is extended to receive Amontillado and glasses.
Find flat door wide open, curtains drawn—(no brown paper)—lamp and fire burning merrily, and Serena entertaining J. L., Muriel and unknown young man of film-star appearance. Table has been set up, Amontillado opened, and agreeable haze of cigarette-smoke fills the air.
Serena says It's lovely that I've come at last, and she hopes it's all right, she thought I should wish them to have a drink, and couldn't she pour one out for me?
Agree that she could, and congratulate myself inwardly on having dealt with lipstick, powder and pocket comb on the stairs.
Ensuing party proves gay and amusing, and I enter into conversation with film-star young man, who tells me that he has been reading J. L.'s novel in typescript and thinks it very good. Have I seen it?
No, I've only heard about it from Serena. What is it called? It is called Poached Eggs to the Marble Arch.
At this I bend my head appreciatively as if to say that's exactly the sort of name I should have expected from a really good modern novelist, and then have the wind taken out of my sails when young film-star observes thoughtfully that he thinks it's an utterly vague and off-putting title. But, he adds candidly, he isn't absolutely sure he's got it right. It might be Poached Eggs ON the Marble Arch, or even Poached Eggs AT the Marble Arch.
Conversation then becomes general, and Serena and Muriel talk about their war service and I say nothing about mine—not from modesty but because Canteen work very unimpressive—and film-star young man reveals that he has just joined the Air Force Reserve, and isn't a film-star at all but a psychiatrist, and that ever since war started he has had no patients at all as most of the ones he had before were children who have been sent away from London.
Enquire at once whether he knows Rose, in very similar position to his own, and he says he knows her well by name. This does not, really, get us very much further.
J. L. looks, as before, intelligent and melancholy and latter expression seems to be merely deepened by Amontillado. Curiously opposite effect is produced on myself and I become unusually articulate and—I think—very witty about the Ministry of Information.
This conviction deepened every moment by shrieks of laughter from Serena and Muriel, definite appearance of amusement on face which still seems to me that of a film-star, and even faint smiles from J. L.
Am regretful when S. and M. declare that duty now calls them to the Adelphi. (It must, to be accurate, have been calling for rather more than an hour, as both were due there at seven o'clock.)
They take some time to make their farewells, and are escorted away by pseudo film-star, who thanks me very earnestly for having invited him. Do not, naturally, point out to him that I didn't do so and have, in fact, no idea who did.
J. L. to my astonishment enquires whether I am, by any possible chance, free for dinner this evening?
Am entirely free, and say so instantly, and J. L. invites me to come and dine somewhere with him at once and go on afterwards to Arts Club of which he is a member, and listen to Ridgeway's Late Joys. They sing Victorian songs and the audience joins in the choruses.
Am entranced at this prospect and only hope that effect of Amontillado will not have worn off by the time we get there, as should certainly join in choruses, Victorian or otherwise, far better if still under its influence.
J. L. and I depart forthwith into the black-out, and are compelled to cling to one another as we go, and even so do not escape minor collisions with sandbags and kindly expressed, but firm, rebuke from the police for displaying electric-torch beams too freely.
J. L. takes me to nice little restaurant and orders excellent dinner, and then talks to me about Serena.
He is, he admits, practically in despair about Serena. She has charm, she has intelligence, she has brains, she has looks—but would marriage with her be a hundred per cent success?
Can only tell him that I really have no idea, and that very few marriages are a hundred per cent success, but that on the other hand most people would think even seventy-five per cent quite handsome. Is he, if I may ask, engaged to Serena?
Oh dear, no.
Has he—if he doesn't mind my asking—asked Serena to be engaged to him?
Well, yes and no.
Can only look at him in despair, and reflect with no originality whatever that Things have Changed in the last twenty years.
J. L. continues to maunder, but breaks off to ask what I would like to drink, and to hold quite animated discussion about Alsatian wine with the wine-waiter—then relapses into distress and refers to Serena as being at once the Worst and the Best Thing in his life.
Can see that nothing I say will make the slightest impression on him and that I may just as well save myself exertion of thinking by merely looking interested and sympathetic.
This succeeds well until J. L. suddenly bends forward and enquires earnestly whether I don't feel that Serena is too highly-strung to be the ideal wife for a writer. I inform him in return, without hesitation, that the point seems to me quite insignificant and that what really disturbs me is the conviction that writers are too egotistical to make ideal husbands for anybody.
J. L. instantly agrees with me but is evidently quite fatalistic about it and has no intention whatever of reforming.
Can only suggest to him that perhaps we had better start for Late Joys or we shall be late.
He agrees amiably and cheers up more and more as evening progresses—just as well, as I am perfectly enraptured by beautifully-produced performance of the Joys and too much absorbed to pay any attention to him even if suicidal tendencies should develop.
Instead, however, J. L. joins in chorus to "See me Dance the Polka" and "Her Golden Hair was Hanging Down her Back" in unexpectedly powerful baritone, and we drink beer and become gayer and gayer until reluctantly compelled to leave theatre.
November 9th.—Bomb Explosion in Munich Beer-hall reported, apparently timed to coincide with speech by Hitler and to destroy him and numerous Nazi leaders seated immediately beneath spot where bomb was placed. Hitler said to have finished speech twenty minutes earlier than usual, and left Hall just—(from his point of view)—in time.
Hear all this from wireless at 8 A.M. and rush out into the Strand where posters tell me that Hess was amongst those killed, and I buy three newspapers and see that Hess is only reported killed. Can only say that instincts of Christianity and civilisation alike are severely tried, and am by no means prepared to state that they emerge victorious.
Have invited Lady Blowfield to lunch at Club as small return for past hospitality and also with faint hope of her eventually inducing Sir Archibald to suggest war job for me, and proceed there by bus, which fails to materialise for at least twenty minutes and is then boarded by about five hundred more people than it can possibly accommodate.
Situation very reminiscent of 1914 and succeeding years.
Hess resurrected on posters.
Reach Club just before one, am told by hall-porter that my guest has not yet arrived and go to upstairs drawing-room, which is filled with very, very old ladies in purple wool cardigans, and exceedingly young ones in slacks.
