By Any Media Necessary. Henry Jenkins
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Nick Couldry (2010) begins his book Why Voice Matters by identifying the many different ways voices get denied or undermined within today’s neoliberal society. IC’s supporters were mostly drawn from the ranks of more affluent and politically influential sectors of society (see Karlin et al. forthcoming.) Surely, these youth have access to many of the levers (Zuckerman 2013a) needed to make their voices heard. Yet many of them had not been involved in civic life before and would not have become politically active without IC’s supportive community. In this book’s later chapters, we will see more dramatic examples of marginalized groups seeking collective power through participatory politics, but it’s worth stressing that political engagement is not guaranteed even among those who come from more privileged backgrounds. Supporting this perspective, Kligler-Vilenchik and Thorson (forthcoming) show how memes critical of Kony 2012 exploited stereotypes that young people are ignorant, irrational, duped, or apathetic. Couldry (2010) reminds us, “People’s voices only count if their bodies matter,” noting that existing forms of discrimination based on race, gender, sexuality, and so forth ensure that some voices go unheard (130), and we must surely add to that list the marginalization which has historically occurred as children and youth first assert themselves into political debates. Couldry also reminds us that “an unequal distribution of narrative resources” may also serve to limit which voices can be heard, since some forms of political speech are more readily recognized than others within institutional politics or journalism (9). The groups we are studying are seeking to expand the languages through which politics can be expressed, finding new vocabularies that make sense in the life contexts of young citizens; as they do so, however, they may often express their messages in ways that make them less likely to be heard by key decision makers.
In this chapter, we use IC and Kony 2012 to explore the potentials and challenges of participatory politics. Three years after the film’s release, we remain distinctly ambivalent about whether the film’s immense spreadability translated into a net success for the organization and the youth movement it inspired. We thus use IC and Kony 2012 to identify some of the paradoxes that must be addressed if we are going to understand whether and in what ways the mechanisms of participatory politics might promote meaningful political change and foster greater civic engagement. The paradoxes we identify here reflect recurring questions the organization faced during this period of crisis and success: How much should IC focus on expanding the youth movement it had built up through the years via its focused anti-LRA efforts? Could IC accept its members’ desire for a more participatory organizational model or should it try to retain control over their messaging? Could the story IC told be both simple enough to be easily graspable and complex enough to do justice to the nuances of the LRA conflict? How could IC make its humanitarian and social justice work fun without compromising its acceptance by policy makers and NGOs? And why didn’t IC work harder to balance the friendship and cordiality it so treasured with training that equipped its supporters to deal with contentious situations related to its cause? Above all, should this innovative organization be judged based on the results it achieved in pursuit of its policy goals or based on the ways it recruited and empowered a generation of young activists who might have an impact on a broader range of issues?
We watched IC’s leaders and supporters twist and turn as they experimented with different responses to these core paradoxes; we saw the group move between models that were more top-down or goal focused and others that were more participatory and process focused. The enormous success of Kony 2012 brought all of these tensions to a crisis point from which the organization never fully recovered. Each of the groups in our other case studies confront some of these same tensions; each represents a somewhat different model for how successful organizations might solicit and support the participation of their members in an age of networked communication; each group made its own choices, and, yes, its own mistakes, as they sought to address these defining challenges around civic culture in the early 21st century. Few of the cases, though, illustrate these paradoxes as fully as IC does and that’s why we are starting here.
Moving beyond the Clicktivism Critique
On August 8, 2013, Jason Russell addressed an auditorium full of young IC supporters. After some initial lighthearted comments, his demeanor changed. “I want to give you a little glimpse into what was going on inside of me,” he said. He then recounted the days following Kony 2012’s release that led up to his public mental breakdown. “I wrote down all the things that we were pissing off, that we were disrupting, that we were questioning,” he recalled. “The list looked like this: Hollywood, social networking, online media, movies, activism, United Nations, America, millennials, journalism, nonprofits, fashion, advertising, and international justice.” He explained that’s when he realized “why they’re so pissed off.” In his words, it was “because it’s … the whole world that is going, ‘Who is this? Who are you? How dare you load a 29-minute 59-second video online? And how dare you reach 120 million people in five days? That’s not allowed. Something must be fishy. You must be a scam.’” At this point, his usually enthusiastic audience fell silent. Russell’s recounting of his personal experiences took everyone back to the moment when the initial excitement about Kony 2012’s phenomenal spread gave way to the backlash against Russell, Invisible Children, and the group’s young supporters. In Move, a film IC released in the fall of 2012, IC communication director Noelle West described her experience:
My cloud nine quickly dissolved.… Our website wasn’t built to maintain 35,000 concurrent viewers at one time. So our website’s crashing intermittently. The only thing we could communicate through was Tumblr. So you’re not going to see information about every single thing that we do from a Tumblr. And that was, I think, the beginning of the conversation turn from “this was the greatest thing on the planet” to “what the hell is this?”
In the same film, Russell described the criticism as a “tsunami” that IC “didn’t see coming.” In his words, “We turned around, and we were all under water.”
Something of the vicious tone of the critiques is captured in comments from Ugandan activist, social media strategist, and blogger TMS Ruge (2012a), who defined Kony 2012 as “another travesty in shepherd’s clothing befalling my country and my continent.” To Ruge, the film was “so devoid of nuance, utility and respect for agency that it is appallingly hard to contextualize.” Ruge, along with other critics, also questioned the effectiveness of purchasing “a T-shirt and bracelet” as acts that would somehow end a two-decade-long conflict. Other critics accused IC of exploiting the naiveté and ignorance of its young supporters, who they feared would confuse the feel-good process of spreading a YouTube video with the hard work involved in changing a complex international situation.
One internet meme summed up the phenomenon: “Watch 30 Minute Video on Internet, Become Social Activist.” This meme is, in many ways, emblematic of a larger critique of so-called clicktivism, defined as the application of the metrics and methods of the marketplace (number of clicks) to measure the success of (arguably) activist efforts. As one critic explains, “The end result is the degradation of activism into a series of petition drives that capitalise on current events. Political engagement becomes a matter of clicking a few links. In promoting the illusion that surfing the web can change the world, clicktivism is to activism as McDonald’s is to a slow-cooked meal. It may look like food, but the life-giving nutrients are long gone” (White 2010). The clicktivist critique often describes online campaigns as involving limited risk or exertion and having limited impact on institutional politics.
A meme that critiqued and ridiculed the Kony 2012 campaign.
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