rather he was trying to find out what it might mean to his future, a remark which caused Sondra, who was also listening, as well as Jill, to whom it was addressed, to consider that in spite of all rumors attributed to Gilbert, Clyde must possess some means and position to which, in case he did not do so well here, he could return.
This in itself was important, not only to Sondra and Jill, but to all the others. For, despite his looks and charm and family connections here, the thought that he was a mere nobody, seeking, as Constance Wynant had reported, to attach himself to his cousin’s family, was disquieting. One couldn’t ever be anything much more than friendly with a moneyless clerk or pensioner, whatever his family connections, whereas if he had a little money and some local station elsewhere, the situation was entirely different.
And now Sondra, relieved by this and the fact that he was proving more acceptable than she had imagined he would, was inclined to make more of him than she otherwise would have done.
“Are you going to let me dance with you after dinner?” was one of the first things he said to her, infringing on a genial smile given him in the midst of clatter concerning an approaching dance somewhere.
“Why, yes, of course, if you want me to,” she replied, coquettishly, seeking to intrigue him into further romanticisms in regard to her.
“Just one?”
“How many do you want? There are a dozen boys here, you know. Did you get a program when you came in?”
“I didn’t see any.”
“Never mind. After dinner you can get one. And you may put me down for three and eight. That will leave you room for others.” She smiled bewitchingly. “You have to be nice to everybody, you know.”
“Yes, I know.” He was still looking at her. “But ever since I saw you at my uncle’s last April, I’ve been wishing I might see you again. I always look for your name in the papers.”
He looked at her seekingly and questioningly and in spite of herself, Sondra was captivated by this naive confession. Plainly he could not afford to go where or do what she did, but still he would trouble to follow her name and movements in print. She could not resist the desire to make something more of this.
“Oh, do you?” she added. “Isn’t that nice? But what do you read about me?”
“That you were at Twelfth and Greenwood Lakes and up at Sharon for the swimming contests. I saw where you went up to Paul Smith’s, too. The papers here seemed to think you were interested in some one from Schroon Lake and that you might be going to marry him.”
“Oh, did they? How silly. The papers here always say such silly things.” Her tone implied that he might be intruding. He looked embarrassed. This softened her and after a moment she took up the conversation in the former vein.
“Do you like to ride?” she asked sweetly and placatively.
“I never have. You know I never had much chance at that, but I always thought I could if I tried.”
“Of course, it’s not hard. If you took a lesson or two you could, and,” she added in a somewhat lower tone, “we might go for a canter sometime. There are lots of horses in our stable that you would like, I’m sure.”
Clyde’s hair-roots tingled anticipatorily. He was actually being invited by Sondra to ride with her sometime and he could use one of her horses in the bargain.
“Oh, I would love that,” he said. “That would be wonderful.”
The crowd was getting up from the table. Scarcely any one was interested in the dinner, because a chamber orchestra of four having arrived, the strains of a preliminary fox trot were already issuing from the adjacent living room — a long, wide affair from which all obstructing furniture with the exception of wall chairs had been removed.
“You had better see about your program and your dance before all the others are gone,” cautioned Sondra.
“Yes, I will right away,” said Clyde, “but is two all I get with you?”
“Well, make it three, five and eight then, in the first half.” She waved him gayly away and he hurried for a dance card.
The dances were all of the eager fox-trotting type of the period with interpolations and variations according to the moods and temperaments of the individual dancers. Having danced so much with Roberta during the preceding month, Clyde was in excellent form and keyed to the breaking point by the thought that at last he was in social and even affectional contact with a girl as wonderful as Sondra.
And although wishing to seem courteous and interested in others with whom he was dancing, he was almost dizzied by passing contemplations of Sondra. She swayed so droopily and dreamily in the embrace of Grant Cranston, the while without seeming to, looking in his direction when he was near, permitting him to sense how graceful and romantic and poetic was her attitude toward all things — what a flower of life she really was. And Nina Temple, with whom he was now dancing for his benefit, just then observed: “She is graceful, isn’t she?”
“Who?” asked Clyde, pretending an innocence he could not physically verify, for his cheek and forehead flushed. “I don’t know who you mean.”
“Don’t you? Then what are you blushing for?”
He had realized that he was blushing. And that his attempted escape was ridiculous. He turned, but just then the music stopped and the dancers drifted away to their chairs. Sondra moved off with Grant Cranston and Clyde led Nina toward a cushioned seat in a window in the library.
And in connection with Bertine with whom he next danced, he found himself slightly flustered by the cool, cynical aloofness with which she accepted and entertained his attention. Her chief interest in Clyde was the fact that Sondra appeared to find him interesting.
“You do dance well, don’t you? I suppose you must have done a lot of dancing before you came here — in Chicago, wasn’t it, or where?”
She talked slowly and indifferently.
“I was in Chicago before I came here, but I didn’t do so very much dancing. I had to work.” He was thinking how such girls as she had everything, as contrasted with girls like Roberta, who had nothing. And yet, as he now felt in this instance, he liked Roberta better. She was sweeter and warmer and kinder — not so cold.
When the music started again with the sonorous melancholy of a single saxophone interjected at times, Sondra came over to him and placed her right hand in his left and allowed him to put his arm about her waist, an easy, genial and unembarrassed approach which, in the midst of Clyde’s dream of her, was thrilling.
And then in her coquettish and artful way she smiled up in his eyes, a bland, deceptive and yet seemingly promising smile, which caused his heart to beat faster and his throat to tighten. Some delicate perfume that she was using thrilled in his nostrils as might have the fragrance of spring.
“Having a good time?”
“Yes — looking at you.”
“When there are so many other nice girls to look at?”
“Oh, there are no other girls as nice as you.”
“And I dance better than any other
