The Greatest Works of Theodore Dreiser. Theodore Dreiser
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By then Lucille Nickolas, seeing a flicker of flame reflected in one of the small windows of the inn, called, “Oh, see, they gotta fire.”
The car was parked, and they all trooped into the inn, and at once Higby briskly went over and started the large, noisy, clattery, tinny Nickelodeon with a nickel. And to rival him, and for a prank, Hegglund ran to the Victrola which stood in one corner and put on a record of “The Grizzly Bear,” which he found lying there.
At the first sounds of this strain, which they all knew, Tina Kogel called: “Oh, let’s all dance to that, will you? Can’t you stop that other old thing?” she added.
“Sure, after it runs down,” explained Ratterer, laughingly. “The only way to stop that thing is not to feed it any nickels.”
But now a waiter coming in, Higby began to inquire what everybody wanted. And in the meantime, to show off her charms, Hortense had taken the center of the floor and was attempting to imitate a grizzly bear walking on its hind legs, which she could do amusingly enough — quite gracefully. And Sparser, seeing her alone in the center of the floor was anxious to interest her now, followed her and tried to imitate her motions from behind. Finding him clever at it, and anxious to dance, she finally abandoned the imitation and giving him her arms went one-stepping about the room most vividly. At once, Clyde, who was by no means as good a dancer, became jealous — painfully so. In his eagerness for her, it seemed unfair to him that he should be deserted by her so early — at the very beginning of things. But she, becoming interested in Sparser, who seemed more worldly-wise, paid no attention at all to Clyde for the time being, but went dancing with her new conquest, his rhythmic skill seeming charmingly to match her own. And then, not to be out of it, the others at once chose partners, Hegglund dancing with Maida, Ratterer with Lucille and Higby with Tina Kogel. This left Laura Sipe for Clyde, who did not like her very much. She was not as perfect as she might be — a plump, pudgy-faced girl with inadequate sensual blue eyes — and Clyde, lacking any exceptional skill, they danced nothing but the conventional one- step while the others were dipping and lurching and spinning.
In a kind of sick fury, Clyde noticed that Sparser, who was still with Hortense, was by now holding her close and looking straight into her eyes. And she was permitting him. It gave him a feeling of lead at the pit of his stomach. Was it possible she was beginning to like this young upstart who had this car? And she had promised to like him for the present. It brought to him a sense of her fickleness — the probability of her real indifference to him. He wanted to do something — stop dancing and get her away from Sparser, but there was no use until this particular record ran out.
And then, just at the end of this, the waiter returned with a tray and put down cocktails, ginger ale and sandwiches upon three small tables which had been joined together. All but Sparser and Hortense quit and came toward it — a fact which Clyde was quick to note. She was a heartless flirt! She really did not care for him after all. And after making him think that she did, so recently — and getting him to help her with that coat. She could go to the devil now. He would show her. And he waiting for her! Wasn’t that the limit? Yet, finally seeing that the others were gathering about the tables, which had been placed near the fire, Hortense and Sparser ceased dancing and approached. Clyde was white and glum. He stood to one side, seemingly indifferent. And Laura Sipe, who had already noted his rage and understood the reason now moved away from him to join Tina Kogel, to whom she explained why he was so angry.
And then noting his glumness, Hortense came over, executing a phase of the “Grizzly” as she did so.
“Gee, wasn’t that swell?” she began. “Gee, how I do love to dance to music like that!”
“Sure, it’s swell for you,” returned Clyde, burning with envy and disappointment.
“Why, what’s the trouble?” she asked, in a low and almost injured tone, pretending not to guess, yet knowing quite well why he was angry. “You don’t mean to say that you’re mad because I danced with him first, do you? Oh, how silly! Why didn’t you come over then and dance with me? I couldn’t refuse to dance with him when he was right there, could I?”
“Oh, no, of course, you couldn’t,” replied Clyde sarcastically, and in a low, tense tone, for he, no more than Hortense, wanted the others to hear. “But you didn’t have to fall all over him and dream in his eyes, either, did you?” He was fairly blazing. “You needn’t say you didn’t, because I saw you.”
At this she glanced at him oddly, realizing not only the sharpness of his mood, but that this was the first time he had shown so much daring in connection with her. It must be that he was getting to feel too sure of her. She was showing him too much attention. At the same time she realized that this was not the time to show him that she did not care for him as much as she would like to have him believe, since she wanted the coat, already agreed upon.
“Oh, gee, well, ain’t that the limit?” she replied angrily, yet more because she was irritated by the fact that what he said was true than anything else. “If you aren’t the grouch. Well, I can’t help it, if you’re going to be as jealous as that. I didn’t do anything but dance with him just a little. I didn’t think you’d be mad.” She moved as if to turn away, but realizing that there was an understanding between them, and that he must be placated if things were to go on, she drew him by his coat lapels out of the range of the hearing of the others, who were already looking and listening, and began.
“Now, see here, you. Don’t go acting like this. I didn’t mean anything by what I did. Honest, I didn’t. Anyhow, everybody dances like that now. And nobody means anything by it. Aren’t you goin’ to let me be nice to you like I said, or are you?”
And now she looked him coaxingly and winsomely and calculatingly straight in the eye, as though he were the one person among all these present whom she really did like. And deliberately, and of a purpose, she made a pursy, sensuous mouth — the kind she could make — and practised a play of the lips that caused them to seem to want to kiss him — a mouth that tempted him to distraction.
“All right,” he said, looking at her weakly and yieldingly. “I suppose I am a fool, but I saw what you did, all right. You know I’m crazy about you, Hortense — just wild! I can’t help it. I wish I could sometimes. I wish I wouldn’t be such a fool.” And he looked at her and was sad. And she, realizing her power over him and how easy it was to bring him around, replied: “Oh, you — you don’t, either. I’ll kiss you after a while, when the others aren’t looking if you’ll be good.” At the same time she was conscious of the fact that Sparser’s eyes were upon her. Also that he was intensely drawn to her and that she liked him more than any one she had recently encountered.
Chapter 18
The climax of the afternoon was reached, however, when after several more dances and drinks, the small river and its possibilities was again brought to the attention of all by Hegglund, who, looking out of one of the windows, suddenly exclaimed: “What’s de matter wit de ice down dere? Look at de swell ice. I dare dis crowd to go down dere and slide.”
They were off pell-mell — Ratterer and Tina Kogel, running hand in hand, Sparser and Lucille Nickolas, with whom he had just been dancing, Higby and Laura Sipe, whom he was finding interesting enough for a change, and Clyde and Hortense. But once