it would grow lighter, and her features would become simply feminine; they had changed from those of a divinity who could confer bliss to those of a being who craved it.
At these non-human hours they could get quite close to the waterfowl. Herons came, with a great bold noise as of opening doors and shutters, out of the boughs of a plantation which they frequented at the side of the mead; or, if already on the spot, hardily maintained their standing in the water as the pair walked by, watching them by moving their heads round in a slow, horizontal, passionless wheel, like the turn of puppets by clockwork.
They could then see the faint summer fogs in layers, woolly, level, and apparently no thicker than counterpanes, spread about the meadows in detached remnants of small extent. On the gray moisture of the grass were marks where the cows had lain through the night—dark-green islands of dry herbage the size of their carcasses, in the general sea of dew. From each island proceeded a serpentine trail, by which the cow had rambled away to feed after getting up, at the end of which trail they found her; the snoring puff from her nostrils, when she recognized them, making an intenser little fog of her own amid the prevailing one. Then they drove the animals back to the barton, or sat down to milk them on the spot, as the case might require.
Or perhaps the summer fog was more general, and the meadows lay like a white sea, out of which the scattered trees rose like dangerous rocks. Birds would soar through it into the upper radiance, and hang on the wing sunning themselves, or alight on the wet rails subdividing the mead, which now shone like glass rods. Minute diamonds of moisture from the mist hung, too, upon Tess's eyelashes, and drops upon her hair, like seed pearls. When the day grew quite strong and commonplace these dried off her; moreover, Tess then lost her strange and ethereal beauty; her teeth, lips, and eyes scintillated in the sunbeams and she was again the dazzlingly fair dairymaid only, who had to hold her own against the other women of the world.
About this time they would hear Dairyman Crick's voice, lecturing the non-resident milkers for arriving late, and speaking sharply to old Deborah Fyander for not washing her hands.
"For Heaven's sake, pop thy hands under the pump, Deb! Upon my soul, if the London folk only knowed of thee and thy slovenly ways, they'd swaller their milk and butter more mincing than they do a'ready; and that's saying a good deal."
The milking progressed, till towards the end Tess and Clare, in common with the rest, could hear the heavy breakfast table dragged out from the wall in the kitchen by Mrs Crick, this being the invariable preliminary to each meal; the same horrible scrape accompanying its return journey when the table had been cleared.
XXI
––––––––
There was a great stir in the milk-house just after breakfast. The churn revolved as usual, but the butter would not come. Whenever this happened the dairy was paralyzed. Squish, squash echoed the milk in the great cylinder, but never arose the sound they waited for.
Dairyman Crick and his wife, the milkmaids Tess, Marian, Retty Priddle, Izz Huett, and the married ones from the cottages; also Mr Clare, Jonathan Kail, old Deborah, and the rest, stood gazing hopelessly at the churn; and the boy who kept the horse going outside put on moon-like eyes to show his sense of the situation. Even the melancholy horse himself seemed to look in at the window in inquiring despair at each walk round.
"'Tis years since I went to Conjuror Trendle's son in Egdon—years!" said the dairyman bitterly. "And he was nothing to what his father had been. I have said fifty times, if I have said once, that I don't believe in en; though 'a do cast folks' waters very true. But I shall have to go to 'n if he's alive. O yes, I shall have to go to 'n, if this sort of thing continnys!"
Even Mr Clare began to feel tragical at the dairyman's desperation.
"Conjuror Fall, t'other side of Casterbridge, that they used to call 'Wide-O', was a very good man when I was a boy," said Jonathan Kail. "But he's rotten as touchwood by now."
"My grandfather used to go to Conjuror Mynterne, out at Owlscombe, and a clever man a' were, so I've heard grandf'er say," continued Mr Crick. "But there's no such genuine folk about nowadays!"
Mrs Crick's mind kept nearer to the matter in hand.
"Perhaps somebody in the house is in love," she said tentatively. "I've heard tell in my younger days that that will cause it. Why, Crick—that maid we had years ago, do ye mind, and how the butter didn't come then—"
"Ah yes, yes!—but that isn't the rights o't. It had nothing to do with the love-making. I can mind all about it—'twas the damage to the churn."
He turned to Clare.
"Jack Dollop, a 'hore's-bird of a fellow we had here as milker at one time, sir, courted a young woman over at Mellstock, and deceived her as he had deceived many afore. But he had another sort o' woman to reckon wi' this time, and it was not the girl herself. One Holy Thursday of all days in the almanack, we was here as we mid be now, only there was no churning in hand, when we zid the girl's mother coming up to the door, wi' a great brass-mounted umbrella in her hand that would ha' felled an ox, and saying 'Do Jack Dollop work here?—because I want him! I have a big bone to pick with he, I can assure 'n!' And some way behind her mother walked Jack's young woman, crying bitterly into her handkercher. 'O Lard, here's a time!' said Jack, looking out o' winder at 'em. 'She'll murder me! Where shall I get—where shall I—? Don't tell her where I be!' And with that he scrambled into the churn through the trap-door, and shut himself inside, just as the young woman's mother busted into the milk-house. 'The villain—where is he?' says she. 'I'll claw his face for'n, let me only catch him!' Well, she hunted about everywhere, ballyragging Jack by side and by seam, Jack lying a'most stifled inside the churn, and the poor maid—or young woman rather—standing at the door crying her eyes out. I shall never forget it, never! 'Twould have melted a marble stone! But she couldn't find him nowhere at all."
The dairyman paused, and one or two words of comment came from the listeners.
Dairyman Crick's stories often seemed to be ended when they were not really so, and strangers were betrayed into premature interjections of finality; though old friends knew better. The narrator went on—
"Well, how the old woman should have had the wit to guess it I could never tell, but she found out that he was inside that there churn. Without saying a word she took hold of the winch (it was turned by handpower then), and round she swung him, and Jack began to flop about inside. 'O Lard! stop the churn! let me out!' says he, popping out his head. 'I shall be churned into a pummy!' (He was a cowardly chap in his heart, as such men mostly be). 'Not till ye make amends for ravaging her virgin innocence!' says the old woman. 'Stop the churn you old witch!' screams he. 'You call me old witch, do ye, you deceiver!' says she, 'when ye ought to ha' been calling me mother-law these last five months!' And on went the churn, and Jack's bones rattled round again. Well, none of us ventured to interfere; and at last 'a promised to make it right wi' her. 'Yes—I'll be as good as my word!' he said. And so it ended that day."
While the listeners were smiling their comments there was a quick movement behind their backs, and they looked round. Tess, pale-faced, had gone to the door.
"How warm 'tis to-day!" she said, almost inaudibly.
It was warm, and none of them connected her withdrawal with the reminiscences of the dairyman. He went forward and opened the door for her, saying with tender raillery—
"Why, maidy" (he frequently, with
