been replaced by one which, according to Pamela, was at least truthful. "The other one," she complained, "made me look pale green and drowned."
A cloth of fine linen and lace covered the toilet-table which was spread with brushes and boxes in tortoiseshell and gold, quaint-shaped bottles for scent, and roses in a tall glass.
A jewel-box stood open and Pamela was pulling out earrings and necklaces, rings and brooches for Jean's amusement.
"Most of my things are at the bank," Pamela was saying as she held up a pair of Spanish earrings made of rows of pearls. "They generally are there, for I don't care a bit about ordinary jewels. These are what I like—odd things, old things, things picked up in odd corners of the world, things that have a story and a meaning. Biddy got me these turquoises in Tibet: that is a devil charm: isn't that jade delicious? I think I like Chinese things best of all."
She threw a string of cloudy amber round Jean's neck and cried, "My dear, how it becomes you. It brings out all the golden lights in your hair and eyes."
Jean sat forward in her chair and looked at her reflection in the glass with a pleased smile.
"I do like dressing-up," she confessed. "Pretty things are a great temptation to me. I'm afraid if I had money I would spend a lot in adorning my vile body."
"I simply don't know," said Pamela, "how people who don't care for clothes get through their lives. Clothes are a joy to the prosperous, a solace to the unhappy, and an interest always—even to old age. I knew a dear old lady of ninety-four whose chief diversion was to buy a new bonnet. She would sit before the mirror discarding model after model because they were 'too old' for her. One would have thought it difficult to find anything too old for ninety-four."
Jean laughed, but shook her head.
"Doesn't it seem to you rather awful to care about bonnets at ninety-four?"
"Not a bit," said Pamela. She was powdering her face as she spoke. "I like to see old people holding on, not losing interest in their appearance, making a brave show to the end. … Did you never see anyone use powder before, Jean? Your eyes in the glass look so surprised."
"Oh, I beg your pardon," said Jean, in great confusion, "I didn't mean to stare—" She hastily averted her eyes.
Pamela looked at her with an amused smile.
"There's nothing actively immoral about powdering one's nose, you know,
Jean. Did Great-aunt Alison tell you it was wrong?"
"Great-aunt Alison never talked about such things," Jean said, flushing hotly. "I don't think it's wrong, but I don't see that it's an improvement. I couldn't take any pleasure in myself if my face were made up."
Pamela swung round on her chair and laid her hands on Jean's shoulders.
"Jean," she said, "you're within an ace of being a prig. It's only the freckles on your little unpowdered nose, and the yellow lights in your eyes, and the way your hair curls up at the ends that save you. Remember, please, that three-and-twenty with a perfect complexion has no call to reprove her elders. Just wait till you come to forty years."
"Oh," said Jean, "it's absurd of you to talk like that. As if you didn't know that you are infinitely more attractive than any young girl. I never know why people talk so much about youth. What does being young matter if you're awkward and dull and shy as well? I'd far rather be middle-aged and interesting."
"That," said Pamela, as she laid her treasures back in the box, "is one of the minor tragedies of life. One begins by being bored with being young, and as we begin to realise what an asset youth is, it flies. Rejoice in your youth, little Jean-girl, for it's a stuff will not endure. … Now we'll go downstairs. It's too bad of me keeping you up here."
"How you have changed this room," said Jean. "It smells so nice."
"It is slightly less forbidding. I am quite attached to both my rooms, though when Mawson and I are both here together I sometimes feel I must poke my arms out of the window or thrust my head up the chimney like Bill the Lizard, in order to get room. It is a great disadvantage to be too large for one's surroundings."
The parlour was as much changed as the bedroom.
The round table with the red-and-green cover that filled up the middle of the room had been banished and a small card-table stood against the wall ready to be brought out for meals. A Persian carpet covered the linoleum and two comfortable wicker-chairs filled with cushions stood by the fireside. The sideboard had been converted into a stand for books and flowers. The blue vases had gone from the mantelshelf and two tall candlesticks and a strip of embroidery took their place. A writing-table stood in the window, from which the hard muslin curtains had been removed; there were flowers wherever a place could be found for them, and new books and papers lay about.
Jean sank into a chair with a book, but Pamela produced some visiting-cards and read aloud:
"MRS. DUFF-WHALLEY. MISS DUFF-WHALLEY.
THE TOWERS, PRIORSFORD.
"Who are they, please? and why do they come to see me?"
Jean shut her book, but kept her finger in as if hoping to get back to it soon, and smiled broadly.
"Mrs. Duff-Whalley is a wonderful woman," she said. "She knows everything about everybody and simply scents out social opportunities. Your name would draw her like a magnet."
"Why is she called Duff-Whalley? and where does she live? I'm frightfully intrigued."
"As to the first," said Jean, "there was no thought of pleasing either you or me when she was christened—or rather when the late Mr. Duff-Whalley was christened. And I pointed out the house to you the other day. You asked what the monstrosity was, and I told you it was called The Towers."
"I remember. A staring red-and-white house with about thirty bow-windows and twenty turrets. It denies the landscape."
"Wait," said Jean, "till you see it close at hand. It's the most naked, newest thing you ever saw. Not a creeper, not an ivy leaf is allowed to crawl on it; weather seems to have no effect on it: it never gets to look any less new. And in summer it is worse, for then round about it blaze the reddest geraniums and the yellowest calceolarias and the bluest lobelias that it's possible to imagine."
"Ghastly! What is the owner like?"
"Small, with yellowish hair turning grey. She has a sharp nose, and her eyes seem to dart out at you, take you all in, and then look away. She is rather like a ferret, and she has small, sharp teeth like a ferret. I'm never a bit sure she won't bite. She really is rather a wonderful woman. She hasn't been here very many years, but she dominates everyone. At whatever house you meet her she has the air of being hostess. She welcomes you and advises you where to sit, makes suitable conversation and finally bids you good-bye, and you feel yourself murmuring to her the grateful 'Such a pleasant afternoon,' that was due to the real hostess. She is in constant conflict with the other prominent matrons in Priorsford, but she always gets her own way. At a meeting she is quite insupportable. She just calmly tells us what we are to do. It's no good saying we are busy; it's no good saying anything. We walk away with a great district to collect and a pile of pamphlets under one arm. … Her nose is a little on one side, and when I sit and look at her presiding at a meeting I toy with the thought that someone goaded
