candles to the piano. Osborne hinted that he should like quite as well to sit in the dark; but Miss Sedley, laughing, declined to bear him company any farther, and the two accordingly followed Mr. Joseph. Rebecca sang far better than her friend (though of course Osborne was free to keep his opinion), and exerted herself to the utmost, and, indeed, to the wonder of Amelia, who had never known her perform so well. She sang a French song, which Joseph did not understand in the least, and which George confessed he did not understand, and then a number of those simple ballads which were the fashion forty years ago, and in which British tars, our King, poor Susan, blue-eyed Mary, and the like, were the principal themes. They are not, it is said, very brilliant, in a musical point of view, but contain numberless good-natured, simple appeals to the affections, which people understood better than the milk-and-water lagrime, sospiri, and felicita of the eternal Donizettian music with which we are favoured now-a-days.
Conversation of a sentimental sort, befitting the subject, was carried on between the songs, to which Sambo, after he had brought the tea, the delighted cook, and even Mrs. Blenkinsop, the housekeeper, condescended to listen on the landing-place.
Among these ditties was one, the last of the concert, and to the following effect:
Ah! bleak and barren was the moor,
Ah! loud and piercing was the storm,
The cottage roof was shelter’d sure,
The cottage hearth was bright and warm —
An orphan boy the lattice pass’d,
And, as he mark’d its cheerful glow,
Felt doubly keen the midnight blast,
And doubly cold the fallen snow.
They mark’d him as he onward prest,
With fainting heart and weary limb;
Kind voices bade him turn and rest,
And gentle faces welcomed him.
The dawn is up — the guest is gone,
The cottage hearth is blazing still;
Heaven pity all poor wanderers lone!
Hark to the wind upon the hill!
It was the sentiment of the before-mentioned words, “When I’m gone,” over again. As she came to the last words, Miss Sharp’s “deep-toned voice faltered.” Everybody felt the allusion to her departure, and to her hapless orphan state. Joseph Sedley, who was fond of music, and soft-hearted, was in a state of ravishment during the performance of the song, and profoundly touched at its conclusion. If he had had the courage; if George and Miss Sedley had remained, according to the former’s proposal, in the farther room, Joseph Sedley’s bachelorhood would have been at an end, and this work would never have been written. But at the close of the ditty, Rebecca quitted the piano, and giving her hand to Amelia, walked away into the front drawing-room twilight; and, at this moment, Mr. Sambo made his appearance with a tray, containing sandwiches, jellies, and some glittering glasses and decanters, on which Joseph Sedley’s attention was immediately fixed. When the parents of the house of Sedley returned from their dinner-party, they found the young people so busy in talking, that they had not heard the arrival of the carriage, and Mr. Joseph was in the act of saying, “My dear Miss Sharp, one little teaspoonful of jelly to recruit you after your immense — your — your delightful exertions.”
“Bravo, Jos!” said Mr. Sedley; on hearing the bantering of which well-known voice, Jos instantly relapsed into an alarmed silence, and quickly took his departure. He did not lie awake all night thinking whether or not he was in love with Miss Sharp; the passion of love never interfered with the appetite or the slumber of Mr. Joseph Sedley; but he thought to himself how delightful it would be to hear such songs as those after Cutcherry — what a distinguee girl she was — how she could speak French better than the Governor-General’s lady herself — and what a sensation she would make at the Calcutta balls. “It’s evident the poor devil’s in love with me,” thought he. “She is just as rich as most of the girls who come out to India. I might go farther, and fare worse, egad!” And in these meditations he fell asleep.
How Miss Sharp lay awake, thinking, will he come or not to-morrow? need not be told here. To-morrow came, and, as sure as fate, Mr. Joseph Sedley made his appearance before luncheon. He had never been known before to confer such an honour on Russell Square. George Osborne was somehow there already (sadly “putting out” Amelia, who was writing to her twelve dearest friends at Chiswick Mall), and Rebecca was employed upon her yesterday’s work. As Joe’s buggy drove up, and while, after his usual thundering knock and pompous bustle at the door, the ex-Collector of Boggley Wollah laboured up stairs to the drawing-room, knowing glances were telegraphed between Osborne and Miss Sedley, and the pair, smiling archly, looked at Rebecca, who actually blushed as she bent her fair ringlets over her knitting. How her heart beat as Joseph appeared — Joseph, puffing from the staircase in shining creaking boots — Joseph, in a new waistcoat, red with heat and nervousness, and blushing behind his wadded neckcloth. It was a nervous moment for all; and as for Amelia, I think she was more frightened than even the people most concerned.
Sambo, who flung open the door and announced Mr. Joseph, followed grinning, in the Collector’s rear, and bearing two handsome nosegays of flowers, which the monster had actually had the gallantry to purchase in Covent Garden Market that morning — they were not as big as the haystacks which ladies carry about with them now-a-days, in cones of filigree paper; but the young women were delighted with the gift, as Joseph presented one to each, with an exceedingly solemn bow.
“Bravo, Jos!” cried Osborne.
“Thank you, dear Joseph,” said Amelia, quite ready to kiss her brother, if he were so minded. (And I think for a kiss from such a dear creature as Amelia, I would purchase all Mr. Lee’s conservatories out of hand.)
“O heavenly, heavenly flowers!” exclaimed Miss Sharp, and smelt them delicately, and held them to her bosom, and cast up her eyes to the ceiling, in an ecstasy of admiration. Perhaps she just looked first into the bouquet, to see whether there was a billet-doux hidden among the flowers; but there was no letter.
“Do they talk the language of flowers at Boggley Wollah, Sedley?” asked Osborne, laughing.
“Pooh, nonsense!” replied the sentimental youth. “Bought ’em at Nathan’s; very glad you like ’em; and eh, Amelia, my dear, I bought a pine-apple at the same time, which I gave to Sambo. Let’s have it for tiffin; very cool and nice this hot weather.” Rebecca said she had never tasted a pine, and longed beyond everything to taste one.
So the conversation went on. I don’t know on what pretext Osborne left the room, or why, presently, Amelia went away, perhaps to superintend the slicing of the pine-apple; but Jos was left alone with Rebecca, who had resumed her work, and the green silk and the shining needles were quivering rapidly under her white slender fingers.
“What a beautiful, BYOO-OOTIFUL song that was you sang last night, dear Miss Sharp,” said the Collector. “It made me cry almost; ‘pon my honour it did.”
“Because you have a kind heart, Mr. Joseph; all the Sedleys have, I think.”
“It kept me awake last night, and I was trying to hum it this morning, in bed; I was, upon my honour. Gollop, my doctor, came in at eleven (for I’m a sad invalid, you know, and see Gollop every day), and, ‘gad! there I was, singing away like — a robin.”
“O
