like a religious man, don't he? I guess I give him a good dose, if he does think himself the head-deacon of this boat." And he went on to state his ideas of religion, from which it seemed that he was a person of the most advanced thinking, and believed in nothing worth mentioning.
It is perhaps no worse for an Infidel to be drunk than a Christian, but my friend found this tipsy blasphemer's case so revolting, that he went to the hand-bag, took out the empty claret-bottle, and seeking a solitary corner of the boat, cast the bottle into the water, and felt a thrill of uncommon self-approval as this scapecoat of all the wine at his grocer's bobbed off upon the little waves. "Besides, it saves carrying the bottle home," he thought, not without a half-conscious reserve, that if his penitence were ever too much for him, he could easily abandon it. And without the reflection that the gate is always open behind him, who could consent to enter upon any course of perfect behavior? If good resolutions could not be broken, who would ever have the courage to form them? Would it not be intolerable to be made as good as we ought to be? Then, admirable reader, thank Heaven even for your lapses, since it is so wholesome and saving to be well ashamed of yourself, from time to time.
"What an outrage," said Cousin Frank, in the glow of virtue, as he rejoined the ladies, "that that tipsy rascal should be allowed to p i mi with his ribaldry. He seems to pervade the whole boat, and to subject everybody to his sway. He's a perfect despot to us helpless sober people, — I wouldn't openly disagree with him on any account. We ought to send a Round Robin to the captain, and ask him to put that religious liberal in irons during the rest of the voyage."
In the meantime, however, the object of his indignation had used up all the conversable material in that part of the boat, and had deviously started for the other end. The elderly woman with the umbrella rose and followed him, somewhat wearily, and with a sadness that appeared more in her movement than in her face; and as the two went down the cabin, did the comical affair look, after all, something like tragedy? My reader, who expects a little novelty in tragedy, and not these stale and common effects, will never think so.
"You'll not pretend, Frank," says Lucy, "that in such an intellectual place as Boston a crowd as large as this can be got together, and no distinguished literary people in it. I know there are some notables aboard: do point them out to me. Pretty near everybody has a literary look."
"Why, that's what we call our Boston look, Cousin Lucy. You needn't have written anything to have it, — it's as general as tubercular consumption, and is the effect of our universal culture and habits of reading. I heard a New-Yorker say once that if you went into a corner grocery in Boston to buy a codfish, the man would ask you how you liked 'Lucile,' whilst he was tying it up. No, no; you mustn't be taken in by that literary look; I'm afraid the real literary men don't always have it. But I do see a literary man aboard yonder," he added, craning his neck to one side, and then furtively pointing, — " the most literary man I ever knew, one of the most literary men that ever lived. His whole existence is really bound up in books; he never talks of anything else, and never thinks of anything else, I believe. Look at him, — what kind and pleasant eyes he's got! There, he sees me!" cries Cousin Frank, with a pleasurable excitement. "How d' ye do?" he calls out.
"O Cousin Frank, introduce us," sighs Lucy.
"Not I! He wouldn't thank me. He doesn't care for pretty girls outside of books; he'd be afraid of 'em; he's the bashfullest man alive, and all his heroines are fifty years old, at the least. But before I go any further, tell me solemnly, Lucy, you're not interviewing me? You 're not going to write it to a New York newspaper? No? Well, I think it's best to ask, always. Our friend there — he's everybody's friend, if you mean nobody's enemy, by that, not even his own — is really what I say, — the most literary man I ever knew. He loves all epochs and phases of literature, but his passion is the Charles Lamb period and all Lamb's friends. He loves them as if they were living men; and Lamb would have loved him if he could have known him. He speaks rapidly, and rather indistinctly, and when you meet him and say Good day and you suppose he answers with something about the weather, ten to one he's asking you what you think of Hazlitt's essays on Shakespeare, or Leigh Hunt's Italian Poets, or Lamb's roast pig, or Barry Cornwall's songs. He couldn't get by a bookstall without stopping — for half an hour, at any rate. He knows just when all the new books in town are to be published, and when each bookseller is to get his invoice of old English books. He has no particular address, but if you leave your card for him at any bookstore in Boston, he's sure to get it within two days; and in the summer-time you 're apt to meet him on these excursions. Of course, he writes about books, and very tastefully and modestly; there's hardly any of the brand-new immortal English poets, who die off so rapidly, but has had a good word from him; but his heart is with the older fellows, from Chaucer down; and, after the Charles Lamb epoch, I don't know whether he loves better the Elizabethan age or that of Queen Anne. Think of him making me stop the other day at a bookstall, and read through an essay out of the "Spectator "! I did it all for love of him, though money couldn't have persuaded me that I had time; and I'm always telling him lies, and pretending to be as well acquainted as he is with authors I hardly know by name, — he seems so fondly to expect it. He's really almost a disembodied spirit as concerns most mundane interests; his soul is in literature, as a lover's in his mistress's beauty; and in the next world, where, as the Swedenborgians believe, spirits seen at a distance appear like the things they most resemble in disposition, as doves, hawks, goats, lambs, swine, and so on, I'm sure that I shall see his true and kindly soul in the guise of a noble old Folio, quaintly lettered across his back in old English text, Tom. I."
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