you have cold pork for your supper,” asked the hard-faced maid, as she cleared the table, “or will you have it hotted up?”
“Hot, with onions,” said Stoner. It was the only time in his life that he had made a rapid decision. And as he gave the order he knew that he meant to stay.
Stoner kept rigidly to those portions of the house which seemed to have been allotted to him by a tacit treaty of delimitation. When he took part in the farm-work it was as one who worked under orders and never initiated them. Old George, the roan cob, and Bowker’s pup were his sole companions in a world that was otherwise frostily silent and hostile. Of the mistress of the farm he saw nothing. Once, when he knew she had gone forth to church, he made a furtive visit to the farm parlour in an endeavour to glean some fragmentary knowledge of the young man whose place he had usurped, and whose ill-repute he had fastened on himself. There were many photographs hung on the walls, or stuck in prim frames, but the likeness he sought for was not among them. At last, in an album thrust out of sight, he came across what he wanted. There was a whole series, labelled “Tom,” a podgy child of three, in a fantastic frock, an awkward boy of about twelve, holding a cricket bat as though he loathed it, a rather good-looking youth of eighteen with very smooth, evenly parted hair, and, finally, a young man with a somewhat surly dare-devil expression. At this last portrait Stoner looked with particular interest; the likeness to himself was unmistakable.
From the lips of old George, who was garrulous enough on most subjects, he tried again and again to learn something of the nature of the offence which shut him off as a creature to be shunned and hated by his fellow-men.
“What do the folk around here say about me?” he asked one day as they were walking home from an outlying field.
The old man shook his head.
“They be bitter agen you, mortal bitter. Aye, ’tis a sad business, a sad business.”
And never could he be got to say anything more enlightening.
On a clear frosty evening, a few days before the festival of Christmas, Stoner stood in a corner of the orchard which commanded a wide view of the countryside. Here and there he could see the twinkling dots of lamp or candle glow which told of human homes where the goodwill and jollity of the season held their sway. Behind him lay the grim, silent farm-house, where no one ever laughed, where even a quarrel would have seemed cheerful. As he turned to look at the long grey front of the gloom-shadowed building, a door opened and old George came hurriedly forth. Stoner heard his adopted name called in a tone of strained anxiety. Instantly he knew that something untoward had happened, and with a quick revulsion of outlook his sanctuary became in his eyes a place of peace and contentment, from which he dreaded to be driven.
“Master Tom,” said the old man in a hoarse whisper, “you must slip away quiet from here for a few days. Michael Ley is back in the village, an’ he swears to shoot you if he can come across you. He’ll do it, too, there’s murder in the look of him. Get away under cover of night, ’tis only for a week or so, he won’t be here longer.”
“But where am I to go?” stammered Stoner, who had caught the infection of the old man’s obvious terror.
“Go right away along the coast to Punchford and keep hid there. When Michael’s safe gone I’ll ride the roan over to the Green Dragon at Punchford; when you see the cob stabled at the Green Dragon ’tis a sign you may come back agen.”
“But —” began Stoner hesitatingly.
“’Tis all right for money,” said the other; “the old Missus agrees you’d best do as I say, and she’s given me this.”
The old man produced three sovereigns and some odd silver.
Stoner felt more of a cheat than ever as he stole away that night from the back gate of the farm with the old woman’s money in his pocket. Old George and Bowker’s pup stood watching him a silent farewell from the yard. He could scarcely fancy that he would ever come back, and he felt a throb of compunction for those two humble friends who would wait wistfully for his return. Some day perhaps the real Tom would come back, and there would be wild wonderment among those simple farm folks as to the identity of the shadowy guest they had harboured under their roof. For his own fate he felt no immediate anxiety; three pounds goes but little way in the world when there is nothing behind it, but to a man who has counted his exchequer in pennies it seems a good starting-point. Fortune had done him a whimsically kind turn when last he trod these lanes as a hopeless adventurer, and there might yet be a chance of his finding some work and making a fresh start; as he got further from the farm his spirits rose higher. There was a sense of relief in regaining once more his lost identity and ceasing to be the uneasy ghost of another. He scarcely bothered to speculate about the implacable enemy who had dropped from nowhere into his life; since that life was now behind him one unreal item the more made little difference. For the first time for many months he began to hum a careless lighthearted refrain. Then there stepped out from the shadow of an overhanging oak tree a man with a gun. There was no need to wonder who he might be; the moonlight falling on his white set face revealed a glare of human hate such as Stoner in the ups and downs of his wanderings had never seen before. He sprang aside in a wild effort to break through the hedge that bordered the lane, but the tough branches held him fast. The hounds of Fate had waited for him in those narrow lanes, and this time they were not to be denied.
The Recessional
Clovis sat in the hottest zone but two of a Turkish bath, alternately inert in statuesque contemplation and rapidly manoeuvring a fountain-pen over the pages of a note-book.
“Don’t interrupt me with your childish prattle,” he observed to Bertie van Tahn, who had slung himself languidly into a neighbouring chair and looked conversationally inclined; “I’m writing deathless verse.”
Bertie looked interested.
“I say, what a boon you would be to portrait painters if you really got to be notorious as a poetry writer. If they couldn’t get your likeness hung in the Academy as ‘Clovis Sangrail, Esq., at work on his latest poem,’ they could slip you in as a Study of the Nude or Orpheus descending into Jermyn Street. They always complain that modern dress handicaps them, whereas a towel and a fountain-pen —”
“It was Mrs. Packletide’s suggestion that I should write this thing,” said Clovis, ignoring the bypaths to fame that Bertie van Tahn was pointing out to him. “You see, Loona Bimberton had a Coronation Ode accepted by the NEW INFANCY, a paper that has been started with the idea of making the NEW AGE seem elderly and hidebound. ‘So clever of you, dear Loona,’ the Packletide remarked when she had read it; ‘of course, anyone could write a Coronation Ode, but no one else would have thought of doing it.’ Loona protested that these things were extremely difficult to do, and gave us to understand that they were more or less the province of a gifted few. Now the Packletide has been rather decent to me in many ways, a sort of financial ambulance, you know, that carries you off the field when you’re hard hit, which is a frequent occurrence with me, and I’ve no use whatever for Loona Bimberton, so I chipped in and said I could turn out that sort of stuff by the square yard if I gave my mind to it. Loona said I couldn’t, and we got bets on, and between you and me I think the money’s fairly safe. Of course, one of the conditions of the wager is that the thing has to be published in something or other, local newspapers barred; but Mrs. Packletide has endeared herself by many little acts of thoughtfulness to the editor of the SMOKY CHIMNEY, so if I can hammer out anything at all approaching the level of the usual Ode output we ought to be all right. So far
