you are here pretty often. I don't think I should have much difficulty in missing you."
"Thanks, thanks! I can go with a light heart, now. Good by." He made a pretence of rising.
"What! Are you going at once?"
"Yes, this very night,—or to-morrow. Or no, I can't go to-morrow. There's something I was going to do to-morrow."
"Perhaps go to church."
"Oh, that of course. But it was in the afternoon. Stop! I have it! I want you to go sleigh-riding with me in the afternoon."
"I don't know about that," Marcia began.
"But I do," said the young man. "Hold on: I'll put my request in writing." He opened her portfolio, which lay on the table. "What elegant stationery! May I use some of this elegant stationery? The letter is to a lady,—to open a correspondence. May I?" She laughed her assent. "How ought I to begin? Dearest Miss Marcia, or just Dear Marcia: which is better?"
"You had better not put either—"
"But I must. You're one or the other, you know. You're dear—to your family,—and you're Marcia: you can't deny it. The only question is whether you're the dearest of all the Miss Marcias. I may be mistaken, you know. We'll err on the safe side: Dear Marcia:" He wrote it down. "That looks well, and it reads well. It looks very natural, and it reads like poetry,—blank verse; there's no rhyme for it that I can remember. Dear Marcia: Will you go sleigh-riding with me to-morrow afternoon, at two o'clock sharp? Yours—yours? sincerely, or cordially, or affectionately, or what? The 'dear Marcia' seems to call for something out of the common. I think it had better be affectionately." He suggested it with ironical gravity.
"And I think it had better be 'truly,'" protested the girl.
"'Truly' it shall be, then. Your word is law,—statute in such case made and provided." He wrote, "With unutterable devotion, yours truly, Bartley J. Hubbard," and read it aloud.
She leaned forward, and lightly caught it away from him, and made a feint of tearing it. He seized her hands. "Mr. Hubbard!" she cried, in undertone. "Let me go, please."
"On two conditions,—promise not to tear up my letter, and promise to answer it in writing."
She hesitated long, letting him hold her wrists. At last she said, "Well," and he released her wrists, on whose whiteness his clasp left red circles. She wrote a single word on the paper, and pushed it across the table to him. He rose with it, and went around to her side.
"This is very nice. But you haven't spelled it correctly. Anybody would say this was No, to look at it; and you meant to write Yes. Take the pencil in your hand, Miss Gaylord, and I will steady your trembling nerves, so that you can form the characters. Stop! At the slightest resistance on your part, I will call out and alarm the house; or I will—." He put the pencil into her fingers, and took her soft fist into his, and changed the word, while she submitted, helpless with her smothered laughter. "Now the address. Dear—"
"No, no!" she protested.
"Yes, yes! Dear Mr. Hubbard. There, that will do. Now the signature. Yours—"
"I won't write that. I won't, indeed!"
"Oh, yes, you will. You only think you won't. Yours gratefully, Marcia Gaylord. That's right. The Gaylord is not very legible, on account of a slight tremor in the writer's arm, resulting from a constrained posture, perhaps. Thanks, Miss Gaylord. I will be here promptly at the hour indicated—"
The noises renewed themselves overhead,—some one seemed to be moving about. Hubbard laid his hand on that of the girl, still resting on the table, and grasped it in burlesque alarm; she could scarcely stifle her mirth. He released her hand, and, reaching his chair with a theatrical stride, sat there cowering till the noises ceased. Then he began to speak soberly, in a low voice. He spoke of himself; but in application of a lecture which they had lately heard, so that he seemed to be speaking of the lecture. It was on the formation of character, and he told of the processes by which he had formed his own character. They appeared very wonderful to her, and she marvelled at the ease with which he dismissed the frivolity of his recent mood, and was now all seriousness. When he came to speak of the influence of others upon him, she almost trembled with the intensity of her interest. "But of all the women I have known, Marcia," he said, "I believe you have had the strongest influence upon me. I believe you could make me do anything; but you have always influenced me for good; your influence upon me has been ennobling and elevating."
She wished to refuse his praise; but her heart throbbed for bliss and pride in it; her voice dissolved on her lips. They sat in silence; and he took in his the hand that she let hang over the side of her chair. The lamp began to burn low, and she found words to say, "I had better get another," but she did not move.
"No, don't," he said; "I must be going, too. Look at the wick, there, Marcia; it scarcely reaches the oil. In a little while it will not reach it, and the flame will die out. That is the way the ambition to be good and great will die out of me, when my life no longer draws its inspiration from your influence."
This figure took her imagination; it seemed to her very beautiful; and his praise humbled her more and more.
"Good night," he said, in a low, sad voice. He gave her hand a last pressure, and rose to put on his coat. Her admiration of his words, her happiness in his flattery, filled her brain like wine. She moved dizzily as she took up the lamp to light him to the door. "I have tired you," he said, tenderly, and he passed his hand around her to sustain the elbow of the arm with which she held the lamp; she wished to resist, but she could not try.
At the door he bent down his head and kissed her. "Good night, dear—friend."
"Good night," she panted; and after the door had closed upon him, she stooped and kissed the knob on which his hand had rested.
As she turned, she started to see her father coming down the stairs with a candle in his hand. He had his black cravat tied around his throat, but no collar; otherwise, he had on the rusty black clothes in which he ordinarily went about his affairs,—the cassimere pantaloons, the satin vest, and the dress-coat which old-fashioned country lawyers still wore ten years ago, in preference to a frock or sack. He stopped on one of the lower steps, and looked sharply down into her uplifted face, and, as they stood confronted, their consanguinity came out in vivid resemblances and contrasts; his high, hawk-like profile was translated into the fine aquiline outline of hers; the harsh rings of black hair, now grizzled with age, which clustered tightly over his head, except where they had retreated from his deeply seamed and wrinkled forehead, were the crinkled flow above her smooth white brow; and the line of the bristly tufts that overhung his eyes was the same as that of the low arches above hers. Her complexion was from her mother; his skin was dusky yellow; but they had the same mouth, and hers showed how sweet his mouth must have been in his youth. His eyes, deep sunk in their cavernous sockets, had rekindled their dark fires in hers; his whole visage, softened to her sex and girlish years, looked up at him in his daughter's face.
"Why, father! Did we wake you?"
"No. I hadn't been asleep at all. I was coming down to read. But it's time you were in bed, Marcia."
"Yes, I'm going, now. There's a good fire in the parlor stove."
The old man descended the remaining steps, but turned at the parlor door, and looked again at his daughter with a glance that arrested her, with her foot on the lowest stair.
"Marcia," he asked, grimly, "are
