Helsinki Drift. Douglas Burnet Smith

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Helsinki Drift - Douglas Burnet Smith

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Sophia

       Quai Mimosa, Saint-Pierre

       Waiting for the Anahitra

       Shrine of Notre Dame, Modelled on Lourdes, L’île aux Marins, Saint-Pierre

       Giotto in Colorado: Future Work, Shale Series

       Night Trail, Home: Anti-Title Haiku

      Ready to be anything in the ecstasy of being ever.

      —Sir Thomas Browne

      I’ve been things and seen places.

      —Mae West

      (i) Eleventh-Century Japanese Body Armour, Heathrow Airport

      Jets taxi

      the tarmac

      like slugs.

      In a smeared display

      case, dragons

      swirl on a jade breastplate,

      spew clouds over Fujiyama—

      black, thick, etched

      smoke swallowing

      plum trees,

      surprised farmers.

      Jaded passengers

      scurry, purchase

      flight insurance,

      carry-on bags filled

      with the end

      of the twentieth century.

      (ii) Bodhidarma Crossing the Blue River on a Reed (Chinese, Eighth Century, Artist Unknown)

       each act

      a cloud inconceivable

       not to be

       emptied

       out of so

       float

       on the fiction

       of the current

       destinations

       ricochet

       over the red

       shoulder bag

       no one claims

      Mountain grosbeaks scorch early apple boughs;

      Culvert echoes drown a rumbling train;

      Snow asks forgiveness all the way to clouds—

      And the kettle on the stove has the nerve to complain!

      tubercular,

      they crave

      the blood-drawn sunset

      that pales

      like a crazed face

      Black medick, sea beet, spear thistle,

      pellitory of the wall—the wind

      comes up from the Channel wild over cliffs

      and pushes these flowers

      flat.

      Lean

      into the wind. Step over

      mole barrows, tawny mole pebbles.

      Hope for the ghost of the poet

      to waddle into view

      like some swan

      in a black cape,

      walking stick,

      prim nurse beside him

      bustling in furbelows.

      But there’s just a cross, a cold, useless

      iron fence around it, far off

      a black freighter going grey.

       Isle of wight

      At the edge of it,

      you find the one small stone

      that has been there since

      smoothness won—

      a bracelet’s pink barn,

      a polished steeple.

      Walking into it,

      ice-fiery currents peel

      your knees.

      Grace

      deepens with every numbing step.

       Kintyre

      Who,

      tired of surface, tied

      that white boat, left it

      to float by the spiderleg pier?

      Only dark birds

      know who let it rot

      over itself, mirror its

      oarlessness and the one thin seam

      that

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