Transmitter and Receiver. Raoul Fernandes

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Transmitter and Receiver - Raoul Fernandes

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If it’s more beautiful than mine,

      it’s yours.

      Bioluminescence

      Walking through the sensor gate at the public library

      after a heavy reading, you fear the alarm

      will go off from what is held in your mind.

      You reassure yourself with the thought that no matter

      how fuzzy it gets in the wire-tangled AV room,

      you are still lunch, with possible leftovers,

      for that wolf and her cubs. You have to imagine

      the wolf and her cubs, obviously, but it helps.

      When it comes down to it, it’s completely dark

      just a few millimetres beneath the skin, no matter

      how real the flickers on your nerve endings feel,

      what with this strong coffee, this pulsing sky. You remind

      yourself deep-sea life forms have evolved bioluminescence

      for practical, not spiritual, reasons. Lunch, leftovers, etc.

      Wooden chairs are real and tangible,

      which is why philosophers and poets are always

      referring to them, holding onto them, when hovering

      around their rooms. Sometimes you catch yourself

      singing without knowing you are singing

      and sometimes you don’t even catch yourself.

      Worn Book

      The spine’s threads and glue coming apart

      from frequent shelving, being shoved into backpacks,

      tossed across rooms; the cover tarnished,

      water/coffee/wine damage,

      dog ears, rippled pages, stains from a petal

      pressed between pages 26 and 27,

      tiny crushed insects like misplaced punctuation,

      damage from the book louse’s

      feeding on the mould in the paper,

      the mould too, of course, scribbled notes,

      shards of highlighter, the slow fading

      from light itself. Our fingerprints,

      the oil of our hands, the oil and sweat

      of our shaking, paper-cut hands.

      Dear Liza

      You need a flashlight to find the flashlight.

      A cup of coffee to muster the energy

      to get to the coffee maker. Call

      the phone-repair man with your smashed

      phone. Decipher the patterns in the ceiling.

      The pill that takes away your fear of heights

      is at the top of the ladder. I gave up everything for you,

      he says. Everything that I wanted you to keep,

      she says. Signing up for the fire-juggling course

      requires that you have already taken

      the fire-juggling course. Your face hovering

      above the puzzle is an unfinished puzzle. Scattered

      sky-blue pieces. A frown is a frozen ripple.

      A shudder is you trying to be in two places at once.

      But there’s a hole in the bucket, dear Liza, dear Liza.

      Try and try, give up and try again. And give up.

      I cannot say sorry until you say sorry first,

      they both think. The oars to your boat are floating away.

      Itch in the phantom limb. Cut flowers in the vase

      with all their love-me / love-me-not petals.

      You first, they both think. Please. You search

      your pockets outside your locked car. Where

      are they? Oh, right. In the ignition.

      There they are.

      Automatic Teller

      The fast-cash ATM wonders why

      the woman looks so sad

      when it prints out

      pale numbers

      on a small piece of paper

      after she clearly pressed yes

      when offered a receipt

      wonders if this is some

      personal narrative

      it is not privy to

      through its built-in camera

      the ATM’s limited view

      is the lower half

      of a streetlight pole

      a newspaper box

      updated daily

      a laundromat across

      the road with lopsided

      hanging fluorescent lights

      I’d print something better

      if I could

      it thinks

      fortune-cookie ribbons

      or

      the inverse

      of every news headline

      I’d generate some music

      if I had more

      than one tone

      crush that little paper

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