now I understand:—one of those voluptuous banquets that, despite our dull vows of mortified coldness, we, the priests of Isis, have shared at thy house.'
'No, no! Thinkest thou her chaste eyes are ripe for such scenes? No; but first we must ensnare the brother—an easier task. Listen to me, while I give you my instructions.'
Chapter V
MORE OF THE FLOWER-GIRL. THE PROGRESS OF LOVE.
THE sun shone gaily into that beautiful chamber in the house of Glaucus, which I have before said is now called the 'Room of Leda'. The morning rays entered through rows of small casements at the higher part of the room, and through the door which opened on the garden, that answered to the inhabitants of the southern cities the same purpose that a greenhouse or conservatory does to us. The size of the garden did not adapt it for exercise, but the various and fragrant plants with which it was filled gave a luxury to that indolence so dear to the dwellers in a sunny clime. And now the odorous, fanned by a gentle wind creeping from the adjacent sea, scattered themselves over that chamber, whose walls vied with the richest colors of the most glowing flowers. Besides the gem of the room—the painting of Leda and Tyndarus—in the centre of each compartment of the walls were set other pictures of exquisite beauty. In one you saw Cupid leaning on the knees of Venus; in another Ariadne sleeping on the beach, unconscious of the perfidy of Theseus. Merrily the sunbeams played to and fro on the tessellated floor and the brilliant walls—far more happily came the rays of joy to the heart of the young Glaucus.
'I have seen her, then,' said he, as he paced that narrow chamber—'I have heard her—nay, I have spoken to her again—I have listened to the music of her song, and she sung of glory and of Greece. I have discovered the long-sought idol of my dreams; and like the Cyprian sculptor, I have breathed life into my own imaginings.'
Longer, perhaps, had been the enamoured soliloquy of Glaucus, but at that moment a shadow darkened the threshold of the chamber, and a young female, still half a child in years, broke upon his solitude. She was dressed simply in a white tunic, which reached from the neck to the ankles; under her arm she bore a basket of flowers, and in the other hand she held a bronze water-vase; her features were more formed than exactly became her years, yet they were soft and feminine in their outline, and without being beautiful in themselves, they were almost made so by their beauty of expression; there was something ineffably gentle, and you would say patient, in her aspect. A look of resigned sorrow, of tranquil endurance, had banished the smile, but not the sweetness, from her lips; something timid and cautious in her step—something wandering in her eyes, led you to suspect the affliction which she had suffered from her birth—she was blind; but in the orbs themselves there was no visible defect—their melancholy and subdued light was clear, cloudless, and serene. 'They tell me that Glaucus is here,' said she; 'may I come in?'
'Ah, my Nydia,' said the Greek, 'is that you I knew you would not neglect my invitation.'
'Glaucus did but justice to himself,' answered Nydia, with a blush; 'for he has always been kind to the poor blind girl.'
'Who could be otherwise?' said Glaucus, tenderly, and in the voice of a compassionate brother.
Nydia sighed and paused before she resumed, without replying to his remark. 'You have but lately returned?'
'This is the sixth sun that hath shone upon me at Pompeii.'
'And you are well? Ah, I need not ask—for who that sees the earth, which they tell me is so beautiful, can be ill?'
'I am well. And you, Nydia—how you have grown! Next year you will be thinking what answer to make your lovers.'
A second blush passed over the cheek of Nydia, but this time she frowned as she blushed. 'I have brought you some flowers,' said she, without replying to a remark that she seemed to resent; and feeling about the room till she found the table that stood by Glaucus, she laid the basket upon it: 'they are poor, but they are fresh-gathered.'
'They might come from Flora herself,' said he, kindly; 'and I renew again my vow to the Graces, that I will wear no other garlands while thy hands can weave me such as these.'
'And how find you the flowers in your viridarium?—are they thriving?'
'Wonderfully so—the Lares themselves must have tended them.'
'Ah, now you give me pleasure; for I came, as often as I could steal the leisure, to water and tend them in your absence.'
'How shall I thank thee, fair Nydia?' said the Greek. 'Glaucus little dreamed that he left one memory so watchful over his favorites at Pompeii.'
The hand of the child trembled, and her breast heaved beneath her tunic. She turned round in embarrassment. 'The sun is hot for the poor flowers,' said she, 'to-day and they will miss me; for I have been ill lately, and it is nine days since I visited them.'
'Ill, Nydia!—yet your cheek has more color than it had last year.'
'I am often ailing,' said the blind girl, touchingly; 'and as I grow up I grieve more that I am blind. But now to the flowers!' So saying, she made a slight reverence with her head, and passing into the viridarium, busied herself with watering the flowers.
'Poor Nydia,' thought Glaucus, gazing on her; 'thine is a hard doom! Thou seest not the earth—nor the sun—nor the ocean—nor the stars—above all, thou canst not behold Ione.'
At that last thought his mind flew back to the past evening, and was a second time disturbed in its reveries by the entrance of Clodius. It was a proof how much a single evening had sufficed to increase and to refine the love of the Athenian for Ione, that whereas he had confided to Clodius the secret of his first interview with her, and the effect it had produced on him, he now felt an invincible aversion even to mention to him her name. He had seen Ione, bright, pure, unsullied, in the midst of the gayest and most profligate gallants of Pompeii, charming rather than awing the boldest into respect, and changing the very nature of the most sensual and the least ideal—as by her intellectual and refining spells she reversed the fable of Circe, and converted the animals into men. They who could not understand her soul were made spiritual, as it were, by the magic of her beauty—they who had no heart for poetry had ears, at least, for the melody of her voice. Seeing her thus surrounded, purifying and brightening all things with her presence, Glaucus almost for the first time felt the nobleness of his own nature—he felt how unworthy of the goddess of his dreams had been his companions and his pursuits. A veil seemed lifted from his eyes; he saw that immeasurable distance between himself and his associates which the deceiving mists of pleasure had hitherto concealed; he was refined by a sense of his courage in aspiring to Ione. He felt that henceforth it was his destiny to look upward and to soar. He could no longer breathe that name, which sounded to the sense of his ardent fancy as something sacred and divine, to lewd and vulgar ears. She was no longer the beautiful girl once seen and passionately remembered—she was already the mistress, the divinity of his soul. This feeling who has not experienced?—If thou hast not, then thou hast never loved.
When Clodius therefore spoke to him in affected transport of the beauty of Ione, Glaucus felt only resentment and disgust that such lips should dare to praise her;
