A Modern Instance. William Dean Howells

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A Modern Instance - William Dean Howells

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he said, "what's the matter?"

      "Nothing," she answered.

      It might have amused Bartley, if he had felt quite well, to see the girl so defiant of him, when she was really so much in love with him, but it certainly did not amuse him now: it disappointed him in his expectation of finding her femininely soft and comforting, and he did not know just what to do. He stood staring at her in discomfiture, while she gained in outward composure, though her cheeks were of the Jacqueminot red of the ribbon at her throat. "What have I done, Marcia?" he faltered.

      "Oh, you haven't done anything."

      "Some one has been talking to you against me."

      "No one has said a word to me about you."

      "Then why are you so cold—so strange—so—so—different?"

      "Different?"

      "Yes, from what you were last night," he answered, with an aggrieved air.

      "Oh, we see some things differently by daylight," she lightly explained. "Won't you sit down?"

      "No, thank you," Bartley replied, sadly but unresentfully. "I think I had better be going. I see there is something wrong—"

      "I don't see why you say there is anything wrong," she retorted. "What have I done?"

      "Oh, you have not done anything; I take it back. It is all right. But when I came here this morning—encouraged—hoping—that you had the same feeling as myself, and you seem to forget everything but a ceremonious acquaintanceship—why, it is all right, of course. I have no reason to complain; but I must say that I can't help being surprised." He saw her lips quiver and her bosom heave. "Marcia, do you blame me for feeling hurt at your coldness when I came here to tell you—to tell you I—I love you?" With his nerves all unstrung, and his hunger for sympathy, he really believed that he had come to tell her this. "Yes," he added, bitterly, "I will tell you, though it seems to be the last word I shall speak to you. I'll go, now."

      "Bartley! You shall never go!" she cried, throwing herself in his way. "Do you think I don't care for you, too? You may kiss me,—you may kill me, now!"

      The passionate tears sprang to her eyes, without the sound of sobs or the contortion of weeping, and she did not wait for his embrace. She flung her arms around his neck and held him fast, crying, "I wouldn't let you, for your own sake, darling; and if I had died for it—I thought I should die last night—I was never going to let you kiss me again till you said—till—till—now! Don't you see?" She caught him tighter, and hid her face in his neck, and cried and laughed for joy and shame, while he suffered her caresses with a certain bewilderment. "I want to tell you now—I want to explain," she said, lifting her face and letting him from her as far as her arms, caught around his neck, would reach, and fervidly searching his eyes, lest some ray of what he would think should escape her. "Don't speak a word first! Father saw us at the door last night,—he happened to be coming downstairs, because he couldn't sleep,—just when you—Oh, Bartley, don't!" she implored, at the little smile that made his mustache quiver. "And he asked me whether we were engaged; and when I couldn't tell him we were, I know what he thought. I knew how he despised me, and I determined that, if you didn't tell me that you cared for me—And that's the reason, Bartley, and not—not because I didn't care more for you than I do for the whole world. And—and—you don't mind it, now, do you? It was for your sake, dearest."

      Whether Bartley perfectly divined or not all the feeling at which her words hinted, it was delicious to be clung about by such a pretty girl as Marcia Gaylord, to have her now darting her face into his neck-scarf with intolerable consciousness, and now boldly confronting him with all-defying fondness while she lightly pushed him and pulled him here and there in the vehemence of her appeal. Perhaps such a man, in those fastnesses of his nature which psychology has not yet explored, never loses, even in the tenderest transports, the sense of prey as to the girl whose love he has won; but if this is certain, it is also certain that he has transports which are tender, and Bartley now felt his soul melted with affection that was very novel and sweet.

      "Why, Marcia!" he said, "what a strange girl you are!" He sunk into his chair again, and, putting his arms around her waist, drew her upon his knee, like a child.

      She held herself apart from him at her arm's length, and said, "Wait! Let me say it before it seems as if we had always been engaged, and everything was as right then as it is now. Did you despise me for letting you kiss me before we were engaged?"

      "No," he laughed again. "I liked you for it."

      "But if you thought I would let any one else, you wouldn't have liked it?"

      This diverted him still more. "I shouldn't have liked that more than half as well."

      "No," she said thoughtfully. She dropped her face awhile on his shoulder, and seemed to be struggling with herself. Then she lifted it, and "Did you ever—did you—" she gasped.

      "If you want me to say that all the other girls in the world are not worth a hair of your head, I'll say that, Marcia. Now, let's talk business!"

      This made her laugh, and "I shall want a little lock of yours," she said, as if they had hitherto been talking of nothing but each other's hair.

      "And I shall want all of yours," he answered.

      "No. Don't be silly." She critically explored his face. "How funny to have a mole in your eyebrow!" She put her finger on it. "I never saw it before."

      "You never looked so closely. There's a scar at the corner of your upper lip that I hadn't noticed."

      "Can you see that?" she demanded, radiantly. "Well, you have got good eyes! The cat did it when I was a little girl."

      The door opened, and Mrs. Gaylord surprised them in the celebration of these discoveries,—or, rather, she surprised herself, for she stood holding the door and helpless to move, though in her heart she had an apologetic impulse to retire, and she even believed that she made some murmurs of excuse for her intrusion. Bartley was equally abashed, but Marcia rose with the coolness of her sex in the intimate emergencies which confound a man. "Oh, mother, it's you! I forgot about you. Come in! Or I'll set the table, if that's what you want." As Mrs. Gaylord continued to look from her to Bartley in her daze, Marcia added, simply, "We're engaged, mother. You may as well know it first as last, and I guess you better know it first."

      Her mother appeared not to think it safe to relax her hold upon the door, and Bartley went filially to her rescue—if it was rescue to salute her blushing defencelessness as he did. A confused sense of the extraordinary nature and possible impropriety of the proceeding may have suggested her husband to her mind; or it may have been a feeling that some remark was expected of her, even in the mental destitution to which she was reduced.

      "Have you told Mr. Gaylord about it?" she asked of either, or neither, or both, as they chose to take it.

      Bartley left the word to Marcia, who answered, "Well, no, mother. We haven't yet. We've only just found it out ourselves. I guess father can wait till he comes in to dinner. I intend to keep Bartley here to prove it."

      "He said," remarked Mrs. Gaylord, whom Bartley had led to her chair and placed on her cushion, "'t he had a headache when he first came in," and she appealed to him for corroboration, while she vainly endeavored to gather force to grapple again with the larger fact that he and Marcia were just engaged to be married.

      Marcia

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