bench; and there was a kind of blessedness shed from him as with closed eyes and lifted chin he swung from peak to peak of the splendid measure of "How Firm a Foundation," that I garnered up and hugged to myself in place of Art and the Joy of Living. All of which was very good for me and might have answered if it had not come into Cousin Judd's head that he ought to overlook my reading.
By this time I had worked through all my father's books and was ready to satisfy the itch of imagination even with the vicious inaccuracies of what was called Christian literature. The trouble all came of course of my not understanding the nature of a lie. Not that I couldn't tell a downright fib if I had to, or haven't on occasion, but a lie is to me just as silly a performance when it is about marriage or work as about the law of gravitation, and when it is presented to me in the form of human behaviour it makes me sick, like the smell of tuberoses in a close room; and I failed utterly to realize then that there are a great many people capable of living sincerely and at the same time blandly misrepresenting the facts of life in the interests of what is called morality. I do not think it probable that Cousin Judd accepted for himself the rule of behaviour prescribed by the books he recommended—I shall not tell you what they were, but if there are any Sunday-school libraries in Ohianna you will find them on the shelves—but I know that he and my mother esteemed them excellent for the young.
So far as they thought of it at all, they believed that in surrounding me with intimations of a life in which there was nothing more important than settling with Deity the minor details of living, and especially how much you would pay to His establishment, they had done their utmost to provide me with a life in which nothing more important could happen. If you were careful about reading the Bible and doing good to people—that is, persuading them to go to church and to leave off swearing—all the more serious details such as making a living, marrying and having children would take care of themselves; and the trouble was, as I have said, that I believed it. And that was how I found myself farthest from Art and Life at the time when I found myself a young lady.
I had to make this discovery for myself, for there were no social occasions in Taylorville to give a term to your advent into the grown-up world, though there was a definite privilege which marked your achievement of it. There was a period prior to this in which you bumped against things you were too old for, and carromed to the things for which you were quite too young, and about the end of your high-school term you had done with hair ribbons and begun to have company on your own account, and the sort of things began to happen which marked the point beyond which if you fell upon disaster it was your own fault. They happened to me.
By dint of my doing her compositions and of her doing my arithmetic, Pauline Allingham and I had managed to keep together all through the high school, and it was in our last year, when we used to put in the long end of the afternoons at Pauline's, playing croquet, that I first took notice of Tommy Bettersworth. The Bettersworth yard abutted on the Allingham's for the space of one woodshed and a horse-chestnut tree, and it was along in October that I began to be aware that it was not altogether the view of the garden that kept Tommy on the woodshed or in the chestnut tree the greater part of the afternoon. It may be that the adventure with Charlie Gower had sharpened my perception, at any rate it had aroused my discretion; I was carefully oblivious to the proximity of Tommy Bettersworth. But there came a day when Pauline was not, when she wanted to tell me something about Flora Haines which she was afraid he might overhear.
"Come around to the summer-house," she said, "Tommy's always hanging about; I can't think what makes him."
"Always?" I suggested.
"Why, you know yourself he was there last Saturday, and Thursday when we … "
"Is he there when you and Flora are there, or only … "
"Oh," Pauline gave a gasp, "No——Oh, I never thought … Olive … I do believe … that's it!"
"Well, what?"
"It's you, Olive," solemnly. "It must be that … he really is. … " Pauline's reading included more romance than mine.
"Well, he can't say I gave him any encouragement."
"Oh, of course not, darling," Pauline was sympathetic. "You couldn't … it is so interesting. What would the girls say?"
"Pauline, if you ever … "
"Truly, I never will. … But just think!"
But we reckoned without Alfred Allingham. Alfred was not a nice boy at that age; he had come the way of curled darlings to be a sly, tale-bearing, offensive little cad, and the next Saturday, when Pauline turned him off the croquet ground for ribaldry, he went as far as the rose border and jeered back at us.
"I know why you don't want me," he mocked; "so's I can't see Olive and Tommy Bettersworth makin' eyes." He executed a jig to the tune of
"Olive's mad and I am glad.
And I know what'll please her——"
At this juncture the wrist and hand of Tommy Bettersworth appeared over the partition fence armed with horse-chestnuts which thudded with precision on the offensive person of Alfred Allingham. Pauline and I escaped to the summer-house. I thought I was going to cry until I found I was giggling, at which I was so mortified that I did cry.
"He'll tell everybody in school," I protested.
"What do you care?" soothed Pauline, "besides, you have to be teased about somebody, you know, and have somebody to choose you when they play clap in and clap out. You just have to. Look at me." Pauline had been carrying on the discreetest of flirtations with Henry Glave for some months. "Tommy Bettersworth is a nice boy, and besides, dear, we'll have so much more in common."
Pauline was right. Unless you had somebody to be teased about you were really not in things. I was furiously embarrassed by it, but I was resigned. Tommy sent me two notes that winter and a silk handkerchief for Christmas which I pretended was from Pauline. I am not going to be blamed for this. It was at least a month earlier that I had observed Tommy Bettersworth's inability to get away from Nile's corner on his way home from school until I had passed there on mine. It struck me as a very interesting trait of masculine character; I would have liked to talk it over with my mother on the plane of human interest; it seemed possible she might have noted similar eccentricities. I remember I worked around to it Saturday morning when I was helping her to darn the tablecloths. My mother was not unprepared; she did her duty by me as it was conceived in Taylorville, and did it promptly.
"You are too young to be thinking about the boys," she said. "I don't want to hear you
