3 books to know Coming of Age. Charles Dickens
Чтение книги онлайн.
Читать онлайн книгу 3 books to know Coming of Age - Charles Dickens страница 66
"And was that—Honour!—the only time you worked out, in this part of the country?"
"The only time."
"What might have been your opinion of the place?"
"A most beastly place. Mudbank, mist, swamp, and work; work, swamp, mist, and mudbank."
They both execrated the place in very strong language, and gradually growled themselves out, and had nothing left to say.
After overhearing this dialogue, I should assuredly have got down and been left in the solitude and darkness of the highway, but for feeling certain that the man had no suspicion of my identity. Indeed, I was not only so changed in the course of nature, but so differently dressed and so differently circumstanced, that it was not at all likely he could have known me without accidental help. Still, the coincidence of our being together on the coach, was sufficiently strange to fill me with a dread that some other coincidence might at any moment connect me, in his hearing, with my name. For this reason, I resolved to alight as soon as we touched the town, and put myself out of his hearing. This device I executed successfully. My little portmanteau was in the boot under my feet; I had but to turn a hinge to get it out: I threw it down before me, got down after it, and was left at the first lamp on the first stones of the town pavement. As to the convicts, they went their way with the coach, and I knew at what point they would be spirited off to the river. In my fancy, I saw the boat with its convict crew waiting for them at the slime-washed stairs,—again heard the gruff "Give way, you!" like and order to dogs—again saw the wicked Noah's Ark lying out on the black water.
I could not have said what I was afraid of, for my fear was altogether undefined and vague, but there was great fear upon me. As I walked on to the hotel, I felt that a dread, much exceeding the mere apprehension of a painful or disagreeable recognition, made me tremble. I am confident that it took no distinctness of shape, and that it was the revival for a few minutes of the terror of childhood.
The coffee-room at the Blue Boar was empty, and I had not only ordered my dinner there, but had sat down to it, before the waiter knew me. As soon as he had apologized for the remissness of his memory, he asked me if he should send Boots for Mr. Pumblechook?
"No," said I, "certainly not."
The waiter (it was he who had brought up the Great Remonstrance from the Commercials, on the day when I was bound) appeared surprised, and took the earliest opportunity of putting a dirty old copy of a local newspaper so directly in my way, that I took it up and read this paragraph:
Our readers will learn, not altogether without interest, in reference to the recent romantic rise in fortune of a young artificer in iron of this neighbourhood (what a theme, by the way, for the magic pen of our as yet not universally acknowledged townsman TOOBY, the poet of our columns!) that the youth's earliest patron, companion, and friend, was a highly-respected individual not entirely unconnected with the corn and seed trade, and whose eminently convenient and commodious business premises are situate within a hundred miles of the High-street. It is not wholly irrespective of our personal feelings that we record HIM as the Mentor of our young Telemachus, for it is good to know that our town produced the founder of the latter's fortunes. Does the thoughtcontracted brow of the local Sage or the lustrous eye of local Beauty inquire whose fortunes? We believe that Quintin Matsys was the BLACKSMITH of Antwerp. VERB. SAP.
I entertain a conviction, based upon large experience, that if in the days of my prosperity I had gone to the North Pole, I should have met somebody there, wandering Esquimaux or civilized man, who would have told me that Pumblechook was my earliest patron and the founder of my fortunes.
|
|
Chapter 29
Betimes in the morning I was up and out. It was too early yet to go to Miss Havisham's, so I loitered into the country on Miss Havisham's side of town—which was not Joe's side; I could go there to-morrow—thinking about my patroness, and painting brilliant pictures of her plans for me.
She had adopted Estella, she had as good as adopted me, and it could not fail to be her intention to bring us together. She reserved it for me to restore the desolate house, admit the sunshine into the dark rooms, set the clocks a-going and the cold hearths a-blazing, tear down the cobwebs, destroy the vermin—in short, do all the shining deeds of the young Knight of romance, and marry the Princess. I had stopped to look at the house as I passed; and its seared red brick walls, blocked windows, and strong green ivy clasping even the stacks of chimneys with its twigs and tendons, as if with sinewy old arms, had made up a rich attractive mystery, of which I was the hero. Estella was the inspiration of it, and the heart of it, of course. But, though she had taken such strong possession of me, though my fancy and my hope were so set upon her, though her influence on my boyish life and character had been all-powerful, I did not, even that romantic morning, invest her with any attributes save those she possessed. I mention this in this place, of a fixed purpose, because it is the clue by which I am to be followed into my poor labyrinth. According to my experience, the conventional notion of a lover cannot be always true. The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I loved her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection.
I so shaped out my walk as to arrive at the gate at my old time. When I had rung at the bell with an unsteady hand, I turned my back upon the gate, while I tried to get my breath and keep the beating of my heart moderately quiet. I heard the side door open, and steps come across the court-yard; but I pretended not to hear, even when the gate swung on its rusty hinges.
Being at last touched on the shoulder, I started and turned. I started much more naturally then, to find myself confronted by a man in a sober grey dress. The last man I should have expected to see in that place of porter at Miss Havisham's door.
"Orlick!"
"Ah, young master, there's more changes than yours. But come in, come in. It's opposed to my orders to hold the gate open."
I entered and he swung it, and locked it, and took the key out. "Yes!" said he, facing round, after doggedly preceding me a few steps towards the house. "Here I am!"
"How did you come here?"
"I come her," he retorted, "on my legs. I had my box brought alongside me in a barrow."
"Are you here for good?"
"I ain't her for harm, young master, I suppose?"
I was not so sure of that. I had leisure to entertain the retort in my mind, while he slowly lifted his heavy glance from the pavement, up my legs and arms, to my face.
"Then you have left