Detective Kennedy's Cases. Arthur B. Reeve
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"I cannot, I cannot," she cried. "It is the fascination of the thing. It brings me back here. I dream of it. I thought I saw those eyes the other night. They haunt me. I fear them, and yet I would not avoid them, if it killed me to look. I must meet and defy the power. What is it? Is it a curse four thousand years old that has fallen on me?"
I had heard stories of mummies that rose from their sleep of centuries to tell the fate of some one when it was hanging in the balance, of mummies that groaned and gurgled and fought for breath, frantically beating with their swathed hands in the witching hours of the night. And I knew that the lure of these mummies was so strong for some people that they were drawn irresistibly to look upon and confer with them. Was this a case for the oculists, the spiritualists, the Egyptologists, or for a detective?
"I should like to examine the art gallery, in fact, go over the whole museum," put in Kennedy in his most matter-of-fact tone.
Spencer, with a glance at his watch, excused himself, nodding to Dr. Lith to show us about, and with a good night to Miss White which was noticeable for its sympathy with her fears, said, "I shall be at the house for another half-hour at least, in case anything really important develops."
A few minutes later Miss White left for the night, with apparent reluctance, and yet, I thought, with just a little shudder as she looked back up the staircase that led to the art-gallery.
Dr. Lith led us into a large vaulted marble hall and up a broad flight of steps, past beautiful carvings and frescoes that I should have liked to stop and admire.
The art-gallery was a long room in the interior and at the top of the building, windowless but lighted by a huge double skylight each half of which must have been some eight or ten feet across. The light falling through this skylight passed through plate glass of marvellous transparency. One looked up at the sky as if through the air itself.
Kennedy ignored the gallery's profusion of priceless art for the time and went directly to the mummy-case of the priestess Ka.
"It has a weird history," remarked Dr. Lith. "No less than seven deaths, as well as many accidents, have been attributed to the malign influence of that greenish yellow coffin. You know the ancient Egyptians used to chant as they buried their sacred dead: 'Woe to him who injures the tomb. The dead shall point out the evildoer to the Devourer of the Underworld. Soul and body shall be destroyed.'"
It was indeed an awesome thing. It represented a woman in the robes of an Egyptian priestess, a woman of medium height, with an inscrutable face. The slanting Egyptian eyes did, as Miss White had said, almost literally stare through you. I am sure that any one possessing a nature at all affected by such things might after a few minutes gazing at them in self-hypnotism really convince himself that the eyes moved and were real. Even as I turned and looked the other way I felt that those penetrating eyes were still looking at me, never asleep, always keen and searching.
There was no awe about Kennedy. He carefully pushed aside the lid and peered inside. I almost expected to see some one in there. A moment later he pulled out his magnifying-glass and carefully examined the interior. At last he was apparently satisfied with his search. He had narrowed his attention down to a few marks on the stone, partly in the thin layer of dust that had collected on the bottom.
"This was a very modern and material reincarnation," he remarked, as he rose. "If I am not mistaken, the apparition wore shoes, shoes with nails in the heels, and nails that are not like those in American shoes. I shall have to compare the marks I have found with marks I have copied from shoe-nails in the wonderful collection of M. Bertillon. Offhand, I should say that the shoes were of French make."
The library having been gone over next without anything attracting Kennedy's attention particularly, he asked about the basement or cellar. Dr. Lith lighted the way, and we descended.
Down there were innumerable huge packing-cases which had just arrived from abroad, full of the latest consignment of art treasures which Spencer had purchased. Apparently Dr. Lith and Miss White had been so engrossed in discovering what damage had been done to the art treasures above that they had not had time to examine the new ones in the basement,
Kennedy's first move was to make a thorough search of all the little grated windows and a door which led out into a sort of little area way for the removal of ashes and refuse. The door showed no evidence of having been tampered with, nor did any of the windows at first sight. A low exclamation from Kennedy brought us to his side. He had opened one of the windows and thrust his hand out against the grating, which had fallen on the outside pavement with a clang. The bars had been completely and laboriously sawed through, and the whole thing had been wedged back into place so that nothing would be detected at a cursory glance. He was regarding the lock on the window. Apparently it was all right; actually it had been sprung so that it was useless.
"Most persons," he remarked, "don't know enough about jimmies. Against them an ordinary door-lock or window-catch is no protection. With a jimmy eighteen inches long even an anæmic burglar can exert a pressure sufficient to lift two tons. Not one window in a thousand can stand that strain. The only use of locks is to keep out sneak-thieves and compel the modern scientific educated burglar to make a noise. But making a noise isn't enough here, at night. This place with all its fabulous treasures must be guarded constantly, now, every hour, as if the front door were wide open."
The bars replaced and the window apparently locked as before, Craig devoted his efforts to examining the packing cases in the basement. As yet apparently nothing down there had been disturbed. But while rummaging about, from an angle formed behind one of the cases he drew forth a cane, to all appearances an ordinary Malacca walking-stick. He balanced it in his hand a moment, then shook his head.
"Too heavy for a Malacca," he ruminated. Then an idea seemed to occur to him. He gave the handle a twist. Sure enough, it came off, and as it did so a bright little light flashed up.
"Well, what do you think of that?" he exclaimed. "For a scientific dark-lantern that is the neatest thing I have ever seen. An electric light cane, with a little incandescent lamp and a battery hidden in it. This grows interesting. We must at last have found the cache of a real gentleman burglar such as Bertillon says exists only in books. I wonder if he has anything else hidden back here."
He reached down and pulled out a peculiar little instrument—a single blue steel cylinder. He fitted a hard rubber cap snugly into the palm of his hand, and with the first and middle fingers encircled the cylinder over a steel ring near the other end.
A loud report followed, and a vase, just unpacked, at the opposite end of the basement was shattered as if by an explosion.
"Phew!" exclaimed Kennedy. "I didn't mean to do that. I knew the thing was loaded, but I had no idea the hair-spring ring at the end was so delicate as to shoot it off at a touch. It's one of those aristocratic little Apache pistols that one can carry in his vest pocket and hide in his hand. Say, but that stung! And back here is a little box of cartridges, too."
We looked at each other in amazement at the chance find. Apparently the vandal had planned a series of visits.
"Now, let me see," resumed Kennedy. "I suppose our very human but none the less mysterious intruder expected to use these again. Well, let him try. I'll put them back here for the present. I want to watch in the art-gallery to-night."
I could not help wondering whether, after all, it might not be an inside job and the fixing of the window merely a blind. Or was the vandal fascinated by the subtle influence of mysticism that so often seems to emanate from objects that