THE GENIUS. Theodore Dreiser
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There was another silence which endured until they were almost home.
"Are you coming to the sociable next Thursday?" he inquired. He was referring to a Methodist evening entertainment which, although he cared very little about it, was a convenience as it enabled him to see her and take her home. He was prompted to ask by the fear that an open rupture was impending.
"No," she said. "I don't think I will."
"Why not?"
"I don't care to."
"I think you're mean," he said reprovingly.
"I don't care," she replied. "I think you're too bossy. I don't think I like you very much anyhow."
His heart contracted ominously.
"You can do as you please," he persisted.
They reached her gate. It was his wont to kiss her in the shadow—to hold her tight for a few minutes in spite of her protests. Tonight, as they approached, he thought of doing it, but she gave him no chance. When they reached the gate she opened it quickly and slipped in. "Good-night," she called.
"Good-night," he said, and then as she reached her door, "Stella!"
It was open, and she slipped in. He stood in the dark, hurt, sore, oppressed. What should he do? He strolled home cudgelling his brain whether never to speak to or look at her again until she came to him, or to hunt her up and fight it all out with her. She was in the wrong, he knew that. When he went to bed he was grieving over it, and when he awoke it was with him all day.
He had been gaining rather rapidly as a student of type-setting, and to a certain extent of the theory of reporting, and he worked diligently and earnestly at his proposed trade. He loved to look out of the window and draw, though of late, after knowing Stella so well and coming to quarrel with her because of her indifference, there was little heart in it. This getting to the office, putting on an apron, and starting in on some local correspondence left over from the day before, or some telegraph copy which had been freshly filed on his hook, had its constructive value. Williams endeavored to use him on some local items of news as a reporter, but he was a slow worker and almost a failure at getting all the facts. He did not appear to know how to interview anybody, and would come back with a story which needed to be filled in from other sources. He really did not understand the theory of news, and Williams could only make it partially clear to him. Mostly he worked at his case, but he did learn some things.
For one thing, the theory of advertising began to dawn on him. These local merchants put in the same ads. day after day, and many of them did not change them noticeably. He saw Lyle and Summers taking the same ads. which had appeared unchangingly from month to month in so far as their main features were concerned, and alter only a few words before returning them to the forms. He wondered at the sameness of them, and when, at last, they were given to him to revise he often wished he could change them a little. The language seemed so dull.
"Why don't they ever put little drawings in these ads?" he asked Lyle one day. "Don't you think they'd look a little better?"
"Oh, I don't know," replied Jonas. "They look pretty good. These people around here wouldn't want anything like that. They'd think it was too fancy." Eugene had seen and in a way studied the ads. in the magazines. They seemed so much more fascinating to him. Why couldn't newspaper ads. be different?
Still it was never given to him to trouble over this problem. Mr. Burgess dealt with the advertisers. He settled how the ads were to be. He never talked to Eugene or Summers about them, not always to Lyle. He would sometimes have Williams explain just what their character and layout was to be. Eugene was so young that Williams at first did not pay very much attention to him, but after a while he began to realize that there was a personality here, and then he would explain things,—why space had to be short for some items and long for others, why county news, news of small towns around Alexandria, and about people, was much more important financially to the paper than the correct reporting of the death of the sultan of Turkey. The most important thing was to get the local names right. "Don't ever misspell them," he once cautioned him. "Don't ever leave out a part of a name if you can help it. People are awfully sensitive about that. They'll stop their subscription if you don't watch out, and you won't know what's the matter."
Eugene took all these things to heart. He wanted to see how the thing was done, though basically it seemed to be a little small. In fact people seemed a little small, mostly.
One of the things that did interest him was to see the paper put on the press and run off. He liked to help lock up the forms, and to see how they were imposed and registered. He liked to hear the press run, and to help carry the wet papers to the mailing tables and the distributing counter out in front. The paper hadn't a very large circulation but there was a slight hum of life about that time and he liked it. He liked the sense of getting his hands and face streaked and not caring, and of seeing his hair tousled, in the mirror. He tried to be useful and the various people on the paper came to like him, though he was often a little awkward and slow. He was not strong at this period and his stomach troubled him. He thought, too, that the smell of the ink might affect his lungs, though he did not seriously fear it. In the main it was interesting but small; there was a much larger world outside, he knew that. He hoped to go to it some day; he hoped to go to Chicago.
CHAPTER III
Eugene grew more and more moody and rather restless under Stella's increasing independence. She grew steadily more indifferent because of his moods. The fact that other boys were crazy for her consideration was a great factor; the fact that one particular boy, Harvey Rutter, was persistently genial, not insistent, really better looking than Eugene and much better tempered, helped a great deal. Eugene saw her with him now and then, saw her go skating with him, or at least with a crowd of which he was a member. Eugene hated him heartily; he hated her at times for not yielding to him wholly; but he was none the less wild over her beauty. It stamped his brain with a type or ideal. Thereafter he knew in a really definite way what womanhood ought to be, to be really beautiful.
Another thing it did was to bring home to him a sense of his position in the world. So far he had always been dependent on his parents for food, clothes and spending money, and his parents were not very liberal. He knew other boys who had money to run up to Chicago or down to Springfield—the latter was nearer—to have a Saturday and Sunday lark. No such gaieties were for him. His father would not allow it, or rather would not pay for it. There were other boys who, in consequence of amply provided spending money, were the town dandies. He saw them kicking their heels outside the corner book store, the principal loafing place of the elite, on Wednesdays and Saturdays and sometimes on Sunday evenings preparatory to going somewhere, dressed in a luxury of clothing which was beyond his wildest dreams. Ted Martinwood, the son of the principal drygoods man, had a frock coat in which he sometimes appeared when he came down to the barber shop for a shave before he went to call on his girl. George Anderson was possessed of a dress suit, and wore dancing pumps at all dances. There was Ed Waterbury, who was known to have a horse and runabout of his own. These youths were slightly older, and were interested in girls of a slightly older set, but the point was the same. These things hurt him.
He himself had no avenue of progress which, so far as he could see, was going to bring him to any financial prosperity. His father was never going to be rich, anybody could see that. He himself had made no practical progress in schoolwork—he knew that. He hated insurance—soliciting or writing, despised the sewing machine business,