The Greatest Works of Theodore Dreiser. Theodore Dreiser
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There was nothing bold in her manner. Life had not taught her domination — superciliousness of grace, which is the lordly power of some women. Her longing for consideration was not sufficiently powerful to move her to demand it. Even now she lacked self-assurance, but there was that in what she had already experienced which left her a little less than timid. She wanted pleasure, she wanted position, and yet she was confused as to what these things might be. Every hour the kaleidoscope of human affairs threw a new lustre upon something, and therewith it became for her the desired — the all. Another shift of the box, and some other had become the beautiful, the perfect.
On her spiritual side, also, she was rich in feeling, as such a nature well might be. Sorrow in her was aroused by many a spectacle — an uncritical upwelling of grief for the weak and the helpless. She was constantly pained by the sight of the white-faced, ragged men who slopped desperately by her in a sort of wretched mental stupor. The poorly clad girls who went blowing by her window evenings, hurrying home from some of the shops of the West Side, she pitied from the depths of her heart. She would stand and bite her lips as they passed, shaking her little head and wondering. They had so little, she thought. It was so sad to be ragged and poor. The hang of faded clothes pained her eyes.
“And they have to work so hard!” was her only comment.
On the street sometimes she would see men working — Irishmen with picks, coal-heavers with great loads to shovel, Americans busy about some work which was a mere matter of strength — and they touched her fancy. Toil, now that she was free of it, seemed even a more desolate thing than when she was part of it. She saw it through a mist of fancy — a pale, sombre half-light, which was the essence of poetic feeling. Her old father, in his flour-dusted miller’s suit, sometimes returned to her in memory, revived by a face in a window. A shoemaker pegging at his last, a blastman seen through a narrow window in some basement where iron was being melted, a bench-worker seen high aloft in some window, his coat off, his sleeves rolled up; these took her back in fancy to the details of the mill. She felt, though she seldom expressed them, sad thoughts upon this score. Her sympathies were ever with that under-world of toil from which she had so recently sprung, and which she best understood.
Though Hurstwood did not know it, he was dealing with one whose feelings were as tender and as delicate as this. He did not know, but it was this in her, after all, which attracted him. He never attempted to analyse the nature of his affection. It was sufficient that there was tenderness in her eye, weakness in her manner, good nature and hope in her thoughts. He drew near this lily, which had sucked its waxen beauty and perfume from below a depth of waters which he had never penetrated, and out of ooze and mould which he could not understand. He drew near because it was waxen and fresh. It lightened his feelings for him. It made the morning worth while.
In a material way, she was considerably improved. Her awkwardness had all but passed, leaving, if anything, a quaint residue which was as pleasing as perfect grace. Her little shoes now fitted her smartly and had high heels. She had learned much about laces and those little neckpieces which add so much to a woman’s appearance. Her form had filled out until it was admirably plump and well-rounded.
Hurstwood wrote her one morning, asking her to meet him in Jefferson Park, Monroe Street. He did not consider it policy to call any more, even when Drouet was at home.
The next afternoon he was in the pretty little park by one, and had found a rustic bench beneath the green leaves of a lilac bush which bordered one of the paths. It was at that season of the year when the fulness of spring had not yet worn quite away. At a little pond near by some cleanly dressed children were sailing white canvas boats. In the shade of a green pagoda a bebuttoned officer of the law was resting, his arms folded, his club at rest in his belt. An old gardener was upon the lawn, with a pair of pruning shears, looking after some bushes. High overhead was the clean blue sky of the new summer, and in the thickness of the shiny green leaves of the trees hopped and twittered the busy sparrows.
Hurstwood had come out of his own home that morning feeling much of the same old annoyance. At his store he had idled, there being no need to write. He had come away to this place with the lightness of heart which characterises those who put weariness behind. Now, in the shade of this cool, green bush, he looked about him with the fancy of the lover. He heard the carts go lumbering by upon the neighbouring streets, but they were far off, and only buzzed upon his ear. The hum of the surrounding city was faint, the clang of an occasional bell was as music. He looked and dreamed a new dream of pleasure which concerned his present fixed condition not at all. He got back in fancy to the old Hurstwood, who was neither married nor fixed in a solid position for life. He remembered the light spirit in which he once looked after the girls — how he had danced, escorted them home, hung over their gates. He almost wished he was back there again — here in this pleasant scene he felt as if he were wholly free.
At two Carrie came tripping along the walk toward him, rosy and clean. She had just recently donned a sailor hat for the season with a band of pretty white-dotted blue silk. Her skirt was of a rich blue material, and her shirt waist matched it, with a thin-stripe of blue upon a snow-white ground — stripes that were as fine as hairs. Her brown shoes peeped occasionally from beneath her skirt. She carried her gloves in her hand.
Hurstwood looked up at her with delight.
“You came, dearest,” he said eagerly, standing to meet her and taking her hand.
“Of course,” she said, smiling; “did you think I wouldn’t?”
“I didn’t know,” he replied.
He looked at her forehead, which was moist from her brisk walk. Then he took out one of his own soft, scented silk handkerchiefs and touched her face here and there.
“Now,” he said affectionately, “you’re all right.”
They were happy in being near one another — in looking into each other’s eyes. Finally, when the long flush of delight had sub sided, he said:
“When is Charlie going away again?”
“I don’t know,” she answered. “He says he has some things to do for the house here now.”
Hurstwood grew serious, and he lapsed into quiet thought. He looked up after a time to say:
“Come away and leave him.”
He turned his eyes to the boys with the boats, as if the request were of little importance.
“Where would we go?” she asked in much the same manner, rolling her gloves, and looking into a neighbouring tree.
“Where do you want to go?” he enquired.
There was something in the tone in which he said this which made her feel as if she must record her feelings against any local habitation.
“We can’t stay in Chicago,” she replied.
He had no thought that this was in her mind — that any removal would be suggested.
“Why not?” he asked softly.
“Oh, because,” she said, “I wouldn’t want to.”
He listened to this with but dull perception of what it meant. It had no serious ring to it. The question was not up for immediate decision.
“I would have to give up my position,” he said.
The tone he used made it seem as if the matter deserved only slight consideration. Carrie thought a little, the