Musical Instruments of the Indigenous People of South Africa. Percival Kirby

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Musical Instruments of the Indigenous People of South Africa - Percival  Kirby

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Figure 6.22.Chwana (Bangwaketse) playing upon the mokoreie.

       Figure 6.23.Four sets of Zulu amagemfe.

       Figure 6.24.Zulu boys playing upon the amagemfe.

       Figure 6.25.Transverse flutes. 1, 2, Swazi; 3, 4, 5, Venda; 6, 7, 8, 12, Pedi; 9, Lemba; 10, Thonga; 11, Balubedu; 13, 14, 15, Zulu.

       Figure 6.26.Pedi boy playing upon a transverse flute, called naka ya lethlaka.

       Figure 6.27.Thonga ocarinas, called shiwaya.

       Figure 6.28.Thonga playing upon the shiwaya.

       Figure 6.29.Karanga and Venda flutes. 1, 3, Venda khumbgwe; 2, Karanga ombgwe.

       Figure 6.30.Karanga playing upon the ombgwe.

       Figure 6.31.Whistles imitated from European models. 1, Xhosa; 2, 3, 4, Zulu; 5, Venda; 6, 7, 8, 9, Zulu.

       Figure 6.32.Venda humming-tops and dancing puppet.

       Figure 6.33.1, Sotho (Tvl.) vibrating reed, made from mealie-stalk; 2, Thonga toy whistle; 3, model of Venda sitlanjani.

       Figure 7.1.Set of Nama Hottentot reed-flutes, with tuning-stick.

       Figure 7.2.Korana Hottentot sounding a reed-flute.

       Figure 7.3.Set of Chwana (Bamalete) reed-flutes and tuning-sticks.

       Figure 7.4.Chwana (Bamalete) reed-flute ensemble.

       Figure 7.5.Sets of reed-flutes. 1, Venda; 2, Sotho (Tvl.); 3, Bushman; 4, odd Venda reed-flutes, showing ornamentation.

       Figure 7.6.Venda reed-flute ensemble, showing the circle of dancers.

       Figure 8.1.Sotho (Bas.) playing upon the lesiba.

       Figure 8.2.Ends of Hottentot gora with tuning-peg.

       Figure 8.3.Korana Hottentot playing upon the gora.

       Figure 8.4.1.Quill ends of 1, 2, Sotho (Bas.) lesiba; 3, Chwana kwadi

       Figure 8.4.2.Quill ends of Pedi lesiba.

       Figure 8.4.3.Quill ends of, 1, Xhosa ugwali; 2, 3, Zulu ugwala.

       Figure 8.4.4.Quill ends of Venda ugwala.

       Figure 8.5.Pedi lesiba player seen from behind, showing the tip of the quill between the slightly parted lips.

       Figure 9.1.Chwana (Bamalete) playing upon the segankuru.

       Figure 9.2.Bushman with bow.

       Figure 9.3.Bushman using bow as a musical instrument.

       Figure 9.4.Stringed instruments, Group I (a). 1, Chwana segwana; 2, Swazi ligubu; 3, Zulu ugubu; 4, Sotho (Bas.) thomo; 5, 6, Xhosa uhadi.

       Figure 9.5.Swazi playing upon the ligubu.

       Figure 9.6.Swazi girl playing upon the umakweyana.

       Figure 9.7.Stringed instruments, Group I (b). 1, Thonga nkoka; 2, Venda dende; 3, Swazi umakweyana; 4, Zulu umakweyana; 5, 6, Pedi sekgapa.

       Figure 9.8.Hottentot woman playing upon a precursor of the kha:s.

       Figure 9.9.Stringed instruments, Group II (a): Korana kha:s.

       Figure 9.10.Korana woman playing upon the kha:s, with string open.

       Figure 9.11.Korana woman playing upon the kha:s, with string stopped by chin.

       Figure 9.12.Stringed instruments, Group II (a): Chwana nokokwane with milk-sack resonator.

       Figure 9.13.Chwana (Bamalete) playing upon the nokokwane.

       Figure 9.14.Stringed instruments, Group II (b). 1, 2, Chwana segankuru; 3, Zulu ubhel’indhlela; 4, Sotho (Bas.) sekatari; 5, Xhosa uhadi; 6, Venda tsijolo; 7, Pedi sekgobogobo.

       Figure 9.15.Venda playing upon the tsijolo.

       Figure 9.16.Chwana (Bamalete) playing upon the segankuru showing the method of tensioning the friction bow.

       Figure 9.17.Chwana boys playing at the game called sebatlo.

       Figure 9.18.Stringed instruments, Group III (a). 1, Zulu umqangala; 2, Swazi umqangala; 3, Xhosa inkinge; 4, Sotho (Bas.) lekope; 5, Thonga umqangala; 6, Pedi lekope; 7, Venda lugube; 8, Chwana lengope; 9, Korana !gabus.

       Figure 9.19.Korana Hottentot playing upon the !gabus.

       Figure 9.20.Venda girl playing upon the lugube.

       Figure 9.21.Stringed instruments, Group III (b). 1, Damara outa; 2, Karanga tshipendani; 3, Venda tshigwana; 4, Ndebele isitontolo; 5, Thonga isitontolo; 6, Sotho (Bas.) setolotolo; 7, Pedi lekope; 8, 9, 10, Zulu isitontolo.

       Figure 9.22.Pedi playing upon the lekope.

       Figure 9.23.Stringed instruments, Group III (c). 1, Bushman nxonxoro; 2, the same obtained from a Zulu in Natal; 3, 4, Venda tshizambi.

       Figure 9.24.Stringed instruments, Group III (c). 1, 2, 3, 4, Thonga zambi.

       Figure 9.25.Bushman playing upon the nxonxoro.

       Figure 9.26.Thonga playing upon the zambi.

       Figure 9.27.Stringed instruments, Group III (d). 1, 2, Swazi utiyane; 3, Xhosa umrube.

       Figure 9.28.Pondo playing upon the umqunge.

       Figure 9.29.Swazi playing upon the utiyane.

       Figure 9.30.Pondo playing upon the isankuni.

       Figure 9.31.Ovambo ‘guitar’.

       Figure 9.32.Bushman playing upon the ≠goukha:s.

       Figure 10.1Bushman violin made from tin.

       Figure 10.2.Bushman violins made from 1, skin and 2, cardboard and wood.

       Figure 10.3.Hottentot

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