Spells. Annie Finch

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Spells - Annie Finch Wesleyan Poetry Series

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In the winding

       of the vine

       our voices stretch

       from us and twine —

      No, going into the waiting places

      is not easy. Flowers fade there.

       around the year’s

       fermented wine —

      Mostly, it’s surrender of wanting,

      or the fear that a flame will be dampened—

      or that everything warm will come rushing

      over me with reproach—or that endless

      needles could be ranged in the tunnel—

      or that my bare feet would be slippery—

       Yellow. Fall roars

       down to the ground,

       loud, in the leafy sun that pours

       liquid through doors.

       Yellow, the leaves go down

      or that once I’m down in that darkness

      someone outside will block off the entrance—

      Touches of gold stipple the branches,

      promising weeks of time —

       Thread with Me

       My lover, when you riddle with me—

       reddening slowly, then suddenly free,

       turned like a key

      Oh! the falling flowers have caught me

      by dipping yellow, purple towards the hunger—

       —the hard, the intricate dark

       (I hear the notes of your words

      ring for me cool as the birds,

       my lover—

       through the long year’s

       fermenting wine

      her thin stems turning, held to be—lost—

       my lover, when you thread with me

       Now you are uncurled and cover our eyes

       with the edge of winter sky,

       leaning over us in icy stars

       through this night-shot

      night-shot dark

      is never easy.

      Flowers fade here.

      Voices pull me on through the cavern

      from the new season. Her voice old, silent—

       our hands, our breasts, our curves

       curl through our hands and ravel—

      On damp limestone, a violet curling—

       my lover, when you riddle with me

      the hard, the intricate dark.

      Rack me with courage, spring,

      come kill me, flowers;

      if we are shadows, come;

      make me our shadows

      as I reach for flowers.

      OVER DARK ARCHES

      Naked and thin and wet, as if with rain,

      bursting I come out of somewhere, bursting again.

      And like a great building that breathes under sunlight

      over dark arches, your body is there,

       And my milk moves under your tongue—

      where currents from earth linger under cool stone

      rising to me and my mouth makes a circle

      over your silence

       You reach through your mouth to find me—

      Bursting out of your body that held me for years,

      as the rain wets the earth with its bodies—

       And my thoughts are milk to feed you

      till we turn and are empty,

      till we turn and are full.

      A CAROL FOR CAROLYN

       It is easy to be a poet,

       brim with transparent water.

       —Carolyn Kizer, “In the First Stanza”

      I dreamed of a poet who gave me a whale

      that shadowed clear pools through the kelp-making shade.

      When beached sea-foam dried on the rocks, it would sail

      down currents that gathered to pool and cascade

      with turbulent order.

      She brims with transparent water,

      as mother and poet and daughter.

      The surface is broken and arching and full,

      impelled by the passions of nation and woman.

      The waves build and fall; the deep currents pull

      toward rocky pools cupping the salt of the human.

      The ocean she’s authored

      brims, with transparent water,

      for

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